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Adam Bunni PhD thesis - Research@StAndrews:FullText ...

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emperor. Admittedly, Augustus’ motives for relaxing these age restrictions would be<br />

chiefly to allow him to elevate those useful to him into positions of power, or to<br />

reward his favourites for their loyal service, but the effect of this reform, in filling all<br />

manner of important magistracies with many more iuvenes, would be important<br />

nonetheless.<br />

C. Vergil on Youth<br />

Regardless of whether or not it was Octavian’s intention to alter the perception<br />

of young men in Roman society, it is clear that his own youthfulness was considered<br />

by some influential men to be a hindrance to his attempts to position himself as<br />

Rome’s sole ruler. This negative attitude towards youth was both fostered and<br />

cultivated by the literature of the late Republic, witnessed in the conventional<br />

depiction of the literary iuvenis. In view of this, Vergil’s decision to refer to Octavian<br />

specifically as a iuvenis even as late as the Georgics demands attention. Although<br />

Vergil’s treatment of Octavian-Augustus within his works is always considered at the<br />

very least calculated, the poet’s reference to the new Caesar as a iuvenis has attracted<br />

minimal scholarly interest. While Octavian’s 34 years at the time of the publication of<br />

the Georgics, in 29BCE, did not technically prevent him from being considered a<br />

‘young man’, the connotations attached to youth should have made it a controversial<br />

designation, one way or another. An “Augustan” Vergil might have wished to avoid<br />

so tricky an issue, making do with the equally acceptable vir, or homo, while a<br />

“subversive” Vergil could have seized upon the dangers of youth as a means of<br />

furthering his devious designs of besmirching Octavian’s reputation. 95<br />

i) Octavian in the Georgics<br />

The remainder of this chapter will focus more sharply upon the manner in<br />

which youth is presented within the Georgics, primarily through discussion of the<br />

incidences of the word iuvenis and its cognates in the poem, with particular attention<br />

being paid to their contexts and referents. The purpose of this survey will be to<br />

investigate how far Vergil’s depiction of his poem’s youthful characters is consistent<br />

95 “Augustan” is, of course, an anachronism, but one which hopefully may be excused as an alternative<br />

to the clumsy “Octavianist”.<br />

42

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