Untitled - felix film
Untitled - felix film
Untitled - felix film
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LUCHINO VISCONTI, LIFE AS A NOVEL<br />
Director: Carlo Lizzani<br />
Genre: documentary<br />
Lenght: 55’<br />
Country of origin: Italy<br />
Year of production: 2008<br />
Format: digital betacam, V.O. It., Sott. English, sott. Francaise<br />
The “Story of Visconti”, his life, <strong>film</strong>s, drama and opera, can only be narrated by looking back at this childhood,<br />
adolescence and youth. The many clips from his <strong>film</strong>s and stage productions, used in the documentary “Luchino Visconti”,<br />
will become all the clearer from this perspective.<br />
Palazzo Visconti in via Cervia in Milan, Villa Erba in Cernobbio, the Castle of Gozzano, the fascinating Paris of the<br />
thirties of chanel, cocteau and renoir and the places of the recurrent proustian dream are the extraordinary setting and<br />
scenic background where his natural talentgradually developed and emerged, guided always by his trasgressive rege and<br />
creative genius.<br />
The phenomenon of “ossessione” , wich suddenly in 1942 made italian cinema emerge from its formere provincialism,<br />
cannot be explained without the paris experience.Behind the realistic plot of “La terra trema”, we can undoubtedly see<br />
the master of Verga, but also, like a watermark, though the sophisticated composition of the frames and the rhythm<br />
of the dramatic group sequences, the musical education he received from his mother and his great familiarity with the<br />
theatrical machinery of the Visconti estates.<br />
These dwellings were not ephemeral and empty sets for luchino. In each of the villas, the small family theatres, where<br />
parents and children used to perform, can still be seen today.<br />
Ceremonials which Visconti transfigured in the group frescoes of his costume <strong>film</strong>s and which were the constant, fascinating<br />
frame around his many famous characters: angelica, ludwing, aschenboch.From “Il gattopardo” to “La caduta degli dei”,<br />
from “Death in Venice” to “Gruppo di famiglia in un interno”, he has staged the real and permanent “Mise-en-scène”<br />
where he matured durino his years in cernobbio, grazzano and Paris.<br />
At the turn of the last century of this millennium, which saw the birth of a new form of art, namely cinema, the purpose<br />
of this <strong>film</strong> is to celebrate an artist who turned the various expressions of the performing arts into poetry to be used as<br />
a cultural, social and political instrument who found his stage in the 20th century.<br />
Carlo Lizzani, a historian of italian cinema, who witnessed many important decision in the life of Visconti, leads us<br />
through the places of his childhood and the places where he matured – where he gained his first working experience and<br />
was active as a director – by collecting the contributions of Luchino Visconti himself and, among the others, Jean Marais,<br />
Burt Lancaster, Claudia Cardinale, Alain Delon, Massimo Girotti, Vittorio Gassman, Marcello Mastroianni, Francesco Rosi,<br />
Suso Cecchi D’amico And Franco Zeffirelli.<br />
Clip from movies: Ossessione, Giorni di gloria, La terra trema, Bellissima, Senso, Le notti bianche, Rocco e i suoi fratelli,<br />
Il gattopardo, La caduta Degli dei, Morte a venezia, Ludwig, Gruppo di famiglia in un interno, Tosca, Tre sorelle, Un tram<br />
che si chiama desiderio, La sonnambula, La traviata.<br />
With the partecipation of: Luchino Visconti, Jean Marais, Burt Lancaster, Claudia Cardinale, Alain Delon, Massimo Girotti,<br />
Vittorio Gassman, Marcello Mastroianni, Francesco Rosi, Suso Cecchi D’amico E Franco Zeffirelli, Carlo Lizzani.