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Ghosting in Heatset Web Offset Printing (Part II) - Zellcheming

Ghosting in Heatset Web Offset Printing (Part II) - Zellcheming

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6/2008 Science and Technology Das Papier<br />

Das Papier · Summary<br />

<strong>Ghost<strong>in</strong>g</strong> <strong>in</strong> <strong>Heatset</strong> <strong>Web</strong> <strong>Offset</strong><br />

Pr<strong>in</strong>t<strong>in</strong>g<br />

The ghost<strong>in</strong>g pr<strong>in</strong>t<strong>in</strong>g problem will<br />

be exam<strong>in</strong>ed on the basis of test<br />

samples and a test form (sample<br />

pr<strong>in</strong>touts and rubber blankets). It<br />

tack forces on the front and reverse and<br />

the consequent cont<strong>in</strong>uous reduction <strong>in</strong><br />

dot size. This reduction <strong>in</strong> dot size leads<br />

to a reduction <strong>in</strong> the tonal values and is<br />

the reason for lighten<strong>in</strong>g.<br />

<strong>Ghost<strong>in</strong>g</strong>, which only occurs after a<br />

certa<strong>in</strong> number of rollovers and which<br />

largely depends on the materials used<br />

– paper, <strong>in</strong>k, founta<strong>in</strong> solution, rubber<br />

blanket – is controlled by the tack forces<br />

and thus by the colour comb<strong>in</strong>ation on<br />

the two sides.<br />

Das Papier 2008–T57<br />

will be shown that the study of the<br />

deposits on the rubber blankets and<br />

the comparison with the deposits<br />

typical of the offset technique br<strong>in</strong>g<br />

about a greater understand<strong>in</strong>g of the<br />

phenomenon.<br />

The <strong>in</strong>fluence of the colour comb<strong>in</strong>ations<br />

on the two sides (front and reverse<br />

of the pr<strong>in</strong>ted page) on ghost<strong>in</strong>g will be<br />

exam<strong>in</strong>ed <strong>in</strong> greater detail here. First<br />

let us look at a number of examples of<br />

ghost<strong>in</strong>g <strong>in</strong> practice.<br />

Fig. 2 displays a pr<strong>in</strong>t sample <strong>in</strong> which<br />

only the colour black was pr<strong>in</strong>ted on<br />

both sides. The contour and darker area<br />

around the number on the reverse side<br />

can be clearly seen. The darker area<br />

is the one that is not affected by the<br />

2 www.ipwonl<strong>in</strong>e.de<br />

number and ghost<strong>in</strong>g is caused by the<br />

black reverse side around the number.<br />

Fig. 3 gives an example <strong>in</strong> which the<br />

red letter P on the reverse can be clearly<br />

seen as a bright image <strong>in</strong> the orange area<br />

(CMYK tonal values of the pr<strong>in</strong>t plate<br />

specified <strong>in</strong> the image). Clearly the magenta<br />

on the reverse side has <strong>in</strong>fluenced<br />

the magenta on the front.<br />

Fig. 4 shows a grey area (CMYK, 30 %<br />

each) whose reverse produces strong<br />

ghost<strong>in</strong>g (<strong>in</strong> the area of the hair) with<br />

equally high tonal values <strong>in</strong> all colours.<br />

Which colour on the reverse causes the<br />

ghost<strong>in</strong>g?<br />

Fig. 5 presents a cyan yellow area on the<br />

ghost<strong>in</strong>g side which is <strong>in</strong>fluenced by the<br />

colour comb<strong>in</strong>ation on the reverse. The<br />

tonal values for all colours entered <strong>in</strong><br />

the images show that ghost<strong>in</strong>g occurs <strong>in</strong><br />

po<strong>in</strong>ts 1 and 3, <strong>in</strong> other words where the<br />

colour on the reverse is black.

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