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Download a PDF version - The Bear Creek School

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Chris C., sophomore<br />

Alex E., junior<br />

Upper <strong>School</strong> Studio Art ii –<br />

portraiture Observed<br />

A study of Facial Features, Classical Features,<br />

and Personal Features<br />

Upper school studio art students completed a three-part project during<br />

which they observed the powerful design of God’s creation, gained a<br />

greater understanding of human facial anatomy, and practiced applying<br />

the principles of chiaroscuro, from the italian chiaro (light) and oscuro<br />

(darkness), using a range of values created with shading and highlights to<br />

produce the illusion of form and weight.<br />

first, students observed and sketched a skull, paying attention to angles<br />

and lines of intersection. <strong>The</strong>n, as the skull’s structure emerged, they<br />

focused on the way light fell on the form. once the skull was complete,<br />

students chose a classical statue or bust to study and render. ancient<br />

Greeks were enamored with the laws of mathematics and geometry,<br />

and their sculptures depicted the perfect symmetry of the “ideal being.”<br />

Referencing classical sculpture was also a great way for students to<br />

practice their understanding of the underlying structure of facial<br />

proportions. students combined their study of bone structure of the skull<br />

and their practice replicating the facial proportions of Greek sculpture<br />

to create a modern portrait from a family photograph. students were<br />

encouraged to cultivate the habit of analyzing form and studying the<br />

individual elements of light and shadow as they fall across a form.<br />

Olivia T., junior<br />

“Remember, learn diligence<br />

before speedy execution.”<br />

—Leonardo da Vinci<br />

SeCTion TiTle<br />

spring 2013 ModuS ViVendi 11

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