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ibliography<br />

Lisa Baxter. History, Identity and Meaning: Cape Town’s Coon Carnival in the 1960s and 1970s.<br />

(Unpublished M.A. thesis, University of Cape Town, 1996)<br />

Vivian Bickford-Smith, Elizabeth van Heyningen and Nigel Worden. Cape Town in the twentieth<br />

century: an illustrated social history. (Cape Town, David Philip Publishers, 1999)<br />

David Coplan. In Township Tonight: South Africa’s Black City Music and Theatre. (Johannesburg,<br />

Ravan, 1985)<br />

Veit Erlmann. African stars: studies in Black South African performance. (Chicago and London, The<br />

University of Chicago Press, 1991)<br />

Veit Erlmann. Nightsong: performance, power, and practice in South Africa. (Chicago and London,<br />

The University of Chicago Press, 1996)<br />

Sean Field. Lost Communities, Living Memories: Remembering Forced Removals in Cape Town.<br />

(Cape Town, David Philip Publishers, 2001)<br />

Shamil Jeppie. Aspects of Popular Culture and Class Expression in Inner Cape Town, Circa. 1939 –<br />

1959. (unpublished M.A. thesis, University of Cape Town, 1990)<br />

Denis-Constant Martin. Coon Carnival: New Year in Cape Town: past to present. (Cape Town, David<br />

Philip Publishers, 1999)<br />

Denis-Constant Martin. Chronicles of the Kaapse Klopse with some documents on the sources<br />

of their music. (Compiled as part of a research project on The New Year Festivals in Cape Town,<br />

funded by Sciences Po, the French Institute for Research in Africa, the French Institute for Southern<br />

Africa, and supported by the University of the Western Cape, 2007. http://www.criticalworld.net/<br />

popup_text.php?project_id=47&id=425)<br />

John Edwin Mason. One love, Ghoema beat: Inside the Cape Town Carnival. (Cape Town, Random<br />

House Struik, 2010)<br />

Roderick Sauls. Identity: a study of representation with reference to District Six. (Unpublished M.A.<br />

thesis, University of Cape Town, 2004)<br />

Nigel Worden, Elizabeth van Heyningen and Vivian Bickford-Smith. Cape Town: the making of a<br />

city: an illustrated social history. (Cape Town, David Philip Publishers, 1998)<br />

Acknowledgements<br />

We thank all the interviewees who have shared their histories with us: Shafick April, Faried<br />

Basier, Sylvia Bruinders, Zain Ibrahim, Richard Cupido, Ismael Dante, Gamza Dante, David<br />

Isaacs, Shamil Jeppie, Shirley Johnson, Gadija Jumah, Jamaldien Jumah; Fatima Kamish,<br />

David Kramer, Valmont Layne, Vincent Kolbe, Melvyn Matthews, John Edwin Mason,<br />

Mac Mckenzie, Colin Miller, Kevin Momberg, Michael Nixon, Vernon Petersen, Dennis<br />

Petersen, Oscar Petersen, Heinrich Reisenhorfer, Achmat Sabera, Roderick Sauls, Ashraf<br />

Solomons, Ziyaad Williams and Dorothy Williams. The following people also generously<br />

shared their knowledge of Carnival: M Z Benjamin, Christopher Hendricks, Lionel Davis,<br />

Noor Ebrahim, Faried Fagodien, Linda Fortune, Fatima February, Graham Goddard,<br />

Paolo Israel, Nadjwa Jones, Rashid Lombard, Edward Matthews, Denis-Constant Martin,<br />

Zayd Minty, Sam Pearce, Luke, Anne Mariekie van der Wal, Leslie Witz and Lisba Vosloo.<br />

‘Ghoema and Glitter’, the exhibition, was conceived by the Social History Collections<br />

Department. The curatorial team consisted of Lalou Meltzer, Katie Mooney, Fiona<br />

Clayton, Shanaaz Galant and Shamila Rahim, together with designer Jos Thorne and<br />

graphic designer Candice Turvey.<br />

All audiovisual stations in the Ghoema and Glitter exhibition are the work of filmmakers<br />

Joëlle Chesselet and Lloyd Ross. These stops were carefully created using<br />

a range of material including historic and contemporary footage and photographs<br />

and interviews collected by Iziko Museums and the filmmakers. The audio-visual<br />

stations are an invaluable part of the exhibition.<br />

Finally, we thank all our Iziko Social History colleagues for their generous support and<br />

assistance (Gerald Klinghardt, Wieke van Delen, Caroline Wintein, Fatima February,<br />

Nolwandle Matitibala, Bandile Mbobo, Nomapatho Mesele, Thijs van der Merwe,<br />

Patricia Khati, Michael Paulse, Stanley Fatyela, Janene van Wyk, Ntombovuyo<br />

Tywakadi, Lindsay Hooper, Babalwa Ramncwana, June Hosford, Thando Ngcangisa<br />

and Lailah Hisham), as well as our colleagues in Finance and Administration, Customer<br />

Services Management, Institutional Advancement, Education and Public Programmes<br />

and Art Collections for their support in the implementation of the project.

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