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FROM THE ACADEMY<br />
upfRONT<br />
4<br />
THE LAST<br />
wORD<br />
Over the past month, a<br />
cavalcade of very special<br />
artists and musicians<br />
has graced the lecturehall<br />
couch at Red Bull<br />
Music Academy HQ. We’ve<br />
been highlighting one<br />
quote per issue from the<br />
talks, but it’s beyond<br />
an understatement to say<br />
that some great stuff has<br />
been left on the cuttingroom<br />
floor. Sometimes<br />
insightful, sometimes<br />
hilarious, and often both<br />
at once, here are some of<br />
our favorite quips from<br />
throughout the Academy.<br />
“The microphone I was<br />
singing on [for Daft<br />
Punk]— aside from being<br />
worth more than my car —<br />
was the one Frank Sinatra<br />
sang on.”<br />
- Todd Edwards<br />
“I don’t do anything<br />
really. I just watch<br />
documentaries and make<br />
theories.”<br />
- Brian Eno<br />
“I realized that making<br />
people dance had a point<br />
that had nothing to do<br />
with art. I mean that<br />
in the most positive<br />
way. It’s like food — if<br />
they’re not eating it,<br />
you’ve screwed it up. And<br />
if they’re not dancing,<br />
you’re just not doing a<br />
good job.”<br />
- James Murphy<br />
“I did a fanzine first<br />
before I did music. I<br />
was really into tape<br />
trading as well. It<br />
kind of ruined my life<br />
actually...”<br />
- Stephen O’Malley<br />
“It’s a great<br />
chat-up line: ‘Oh yes,<br />
I’m working with the<br />
Beatles.’”<br />
- Ken Scott<br />
“You won’t be hearing me<br />
say I’m the greatest out<br />
of context a lot, but I<br />
am feeling myself.”<br />
- Rakim<br />
“I told my mom what every<br />
white mother wants to<br />
hear: ‘I want to be a<br />
rapper.’”<br />
- El-P<br />
“I can play a record<br />
backwards and bring one<br />
in forward at the same<br />
time... That’s why they<br />
used to call me the<br />
devil.”<br />
- Egyptian Lover<br />
For the complete lectures go to<br />
www.redbullmusicacademy.com/lectures<br />
“We were between Italy<br />
and Paris, vacationing.<br />
I was doing my crossword<br />
puzzles, having a<br />
great time. But then<br />
unfortunately — well, not<br />
unfortunately — Daft Punk<br />
came and pulled me back<br />
in.”<br />
- Giorgio Moroder<br />
“They used to put<br />
classical music on a<br />
pedestal. I took it<br />
down... Nothing is above<br />
anything, everything<br />
is music, everything is<br />
related.”<br />
- Bernie Worrell<br />
“When you get a<br />
publishing check and it’s<br />
from somewhere you can’t<br />
pronounce, that’s the<br />
craziest feeling.”<br />
- Masters At Work<br />
“I think mistakes are cool, whether you’re DJing or<br />
whatever. No one really likes perfection in any part<br />
of life. Like if you meet someone and they have funny<br />
teeth, you’re like, ‘Ooh, that’s cute.’”<br />
— DJ/producer Seth Troxler, May 30, 2013<br />
fOuNDING<br />
fATHERS<br />
Dishing with the Academy’s<br />
ringmasters.<br />
The Red Bull Music Academy New York 2013<br />
draws to a close today, yet there are still questions<br />
left unanswered. Questions like, “What is this Academy<br />
thing?” and “Who are the crazy people who put<br />
this on?” Not to mention, “How did they get Red<br />
Bull to pay for it?” We cornered Academy founders<br />
Torsten Schmidt and Many Ameri, and asked them a<br />
few questions about this epic undertaking.<br />
What is the biggest thing that has changed from<br />
the first Academy until now?<br />
Torsten Schmidt: Definitely the internationalization.<br />
The first one was only German-speaking<br />
countries—you may imagine how extremely<br />
non-entertaining that was—but from the second<br />
year onwards it was eight countries, and it only got<br />
more colorful from there.<br />
What is the most faraway place a participant<br />
has traveled from?<br />
TS: Three or four years ago, we had this guy—<br />
from Russia, obviously—who works at a marine<br />
naval station in the Arctic Circle. He would just<br />
watch migrations of fish over the year and do ambient<br />
music, which kind of makes sense.<br />
Who is your dream lecturer?<br />
Many Ameri: David Bowie.<br />
TS: I would like to speak to Orson Welles. Every-<br />
JuST<br />
CAN’T<br />
GET<br />
ENOuGH<br />
We know musicians can be<br />
an obsessive lot — think<br />
long nights spent in a<br />
studio tweaking and retweaking<br />
a snare sound<br />
endlessly. Inspiration<br />
can come from anywhere<br />
though, so we asked some<br />
participants from Red<br />
Bull Music Academy 2013<br />
what (besides music)<br />
they’re obsessed with<br />
right now.<br />
ORQuESTA<br />
BrAY, IreLAND<br />
James Bond books.<br />
[Another] ongoing one<br />
is ’50s rock ’n’ roll.<br />
Oh, and motorbikes.<br />
I just really want<br />
to get one and learn<br />
how to ride. I’m into<br />
the idea of driving<br />
across America on a<br />
motorbike. It’s quite<br />
iconic.<br />
soundclound.com/<br />
orquesta<br />
one else we’ve more or less had. But it’s kind of<br />
fun how every Academy, there’s this silent ghost<br />
who is somehow in the room but isn’t. This year it<br />
was Bowie; he appeared in so many bizarrely different<br />
contexts and conversations.<br />
What was the most difficult show you threw?<br />
MA: Organizationally speaking, the DFA party<br />
was definitely the most challenging—having 3,500<br />
people roam through that place. As far as what was<br />
fulfilling but still complicated, it was Drone Activity<br />
in Progress. It was what Europeans think New<br />
York felt like in the ’80s and what Americans think<br />
Berlin feels like today. You had die-hard fans and<br />
people who had never heard this music before all<br />
in the same place eating pizza. There was a really<br />
special buzz.<br />
LOuIS bAKER<br />
WeLLINGTON,<br />
NeW ZeALAND<br />
I’m not a very<br />
obsessive person,<br />
but I love sleep. I’m<br />
a nine-hour kinda<br />
guy. I’m well aware<br />
of the concept of<br />
[adaptation] and<br />
things like that — the<br />
New York night where<br />
you get five hours or<br />
whatever. You get used<br />
to it. But I enjoy<br />
sleep.<br />
soundclound.com/<br />
louisbaker<br />
TS: The Culture Clash was such a magical conundrum<br />
of lunacy. That was one of the most abstract<br />
shows we ever conceptualized. Seeing how well it<br />
worked here was great.<br />
You’ve produced the Academy around the<br />
world. What’s been special about the New York<br />
City edition?<br />
MA: When the Academy comes to New York, the<br />
Academy comes home. There is probably no other<br />
place in the world that has so many former lecturers,<br />
participants, and people we like and have been<br />
connected with over these 15 years than New York.<br />
The amount of love that we’ve been shown over<br />
the last few weeks is quite special to us.<br />
TS: We love arguments and we love opinions and<br />
New Yorkers seem to be good at both.<br />
SHADOwbOx<br />
BrOOkLYN, NeW YOrk<br />
I’m obsessed with<br />
coffee. I stopped<br />
drinking it for a<br />
few years, and now<br />
I am like “Why did I<br />
ever stop?!” Maybe<br />
because I had a few<br />
panic attacks in the<br />
past... I’ve really<br />
been getting snobby<br />
about it — I only drink<br />
Stumptown coffee,<br />
I won’t drink that<br />
Dunkin Donuts stuff<br />
anymore.<br />
soundclound.com/<br />
shadowbox4u<br />
DJ SLOw<br />
BrUSSeLS, BeLGIUM<br />
I’m obsessed with<br />
trying all the<br />
different drinks in<br />
New York. All the<br />
Snapple, Arizona Iced<br />
Teas... and I really<br />
wanna get a Slurpee<br />
too. And I also<br />
want to eat at White<br />
Castle — I’ve never<br />
been. The other night<br />
I was there but I was<br />
too sick to order<br />
food.<br />
soundclound.com/djslow<br />
THE wELL bROOKLyN<br />
THE DO-<br />
OVER NyC<br />
SpECIAL<br />
ALOE bLACC &<br />
MANy MORE<br />
SAINT VITuS<br />
ONEOHTRIx<br />
pOINT NEVER<br />
EVIAN CHRIST<br />
bILL KOuLIGAS<br />
MORE<br />
Nyu SKIRbALL CENTER<br />
A TALK<br />
wITH<br />
JAMES<br />
MuRpHy<br />
bENJI b<br />
fALTyDL<br />
DORIAN<br />
CONCEpT<br />
MORE<br />
MAy<br />
26<br />
MAy<br />
27<br />
DEVIATION @ SuLLIVAN ROOM<br />
wEST pARK CHuRCH<br />
pANTHA<br />
Du pRINCE<br />
& THE bELL<br />
LAbORATORy<br />
LE bARON<br />
uNO<br />
NyC<br />
ALVA NOTO<br />
+ RyuICHI<br />
SAKAMOTO<br />
MAy<br />
27<br />
TONIGHT<br />
OuTpuT<br />
L.I.E.S.<br />
KERRI CHANDLER<br />
MATHEw JONSON<br />
MOSCA<br />
MORE<br />
MAy<br />
28<br />
MAy<br />
28<br />
METROpOLITAN MuSEuM Of ART<br />
(LE) pOISSON ROuGE<br />
NyC IN Dub<br />
LEE ‘SCRATCH’ pERRy<br />
THE CONGOS<br />
pEAKING LIGHTS<br />
SuN ARAw<br />
ADRIAN SHERwOOD<br />
MAy<br />
26<br />
MAy<br />
29<br />
MAy<br />
30<br />
MAy<br />
31<br />
RECORDED LIVE<br />
FOR RED BULL MUSIC ACADEMY RADIO<br />
TUNE IN AT RBMARADIO.COM<br />
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