AJOUR A collective term for all textiles pierced ... - Zimmer + Rohde
AJOUR A collective term for all textiles pierced ... - Zimmer + Rohde
AJOUR A collective term for all textiles pierced ... - Zimmer + Rohde
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are visible on the surface, and in weft atlas, only<br />
the weft threads can be seen. They <strong>for</strong>m an extremely<br />
smooth, shiny surface whilst the underside<br />
has a matt appearance.<br />
scherli<br />
Fabric with tiny, fringe-like and raised weft<br />
threads arranged in a pattern.<br />
seersucker<br />
Plain-woven fabric with a striped pattern which<br />
<strong>for</strong>ms crêpe-like waves.<br />
shot FABric<br />
Fine fabric in a plain weave created with various<br />
yarn colours in the warp and weft. This causes a<br />
‘changing’, slightly shimmering effect depending<br />
on how the light f<strong>all</strong>s.<br />
silk<br />
Natural fibre from the cocoons of the mulberry<br />
silkworm. Alongside its delicate fineness and<br />
noble shine, pure silk presents high elasticity<br />
and sturdiness (it is impossible to break off a<br />
real silk thread by hand), a crease-proof and incredibly<br />
soft touch, and is particularly light and<br />
therm<strong>all</strong>y insulating. Nevertheless, this beautiful<br />
material is also extremely sensitive to alkalis,<br />
washing, acids, heat and UV rays. Special consideration<br />
must be given to its light sensitivity<br />
when planning to use silk to make curtains, given<br />
that if it is exposed to strong sunlight, it may<br />
break after some years. Lining the silk with another<br />
fabric prevents this to some extent, or can<br />
delay breakage <strong>for</strong> a number of years.<br />
tAFFetA<br />
Shiny fabric in a plain weave with a tendency to<br />
crease. Taffeta has a typical matt appearance