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ibliography<br />
Lisa Baxter. History, Identity and Meaning: Cape Town’s Coon Carnival in the 1960s and 1970s.<br />
(Unpublished M.A. thesis, University of Cape Town, 1996)<br />
Vivian Bickford-Smith, Elizabeth van Heyningen and Nigel Worden. Cape Town in the twentieth<br />
century: an illustrated social history. (Cape Town, David Philip Publishers, 1999)<br />
David Coplan. In Township Tonight: South Africa’s Black City Music and Theatre. (Johannesburg,<br />
Ravan, 1985)<br />
Veit Erlmann. African stars: studies in Black South African performance. (Chicago and London, The<br />
University of Chicago Press, 1991)<br />
Veit Erlmann. Nightsong: performance, power, and practice in South Africa. (Chicago and London,<br />
The University of Chicago Press, 1996)<br />
Sean Field. Lost Communities, Living Memories: Remembering Forced Removals in Cape Town.<br />
(Cape Town, David Philip Publishers, 2001)<br />
Shamil Jeppie. Aspects of Popular Culture and Class Expression in Inner Cape Town, Circa. 1939 –<br />
1959. (unpublished M.A. thesis, University of Cape Town, 1990)<br />
Denis-Constant Martin. Coon Carnival: New Year in Cape Town: past to present. (Cape Town, David<br />
Philip Publishers, 1999)<br />
Denis-Constant Martin. Chronicles of the Kaapse Klopse with some documents on the sources<br />
of their music. (Compiled as part of a research project on The New Year Festivals in Cape Town,<br />
funded by Sciences Po, the French Institute for Research in Africa, the French Institute for Southern<br />
Africa, and supported by the University of the Western Cape, 2007. http://www.criticalworld.net/<br />
popup_text.php?project_id=47&id=425)<br />
John Edwin Mason. One love, Ghoema beat: Inside the Cape Town Carnival. (Cape Town, Random<br />
House Struik, 2010)<br />
Roderick Sauls. Identity: a study of representation with reference to District Six. (Unpublished M.A.<br />
thesis, University of Cape Town, 2004)<br />
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Acknowledgements<br />
We thank all the interviewees who have shared their histories with us: Shafick April, Faried<br />
Basier, Sylvia Bruinders, Zain Ibrahim, Richard Cupido, Ismael Dante, Gamza Dante, David<br />
Isaacs, Shamil Jeppie, Shirley Johnson, Gadija Jumah, Jamaldien Jumah; Fatima Kamish,<br />
David Kramer, Valmont Layne, Vincent Kolbe, Melvyn Matthews, John Edwin Mason,<br />
Mac Mckenzie, Colin Miller, Kevin Momberg, Michael Nixon, Vernon Petersen, Dennis<br />
Petersen, Oscar Petersen, Heinrich Reisenhorfer, Achmat Sabera, Roderick Sauls, Ashraf<br />
Solomons, Ziyaad Williams and Dorothy Williams. The following people also generously<br />
shared their knowledge of Carnival: M Z Benjamin, Christopher Hendricks, Lionel Davis,<br />
Noor Ebrahim, Faried Fagodien, Linda Fortune, Fatima February, Graham Goddard,<br />
Paolo Israel, Nadjwa Jones, Rashid Lombard, Edward Matthews, Denis-Constant Martin,<br />
Zayd Minty, Sam Pearce, Luke, Anne Mariekie van der Wal, Leslie Witz and Lisba Vosloo.<br />
‘Ghoema and Glitter’, the exhibition, was conceived by the Social History Collections<br />
Department. The curatorial team consisted of Lalou Meltzer, Katie Mooney, Fiona<br />
Clayton, Shanaaz Galant and Shamila Rahim, together with designer Jos Thorne and<br />
graphic designer Candice Turvey.<br />
All audiovisual stations in the Ghoema and Glitter exhibition are the work of filmmakers<br />
Joëlle Chesselet and Lloyd Ross. These stops were carefully created using<br />
a range of material including historic and contemporary footage and photographs<br />
and interviews collected by Iziko Museums and the filmmakers. The audio-visual<br />
stations are an invaluable part of the exhibition.<br />
Finally, we thank all our Iziko Social History colleagues for their generous support and<br />
assistance (Gerald Klinghardt, Wieke van Delen, Caroline Wintein, Fatima February,<br />
Nolwandle Matitibala, Bandile Mbobo, Nomapatho Mesele, Thijs van der Merwe,<br />
Patricia Khati, Michael Paulse, Stanley Fatyela, Janene van Wyk, Ntombovuyo<br />
Tywakadi, Lindsay Hooper, Babalwa Ramncwana, June Hosford, Thando Ngcangisa<br />
and Lailah Hisham), as well as our colleagues in Finance and Administration, Customer<br />
Services Management, Institutional Advancement, Education and Public Programmes<br />
and Art Collections for their support in the implementation of the project.