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LUCHINO VISCONTI, LIFE AS A NOVEL<br />

Director: Carlo Lizzani<br />

Genre: documentary<br />

Lenght: 55’<br />

Country of origin: Italy<br />

Year of production: 2008<br />

Format: digital betacam, V.O. It., Sott. English, sott. Francaise<br />

The “Story of Visconti”, his life, <strong>film</strong>s, drama and opera, can only be narrated by looking back at this childhood,<br />

adolescence and youth. The many clips from his <strong>film</strong>s and stage productions, used in the documentary “Luchino Visconti”,<br />

will become all the clearer from this perspective.<br />

Palazzo Visconti in via Cervia in Milan, Villa Erba in Cernobbio, the Castle of Gozzano, the fascinating Paris of the<br />

thirties of chanel, cocteau and renoir and the places of the recurrent proustian dream are the extraordinary setting and<br />

scenic background where his natural talentgradually developed and emerged, guided always by his trasgressive rege and<br />

creative genius.<br />

The phenomenon of “ossessione” , wich suddenly in 1942 made italian cinema emerge from its formere provincialism,<br />

cannot be explained without the paris experience.Behind the realistic plot of “La terra trema”, we can undoubtedly see<br />

the master of Verga, but also, like a watermark, though the sophisticated composition of the frames and the rhythm<br />

of the dramatic group sequences, the musical education he received from his mother and his great familiarity with the<br />

theatrical machinery of the Visconti estates.<br />

These dwellings were not ephemeral and empty sets for luchino. In each of the villas, the small family theatres, where<br />

parents and children used to perform, can still be seen today.<br />

Ceremonials which Visconti transfigured in the group frescoes of his costume <strong>film</strong>s and which were the constant, fascinating<br />

frame around his many famous characters: angelica, ludwing, aschenboch.From “Il gattopardo” to “La caduta degli dei”,<br />

from “Death in Venice” to “Gruppo di famiglia in un interno”, he has staged the real and permanent “Mise-en-scène”<br />

where he matured durino his years in cernobbio, grazzano and Paris.<br />

At the turn of the last century of this millennium, which saw the birth of a new form of art, namely cinema, the purpose<br />

of this <strong>film</strong> is to celebrate an artist who turned the various expressions of the performing arts into poetry to be used as<br />

a cultural, social and political instrument who found his stage in the 20th century.<br />

Carlo Lizzani, a historian of italian cinema, who witnessed many important decision in the life of Visconti, leads us<br />

through the places of his childhood and the places where he matured – where he gained his first working experience and<br />

was active as a director – by collecting the contributions of Luchino Visconti himself and, among the others, Jean Marais,<br />

Burt Lancaster, Claudia Cardinale, Alain Delon, Massimo Girotti, Vittorio Gassman, Marcello Mastroianni, Francesco Rosi,<br />

Suso Cecchi D’amico And Franco Zeffirelli.<br />

Clip from movies: Ossessione, Giorni di gloria, La terra trema, Bellissima, Senso, Le notti bianche, Rocco e i suoi fratelli,<br />

Il gattopardo, La caduta Degli dei, Morte a venezia, Ludwig, Gruppo di famiglia in un interno, Tosca, Tre sorelle, Un tram<br />

che si chiama desiderio, La sonnambula, La traviata.<br />

With the partecipation of: Luchino Visconti, Jean Marais, Burt Lancaster, Claudia Cardinale, Alain Delon, Massimo Girotti,<br />

Vittorio Gassman, Marcello Mastroianni, Francesco Rosi, Suso Cecchi D’amico E Franco Zeffirelli, Carlo Lizzani.

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