Edited By Nick Piombino - Goodreads

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lay out devastation Armed men jolly on camels in desert while everybody on this side goes Bollywood Frames illustrate passing helicopters keep coming closer and we can’t see inside to know what is Words write events out loud Non mouse-gray interpenetrations again Machine Motionless Noise Nature Abruptly Day walks awake, as if in this version Too many machines Head pieces attached To echo again and 27
A small flower may have or unharmonious unanimous self-contained Motionless Practice in forgotten panoply echo Strategist Rustic bandwidth Geography Irredeemably Jam Each Us sonata Out of each Our hammering common grist is no snob Language experiments I wrote value nuanced 28
Page 1: Edited By Nick Piombino
Page 6 and 7: Featuring Introduction by Nick Piom
Page 8 and 9: Introduction “Long stone streets
Page 10 and 11: from The Ivory Hour Laynie Browne A
Page 12 and 13: Reincarnation. The cost of these dr
Page 14 and 15: Containing nothing. Am I to walk? W
Page 16 and 17: about him through a correspondence
Page 18 and 19: was find the man with a decent hair
Page 20 and 21: Starla Smiles, somewhat visciously.
Page 22 and 23: out of a bottle Wall round Margarit
Page 24 and 25: Gyno Colonoscopy Which is a certain
Page 26 and 27: R and B solos Yodeling Leisure Ouij
Page 30 and 31: Happen with good conscience Meaning
Page 32 and 33: cup to light or Moving Falling apar
Page 34 and 35: Test Still Peculiar and obvious ung
Page 36 and 37: World Subsuming conscience Sense Co
Page 38 and 39: Homework #15 Suggestion is a robot.
Page 40 and 41: #19 If thoughts are energy and ener
Page 42 and 43: that was terrifically ripped, that
Page 44 and 45: for glee, for having been not. To b
Page 46 and 47: #24 The present could not have come
Page 48 and 49: (from) An Instruction Manual for Ki
Page 50 and 51: Some Serious Frags Department store
Page 52 and 53: On the hood On the hood of an old b
Page 54 and 55: A big fat ugly A big fat ugly ungra
Page 56 and 57: Document 1. document suggests the o
Page 58 and 59: a speckled vintage splattered with
Page 60 and 61: spread-eagled in pillow rim breath
Page 62 and 63: the gerund is a constant process: s
Page 64 and 65: If stillness as in a “quartz cont
Page 66 and 67: Bar none—this land- locked kaleid
Page 68 and 69: What say you, comrades? If none oth
Page 70 and 71: My all-too-contemptuous gaze dynami
Page 72 and 73: hard to describe this creep- ing fe
Page 74 and 75: No swoon soundtrack for this farewe
Page 76 and 77: liquid within. If you dream of a ci
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Plain Sight I hid the 20 th century
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The Joke A standup comedian tells a
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Too bad. Too much carry-on luggage,
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Mirrors are failed entrances. Just
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from THE FIRE ESCAPE 3 Drew Gardner
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from the chart to describe why thei
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do not miss Cythera before sunrise
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FURL ACCESS my spirits were all bou
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SAFTY LINE I need to find out how I
Page 96 and 97:
THE POINT OF POETRY IS TO ENTRENCH
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YOU BASICALLY HAVE TO CATCH THE LIT
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BY WHATEVER MISGIVINGS most of the
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prey to some hypochondriac encourag
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Winter.1.06 The divides soften here
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microbial crinolines enclose iota e
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the acidity of tonal remorse met la
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dear inspirational speaker: we feel
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even more immaculate length of voic
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dissolving into tameness in respons
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SAMMY’S BOWERY FOLLIES Michael La
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My sister and the Marys know I’ve
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Joan asks ma to make me go to bed.
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I appreciate what the Marys are try
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He approaches us all cocky, declari
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ecause he told my father I was too
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than you were before the black out.
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which sounds more likely, but for d
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cousins grew up, but their neighbor
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Douglas Messerli THE COMPOSITION OF
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SOONER BEGIN TO THE ALMOST LASTS
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STARS OFFER THE TREES THEIR CONFIDE
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AS IF THE MUSIC WERE THE ONLY TAUNT
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A DOVE Here, hold it! Go ahead, in
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thankful to ride in the back, i swe
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my work will record very different
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work, why such confusion? I have bi
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Contrapuntal Christina Strong Bit r
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mr super stupid head verify voyages
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and vector fodder look forward to s
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with these extensions examples excu
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Royal typewriter Litton defense con
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That’s the sad thing about you Pe
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familiar. Passing fast, in jolly ta
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in a wheel a father, and a son, a w
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a life, by other means can rest, or
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the Helen and Georgina the lips tha
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CONTRIBUTORS Laynie Browne is the a
Page 172 and 173:
Gregory Vincent St. Thomasino is th
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