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VIENNA SYMPHONY ORCHESTRA WITH THE EROICA TRIO Fabio ...

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it landed on Billboard’s Top 20, the first time in<br />

history a recording of this piece has done so. The<br />

trio performed Beethoven’s Triple Concerto with<br />

the Munich Symphony on the German television<br />

program Klassich!, which was aired throughout<br />

europe.<br />

The eroica Trio is in the vanguard of a new<br />

generation of artists who are changing the face<br />

of classical music. The first all-female chamber<br />

ensemble to reach the top echelon of its field, the<br />

eroica Trio broke an age-old gender barrier. As<br />

the Chicago Sun Times remarked, “Our image of<br />

the piano trio is largely formed by groups like the<br />

celebrated [original] Beaux Arts, three middle-aged<br />

gentlemen who apply their wisdom and artistry<br />

to their chosen repertory. That image is about to<br />

change.” The trio took its name from Beethoven’s<br />

passionate Third Symphony. italian for “heroic,”<br />

eroica is a word that aptly reflects the ensemble’s<br />

approach to music. As critics have noted, “it’s been<br />

decades since this country has produced a chamber<br />

music organization with this much passion” (San<br />

Francisco Examiner).<br />

The trio has established a unique identity by creating<br />

innovative programs that span 300 years of music. A<br />

typical eroica Trio concert might include the Baroque<br />

symmetries of Vivaldi, the passion of Brahms, and<br />

Mark O’Connor’s bluegrass and rockabilly ode<br />

to Johnny Cash, Poets and Prophets, which was<br />

written for the group. The eroica Trio is a strong<br />

champion of new composers; each season includes<br />

an American or world premiere of a new work.<br />

Recently, the trio premiered a new Triple Concerto<br />

by the American wunderkind Jay Greenberg and<br />

the world premiere of a work by the acclaimed<br />

American composer Kevin Puts, commissioned<br />

by Music Accord. Whatever the repertoire, “the<br />

eroica’s artistry is powerful enough that it could play<br />

the back of a cereal box and make it compelling”<br />

(Charleston Gazette).<br />

As the official representative for New York’s Carnegie<br />

Hall, the eroica Trio opened the sold-out Distinctive<br />

Debuts series at Weill Recital Hall. This touring<br />

series, created to showcase rising stars of classical<br />

music, was internationally sponsored by a consortium<br />

of european halls and included performances at<br />

the Konzerthaus in Vienna, the Concertgebouw<br />

in Amsterdam, the Philharmonie in Cologne, the<br />

Alte Oper in Frankfurt, Symphony Hall at the<br />

international Convention Center in Birmingham,<br />

and the Konserthus in Stockholm. The eroica Trio’s<br />

performances were received with rave reviews. “The<br />

Trio plays with technical flair, raw, driven energy and<br />

high spirits. The ensemble also has plenty of charm<br />

and stage presence. it was obvious that all three<br />

musicians were having as much fun as the [Carnegie<br />

Hall] audience” (Wall Street Journal ).<br />

in addition to its demanding concert and recording<br />

schedules, the eroica Trio is committed to music<br />

education, giving concerts, master classes, and<br />

special children’s shows at schools and colleges<br />

throughout the country. The trio feels so strongly<br />

about the benefits of music that it has performed<br />

at homeless shelters, senior centers, and prisons to<br />

bring music to people who might not normally have<br />

the chance to hear live performances. each summer,<br />

the trio performs at music festivals throughout the<br />

world, including at the Hollywood Bowl, in Aspen, in<br />

Ravinia, and in Spoleto, italy.<br />

Visit the eroica Trio web site: www.eroicatrio.com.<br />

vienna SYmphonY orcheStra<br />

Chief Conductor: <strong>Fabio</strong> Luisi<br />

Honorary Conductors: Georges Prêtre, Wolfgang<br />

Sawallisch<br />

As Vienna’s cultural ambassador and premier concert<br />

orchestra, the Vienna Symphony Orchestra handles<br />

the lion’s share of symphonic activity that makes<br />

up the musical life of the Austrian capital. The<br />

preservation of the traditional, Viennese orchestral<br />

sound occupies a central place in the orchestra’s<br />

various artistic pursuits.<br />

The end of the 19th century was precisely the<br />

right time to establish a new Viennese orchestra<br />

for the purpose of presenting orchestral concerts<br />

with broad appeal and to meet the need for first<br />

performances and premieres of contemporary<br />

works. in October 1900, the newly formed Wiener<br />

Concertverein, as it was called back then, gave its<br />

first public performance at the Vienna Musikverein<br />

with Ferdinand Löwe on the podium.<br />

The Vienna Symphony has premiered works that are<br />

now undisputed staples of the orchestral repertoire,<br />

including Anton Bruckner’s Ninth Symphony, Arnold<br />

Schoenberg’s Gurre-Lieder, Maurice Ravel’s Piano<br />

Concerto for the Left Hand, and Franz Schmidt’s The<br />

Book with Seven Seals.<br />

Over the course of its history, conducting greats<br />

like Bruno Walter, Richard Strauss, Wilhelm<br />

Furtwängler, Oswald Kabasta, George Szell, and<br />

Hans Knappertsbusch have left an indelible mark on<br />

the orchestra. in later decades, Herbert von Karajan<br />

(1950-1960) and Wolfgang Sawallisch (1960-1970)<br />

were the chief conductors who molded the sound of<br />

the orchestra most significantly.<br />

After the brief return of Josef Krips, the position<br />

of chief conductor was filled by Carlo Maria Giulini<br />

and Gennadij Roshdestvensky. Georges Prêtre was<br />

chief conductor from 1986 to 1991. Rafael Frühbeck<br />

de Burgos and Vladimir Fedoseyev then assumed<br />

leadership of the orchestra. <strong>Fabio</strong> Luisi assumed the<br />

position of chief conductor and artistic director at the<br />

start of the 2005-2006 season.<br />

Leading lights that have enjoyed notable success<br />

as guests on the podium of the Vienna Symphony<br />

include Leonard Bernstein, Lorin Maazel, zubin<br />

Mehta, Claudio Abbado, and Sergiu Celibidache.<br />

The Vienna Symphony appears in more than 150<br />

concerts and operatic performances per season,<br />

the vast majority of which take place in Vienna’s<br />

well-known concert venues, the Musikverein and<br />

the Konzerthaus. Added to that is a very busy and<br />

extensive touring schedule.<br />

Since 1946, the Vienna Symphony has been the<br />

orchestra in residence at the Bregenzer Festspiele,<br />

where it also plays the majority of operatic and<br />

symphonic performances. The orchestra also took<br />

on a new challenge at the beginning of 2006,<br />

partaking in a significant number of productions at<br />

the Theater an der Wien, which had just reopened as<br />

a functioning opera house.<br />

Please visit the Vienna Symphony’s website at<br />

www.wienersymphoniker.at.<br />

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