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3 ARAKI (Nobuyoshi). Tokyo wa, Aki; Toshi no Janarizumu [Tokyo is<br />

Autumn; Journalism in the Capital]. First edition. Numerous photographic<br />

illustrations. Japanese text. Small 8vo. Original decorated boards in dustwrapper<br />

and obi, a very good copy. 180pp. Tokyo, Sanseido, 1984.<br />

Many photographers rate this book amongst Araki’s best work. Street scenes of Tokyo<br />

taken in 1972 and 1973 just after he left Dentsu. The images are combined with a dialogue<br />

between Araki and his wife Yoko. This seemingly innocuous book conveys the essence of<br />

Araki’s technique and the raison d’etre of his work. The first three images are of Golden<br />

Gai, showing the disused tram-line behind the bars. It is a location filled with nostalgia, the<br />

nondescript high-rise in the centre serving to provide a contrast to the decaying traditional<br />

two-story buildings in the foreground. The camera swings to the right to show the back<br />

facade, then goes a little closer to focus on the garbage cans. This is truly post-modern<br />

photography. By focussing on the banal and profane Araki dispenses with the beauty of the<br />

object and by doing so arrives where he wants to be, namely in photography. But Araki’s<br />

images are certainly not random. As he walks around his favourite neighbourhoods he is<br />

keenly aware of the smallest details, the nature and content of billboards, stickers in a<br />

car-window, of the old, the new, and the decaying. As such this is a truly remarkable book.<br />

Only three copies in OCLC.

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