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FROM THE ACADEMY<br />

upfRONT<br />

4<br />

THE LAST<br />

wORD<br />

Over the past month, a<br />

cavalcade of very special<br />

artists and musicians<br />

has graced the lecturehall<br />

couch at Red Bull<br />

Music Academy HQ. We’ve<br />

been highlighting one<br />

quote per issue from the<br />

talks, but it’s beyond<br />

an understatement to say<br />

that some great stuff has<br />

been left on the cuttingroom<br />

floor. Sometimes<br />

insightful, sometimes<br />

hilarious, and often both<br />

at once, here are some of<br />

our favorite quips from<br />

throughout the Academy.<br />

“The microphone I was<br />

singing on [for Daft<br />

Punk]— aside from being<br />

worth more than my car —<br />

was the one Frank Sinatra<br />

sang on.”<br />

- Todd Edwards<br />

“I don’t do anything<br />

really. I just watch<br />

documentaries and make<br />

theories.”<br />

- Brian Eno<br />

“I realized that making<br />

people dance had a point<br />

that had nothing to do<br />

with art. I mean that<br />

in the most positive<br />

way. It’s like food — if<br />

they’re not eating it,<br />

you’ve screwed it up. And<br />

if they’re not dancing,<br />

you’re just not doing a<br />

good job.”<br />

- James Murphy<br />

“I did a fanzine first<br />

before I did music. I<br />

was really into tape<br />

trading as well. It<br />

kind of ruined my life<br />

actually...”<br />

- Stephen O’Malley<br />

“It’s a great<br />

chat-up line: ‘Oh yes,<br />

I’m working with the<br />

Beatles.’”<br />

- Ken Scott<br />

“You won’t be hearing me<br />

say I’m the greatest out<br />

of context a lot, but I<br />

am feeling myself.”<br />

- Rakim<br />

“I told my mom what every<br />

white mother wants to<br />

hear: ‘I want to be a<br />

rapper.’”<br />

- El-P<br />

“I can play a record<br />

backwards and bring one<br />

in forward at the same<br />

time... That’s why they<br />

used to call me the<br />

devil.”<br />

- Egyptian Lover<br />

For the complete lectures go to<br />

www.redbullmusicacademy.com/lectures<br />

“We were between Italy<br />

and Paris, vacationing.<br />

I was doing my crossword<br />

puzzles, having a<br />

great time. But then<br />

unfortunately — well, not<br />

unfortunately — Daft Punk<br />

came and pulled me back<br />

in.”<br />

- Giorgio Moroder<br />

“They used to put<br />

classical music on a<br />

pedestal. I took it<br />

down... Nothing is above<br />

anything, everything<br />

is music, everything is<br />

related.”<br />

- Bernie Worrell<br />

“When you get a<br />

publishing check and it’s<br />

from somewhere you can’t<br />

pronounce, that’s the<br />

craziest feeling.”<br />

- Masters At Work<br />

“I think mistakes are cool, whether you’re DJing or<br />

whatever. No one really likes perfection in any part<br />

of life. Like if you meet someone and they have funny<br />

teeth, you’re like, ‘Ooh, that’s cute.’”<br />

— DJ/producer Seth Troxler, May 30, 2013<br />

fOuNDING<br />

fATHERS<br />

Dishing with the Academy’s<br />

ringmasters.<br />

The Red Bull Music Academy New York 2013<br />

draws to a close today, yet there are still questions<br />

left unanswered. Questions like, “What is this Academy<br />

thing?” and “Who are the crazy people who put<br />

this on?” Not to mention, “How did they get Red<br />

Bull to pay for it?” We cornered Academy founders<br />

Torsten Schmidt and Many Ameri, and asked them a<br />

few questions about this epic undertaking.<br />

What is the biggest thing that has changed from<br />

the first Academy until now?<br />

Torsten Schmidt: Definitely the internationalization.<br />

The first one was only German-speaking<br />

countries—you may imagine how extremely<br />

non-entertaining that was—but from the second<br />

year onwards it was eight countries, and it only got<br />

more colorful from there.<br />

What is the most faraway place a participant<br />

has traveled from?<br />

TS: Three or four years ago, we had this guy—<br />

from Russia, obviously—who works at a marine<br />

naval station in the Arctic Circle. He would just<br />

watch migrations of fish over the year and do ambient<br />

music, which kind of makes sense.<br />

Who is your dream lecturer?<br />

Many Ameri: David Bowie.<br />

TS: I would like to speak to Orson Welles. Every-<br />

JuST<br />

CAN’T<br />

GET<br />

ENOuGH<br />

We know musicians can be<br />

an obsessive lot — think<br />

long nights spent in a<br />

studio tweaking and retweaking<br />

a snare sound<br />

endlessly. Inspiration<br />

can come from anywhere<br />

though, so we asked some<br />

participants from Red<br />

Bull Music Academy 2013<br />

what (besides music)<br />

they’re obsessed with<br />

right now.<br />

ORQuESTA<br />

BrAY, IreLAND<br />

James Bond books.<br />

[Another] ongoing one<br />

is ’50s rock ’n’ roll.<br />

Oh, and motorbikes.<br />

I just really want<br />

to get one and learn<br />

how to ride. I’m into<br />

the idea of driving<br />

across America on a<br />

motorbike. It’s quite<br />

iconic.<br />

soundclound.com/<br />

orquesta<br />

one else we’ve more or less had. But it’s kind of<br />

fun how every Academy, there’s this silent ghost<br />

who is somehow in the room but isn’t. This year it<br />

was Bowie; he appeared in so many bizarrely different<br />

contexts and conversations.<br />

What was the most difficult show you threw?<br />

MA: Organizationally speaking, the DFA party<br />

was definitely the most challenging—having 3,500<br />

people roam through that place. As far as what was<br />

fulfilling but still complicated, it was Drone Activity<br />

in Progress. It was what Europeans think New<br />

York felt like in the ’80s and what Americans think<br />

Berlin feels like today. You had die-hard fans and<br />

people who had never heard this music before all<br />

in the same place eating pizza. There was a really<br />

special buzz.<br />

LOuIS bAKER<br />

WeLLINGTON,<br />

NeW ZeALAND<br />

I’m not a very<br />

obsessive person,<br />

but I love sleep. I’m<br />

a nine-hour kinda<br />

guy. I’m well aware<br />

of the concept of<br />

[adaptation] and<br />

things like that — the<br />

New York night where<br />

you get five hours or<br />

whatever. You get used<br />

to it. But I enjoy<br />

sleep.<br />

soundclound.com/<br />

louisbaker<br />

TS: The Culture Clash was such a magical conundrum<br />

of lunacy. That was one of the most abstract<br />

shows we ever conceptualized. Seeing how well it<br />

worked here was great.<br />

You’ve produced the Academy around the<br />

world. What’s been special about the New York<br />

City edition?<br />

MA: When the Academy comes to New York, the<br />

Academy comes home. There is probably no other<br />

place in the world that has so many former lecturers,<br />

participants, and people we like and have been<br />

connected with over these 15 years than New York.<br />

The amount of love that we’ve been shown over<br />

the last few weeks is quite special to us.<br />

TS: We love arguments and we love opinions and<br />

New Yorkers seem to be good at both.<br />

SHADOwbOx<br />

BrOOkLYN, NeW YOrk<br />

I’m obsessed with<br />

coffee. I stopped<br />

drinking it for a<br />

few years, and now<br />

I am like “Why did I<br />

ever stop?!” Maybe<br />

because I had a few<br />

panic attacks in the<br />

past... I’ve really<br />

been getting snobby<br />

about it — I only drink<br />

Stumptown coffee,<br />

I won’t drink that<br />

Dunkin Donuts stuff<br />

anymore.<br />

soundclound.com/<br />

shadowbox4u<br />

DJ SLOw<br />

BrUSSeLS, BeLGIUM<br />

I’m obsessed with<br />

trying all the<br />

different drinks in<br />

New York. All the<br />

Snapple, Arizona Iced<br />

Teas... and I really<br />

wanna get a Slurpee<br />

too. And I also<br />

want to eat at White<br />

Castle — I’ve never<br />

been. The other night<br />

I was there but I was<br />

too sick to order<br />

food.<br />

soundclound.com/djslow<br />

THE wELL bROOKLyN<br />

THE DO-<br />

OVER NyC<br />

SpECIAL<br />

ALOE bLACC &<br />

MANy MORE<br />

SAINT VITuS<br />

ONEOHTRIx<br />

pOINT NEVER<br />

EVIAN CHRIST<br />

bILL KOuLIGAS<br />

MORE<br />

Nyu SKIRbALL CENTER<br />

A TALK<br />

wITH<br />

JAMES<br />

MuRpHy<br />

bENJI b<br />

fALTyDL<br />

DORIAN<br />

CONCEpT<br />

MORE<br />

MAy<br />

26<br />

MAy<br />

27<br />

DEVIATION @ SuLLIVAN ROOM<br />

wEST pARK CHuRCH<br />

pANTHA<br />

Du pRINCE<br />

& THE bELL<br />

LAbORATORy<br />

LE bARON<br />

uNO<br />

NyC<br />

ALVA NOTO<br />

+ RyuICHI<br />

SAKAMOTO<br />

MAy<br />

27<br />

TONIGHT<br />

OuTpuT<br />

L.I.E.S.<br />

KERRI CHANDLER<br />

MATHEw JONSON<br />

MOSCA<br />

MORE<br />

MAy<br />

28<br />

MAy<br />

28<br />

METROpOLITAN MuSEuM Of ART<br />

(LE) pOISSON ROuGE<br />

NyC IN Dub<br />

LEE ‘SCRATCH’ pERRy<br />

THE CONGOS<br />

pEAKING LIGHTS<br />

SuN ARAw<br />

ADRIAN SHERwOOD<br />

MAy<br />

26<br />

MAy<br />

29<br />

MAy<br />

30<br />

MAy<br />

31<br />

RECORDED LIVE<br />

FOR RED BULL MUSIC ACADEMY RADIO<br />

TUNE IN AT RBMARADIO.COM<br />

5

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