Marty Rubin - San Francisco Internal Film Festival History Site - San ...
Marty Rubin - San Francisco Internal Film Festival History Site - San ...
Marty Rubin - San Francisco Internal Film Festival History Site - San ...
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MARGARITA LANDAZURI: Exactly. So that’s remarkable. I didn’t know all of this. So you,<br />
just as a film buff, and someone who knew a lot about classic films—<br />
MARTY RUBIN: Yeah, and also had worked professionally presenting films. This would have<br />
been the equivalent of—I’m trying to think—in <strong>San</strong> <strong>Francisco</strong>—<br />
MARGARITA LANDAZURI: Pacific <strong>Film</strong> Archive?<br />
MARTY RUBIN: Not that big. Whatever’s a notch below that. Pacific <strong>Film</strong> Archive would have<br />
been like the Museum of Modern Art in New York. We were No. 2 at the time, in that field.<br />
MARGARITA LANDAZURI: Does that still exist?<br />
MARTY RUBIN: It exists, but not as the same entity—it was taken over. It was a notorious<br />
institution that had been started by Huntington Hartford, the grocery store magnate. He called it<br />
the Gallery of Modern Art and he built it. It’s a really weird building that sits in the middle of<br />
Columbus Circle, slightly Moorish. Edward Durrell Stone was the architect. Very impractical<br />
building on a very strange site. A very small site. After Hartford got tired of it, or it became too<br />
insolvent, it was taken over by Fairleigh Dickinson University and redubbed the New York<br />
Cultural Center. It ran for several years until the university pulled out their funding. At that<br />
point, the museum closed and I lost my job. It was taken over by the city to use as a visitor<br />
center. As far as I know, it’s still standing and there have been rumors of tearing it down, but<br />
people have been fighting that because the building is considered to be of some architectural<br />
significance.<br />
MARGARITA LANDAZURI: Edward Durrell Stone, I would say, yeah.<br />
MARTY RUBIN: Frankly, it might look nice from the outside, but, as a practical place in which<br />
to work and in which to run an art gallery, it was widely despised by the people who worked<br />
there, who thought it was a lemon.<br />
MARGARITA LANDAZURI: So you had that job while you were doing the <strong>Festival</strong> as well?<br />
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