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concrete<br />
Push Over – When Art Meets Engineering<br />
Civil engineering and artistic vision came together in concrete recently when University<br />
of Auckland civil engineering undergraduate students Jedediah Martin and Sumit Anand<br />
collaborated on a piece of avant-garde art with artist Simon Glaister.<br />
Push Over at the St Paul Street Art Gallery<br />
The project, called Push Over, involved replicating a<br />
concrete beam-column unit that supports the ceiling at<br />
Auckland’s St Paul Street Art Gallery, earthquake testing it<br />
in a research lab, and then exhibiting it next to the original<br />
structure.<br />
Associate Professor Jason Ingham, of the Department of<br />
Civil and Environmental Engineering, says replicating the<br />
unit was a significant undertaking. The crucifix-shaped<br />
beam-column unit is reinforced with steel, stands 4.3<br />
metres high and 3.8 metres across, and weighs 5.8 tonnes.<br />
The artist and a team of engineering undergraduate<br />
students built the unit at the Stresscrete precast yard in<br />
Papakura as part of their final year course work. It was<br />
then transported by crane and truck to the University of<br />
Auckland Civil Engineering Test Hall, where it was subjected<br />
to maximum earthquake simulations and load testing. The<br />
damaged replica was then carefully transported to the<br />
gallery for display.<br />
“The construction process helped to foster interaction<br />
between the university and local concrete industry, and<br />
demonstrated concrete’s versatile properties,” Professor<br />
Ingham says. “Additionally, the exhibition enhanced the<br />
public’s knowledge of concrete construction and its seismic<br />
performance.”<br />
Simon Glaister, who is an artist from the AUT Art Gallery<br />
and a qualified civil engineer, says the work drew an<br />
analogy between the notions of structural, cultural and<br />
environmental collapse. “Amongst other things, the project<br />
playfully critiqued the authority of the museum within the<br />
avant-garde, the nature of authorship, our obsession<br />
with the innovative and new, and our society’s perverse<br />
fascination with catastrophe,” he says.<br />
The main sponsors of the Push Over project were Chartwell<br />
Trust, Stresscrete, Fletchers (Golden Bay Cement and<br />
Pacific Steel), Cassidy Construction, and Bridgemans<br />
Concrete.<br />
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