Parting the Curtain on Lye Poisoning in “A Worn Path” - The Eudora ...
Parting the Curtain on Lye Poisoning in “A Worn Path” - The Eudora ...
Parting the Curtain on Lye Poisoning in “A Worn Path” - The Eudora ...
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Melissa Deak<strong>in</strong>s Stang<br />
French knight “sans peur et sans raproche” whose exploits—s<strong>in</strong>glehandedly<br />
captur<strong>in</strong>g a troop of enemy soldiers—are echoed <strong>in</strong> <strong>The</strong> Unvanquished <strong>in</strong><br />
some of <str<strong>on</strong>g>the</str<strong>on</strong>g> bravura exploits of Bayard Sartoris’s fa<str<strong>on</strong>g>the</str<strong>on</strong>g>r John, an officer <strong>in</strong><br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> C<strong>on</strong>federate army. <strong>The</strong>se stories also appeared mostly <strong>in</strong> <strong>The</strong> Saturday<br />
Even<strong>in</strong>g Post <strong>in</strong> 1934, 1935, and 1936, so Welty would have had several<br />
chances to meet Faulkner’s Bayard (Meriwe<str<strong>on</strong>g>the</str<strong>on</strong>g>r 13–14). <strong>The</strong> Chevalier <strong>in</strong><br />
Bayard’s epi<str<strong>on</strong>g>the</str<strong>on</strong>g>t, which translates “without fear or blemish,” equates him<br />
with <str<strong>on</strong>g>the</str<strong>on</strong>g> knights of <str<strong>on</strong>g>the</str<strong>on</strong>g> round table who were supposed to undertake <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
search for <str<strong>on</strong>g>the</str<strong>on</strong>g> Holy Grail but who were repeatedly disqualified for lack of<br />
virtue. And that associati<strong>on</strong> might be used to l<strong>in</strong>k Chevalier Jacks<strong>on</strong> with<br />
Phoenix Jacks<strong>on</strong> under <str<strong>on</strong>g>the</str<strong>on</strong>g> aspect of a heroic journey to seek a remedy for<br />
a fatal malady.<br />
<strong>The</strong> elderly woman with a red rag <strong>on</strong> her head who is seen by <str<strong>on</strong>g>the</str<strong>on</strong>g> white<br />
community as from a lower order, not <strong>on</strong>ly black, but a “charity case” as<br />
well (177), undertakes a quest, acts bravely, and returns toward her home<br />
apparently with both real and symbolic gifts, a bottle with <str<strong>on</strong>g>the</str<strong>on</strong>g> precious<br />
sooth<strong>in</strong>g liquid and a stick <strong>on</strong> which a red p<strong>in</strong>wheel sp<strong>in</strong>s, cup and lance. It<br />
certa<strong>in</strong>ly seems chivalric that Phoenix faced <str<strong>on</strong>g>the</str<strong>on</strong>g> nurses to procure an elixir<br />
for her grands<strong>on</strong>’s throat with a “fixed and cerem<strong>on</strong>ial stiffness over her<br />
body ... just as if she were <strong>in</strong> armor” (177–78).<br />
Chevalier Jacks<strong>on</strong> also lived up to his name. He rose from humble<br />
beg<strong>in</strong>n<strong>in</strong>gs and disregarded his own fame to work tirelessly as a doctor<br />
and a political activist aga<strong>in</strong>st recalcitrant American manufacturers, never<br />
turned down a charity case, and frequently gave m<strong>on</strong>ey to <str<strong>on</strong>g>the</str<strong>on</strong>g> families of<br />
children he helped so <str<strong>on</strong>g>the</str<strong>on</strong>g>y could buy medic<strong>in</strong>e or have <str<strong>on</strong>g>the</str<strong>on</strong>g> wherewithal to<br />
return to <str<strong>on</strong>g>the</str<strong>on</strong>g>ir homes (Bartlett 122–23). Profiled <strong>in</strong> Time magaz<strong>in</strong>e <strong>in</strong> 1932,<br />
Rotarian magaz<strong>in</strong>e <strong>in</strong> 1939, and reviewed <strong>in</strong> important publicati<strong>on</strong>s when<br />
he published his 1938 autobiography, Jacks<strong>on</strong> was subsequently h<strong>on</strong>ored<br />
by <strong>in</strong>clusi<strong>on</strong> <strong>in</strong> a series of <strong>in</strong>spirati<strong>on</strong>al biographical essays distributed by<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> YMCA. Perhaps it is an ir<strong>on</strong>ic twist that while Chevalier Jacks<strong>on</strong> was<br />
named Chevalier de la Legi<strong>on</strong> d’ H<strong>on</strong>neur (France) <strong>in</strong> 1927, Welty was<br />
named Chevalier de l’Ordre des Artes et Lettres <strong>in</strong> 1987. Jacks<strong>on</strong>, Faulkner,<br />
and Welty were <strong>in</strong> fact all <strong>in</strong>ducted <strong>in</strong>to France’s Legi<strong>on</strong> d’ H<strong>on</strong>neur.<br />
Chevalier Jacks<strong>on</strong> and Phoenix Jacks<strong>on</strong> are two humble heroes pursu<strong>in</strong>g<br />
two worn, difficult paths because of <strong>on</strong>e loathsome malady. <strong>The</strong>y had <strong>in</strong><br />
comm<strong>on</strong> a l<strong>on</strong>g journey, a comm<strong>on</strong> cause, a surname, and res<strong>on</strong>ant given<br />
names that evoke myth and <str<strong>on</strong>g>the</str<strong>on</strong>g> romance of <str<strong>on</strong>g>the</str<strong>on</strong>g> quest for a symbolic but<br />
true palliative for <str<strong>on</strong>g>the</str<strong>on</strong>g> miseries of <str<strong>on</strong>g>the</str<strong>on</strong>g> human race. Is Phoenix driven by <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
22