- Page 3 and 4: Praise for Millennium Approaches "D
- Page 6 and 7: ANGELS in AMERICA A Gay Fantasia on
- Page 8: CONTENTS Part One: Millennium Appro
- Page 12 and 13: The actors, directors and designers
- Page 14 and 15: The first production of Angels in A
- Page 16 and 17: ACKNOWLEDGMENTS I've been working o
- Page 18 and 19: THE CHARACTERS ROY M. COHN, a succe
- Page 20 and 21: PLAYWRIGHT'S NOTES A DISCLAIMER: Ro
- Page 22 and 23: Scene 1 ACT ONE: Bad News October-N
- Page 24 and 25: MILLENNIUM APPROACHES that place an
- Page 26 and 27: MILLENNIUM APPROACHES ROY: Fabulous
- Page 28 and 29: MILLENNIUM APPROACHES JOE: I'm sorr
- Page 30 and 31: MILLENNIUM APPROACHES safety for li
- Page 32 and 33: MILLENNIUM APPROACHES JOE: Nothing
- Page 34 and 35: LOUIS: Knew what? (Pause.) MILLENNI
- Page 36 and 37: HARPER: Washington? JOE: It's an in
- Page 38 and 39: MILLENNIUM APPROACHES RABBI ISIDOR
- Page 42 and 43: LOUIS : Yeah, yeah, well, that's sw
- Page 44 and 45: Fuck this shit. Fuck this shit. MIL
- Page 46 and 47: MILLENNIUM APPROACHES PRIOR: It's s
- Page 48 and 49: PRIOR (Looking up, not seeing anyon
- Page 50 and 51: HARPER: Stick to the subject. MILLE
- Page 52 and 53: MILLENNIUM APPROACHES some unsatisf
- Page 54 and 55: (Pause.) HARPER: I'm going to have
- Page 56 and 57: MILLENNIUM APPROACHES Like Kaposi's
- Page 58 and 59: MILLENNIUM APPROACHES ROY: So say i
- Page 60 and 61: Scene 1 ACT TWO: In Vitro December
- Page 62 and 63: Scene 2 MILLENNIUM APPROACHES Same
- Page 64 and 65: MILLENNIUM APPROACHES EMILY: Anypla
- Page 66 and 67: MILLENNIUM APPROACHES JOE: The pill
- Page 68 and 69: MAN: I want to. LOUIS : Yeah? MAN:
- Page 70 and 71: LOUIS: Forget it, then. (He starts
- Page 72 and 73: Scene 5 MILLENNIUM APPROACHES Three
- Page 74 and 75: BELIZE: My jaw aches at the memory.
- Page 76 and 77: Scene 6 MILLENNIUM APPROACHES The s
- Page 78 and 79: MILLENNIUM APPROACHES MARTIN (Endin
- Page 80 and 81: MILLENNIUM APPROACHES Brahmin lawye
- Page 82 and 83: MILLENNIUM APPROACHES Joe, I'm gonn
- Page 84 and 85: JOE: Whose? MILLENNIUM APPROACHES L
- Page 86 and 87: MILLENNIUM APPROACHES by one and th
- Page 88 and 89: MILLENNIUM APPROACHES JOE: Actually
- Page 90 and 91:
MILLENNIUM APPROACHES JOE: Please l
- Page 92 and 93:
MILLENNIUM APPROACHES editorial "yo
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JOE (Calling): Harper? PRIOR: I hur
- Page 96:
MILLENNIUM APPROACHES SISTER ELLA C
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ANGELS IN AMERICA PRIOR 1: You're a
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ANGELS IN AMERICA We two come to st
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ANGELS IN AMERICA begin to know wha
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ANGELS IN AMERICA BELIZE: I . . . L
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ANGELS IN AMERICA LOUIS: I just thi
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ANGELS IN AMERICA LOUIS: I was neve
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ANGELS IN AMERICA or. ... So I gues
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ANGELS IN AMERICA Belize. Tell him
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ANGELS IN AMERICA It'll be great. I
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ANGELS IN AMERICA (The Woman nods.)
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ANGELS IN AMERICA Scene 5 Same day.
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ANGELS IN AMERICA magazine. She isn
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ANGELS IN AMERICA (Then again, with
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ANGELS IN AMERICA ETHEL ROSENBERG:
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ANGELS IN AMERICA PRIOR 2: Now open
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ANGELS IN AMERICA (Pause.) LOUIS: Y
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ANGELS IN AMERICA I'm . . . so . .
- Page 134:
ANGELS in AMERICA Part Two: P EREST
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THE ANGEL Ellen McLaughlin PRIOR WA
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ROY COHN Ron Leibman LOUIS IRONSON
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Gordon Davidson has been the most o
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THE CHARACTERS THE ANGEL, four divi
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THE ANGEL ASIATICA, played by the a
- Page 148 and 149:
y the Angel's traumatic entry at th
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Intermissions should be taken after
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Scene 1 ACT ONE: Spooj January 1986
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PERESTROIKA of Millennium Approache
- Page 157 and 158:
PERESTROIKA HARPER: Can I come with
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PRIOR: OH! Oh. PERESTROIKA (He look
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PRIOR AND BELIZE: Peace on earth an
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PERESTROIKA ROY (Getting nervous ab
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PERESTROIKA ROY: I got some kind of
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BELIZE: Consider it solidarity. One
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We can cap everything that leaks in
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LOUIS: Mmm. Iron. Clay. PERESTROIKA
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ANGELS IN AMERICA came into the wor
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ANGELS IN AMERICA ANGEL: Greetings,
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ANGELS IN AMERICA Angel coughs a li
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ANGELS IN AMERICA ANGEL: The Pulse,
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ANGELS IN AMERICA ANGEL: YOU Think.
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ANGELS IN AMERICA BELIZE: Listen to
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ANGELS IN AMERICA ANGEL: ANGEL: (Sh
- Page 187 and 188:
ANGELS IN AMERICA PRIOR: Maybe I am
- Page 189 and 190:
ANGELS IN AMERICA (They put the dre
- Page 191 and 192:
ANGELS IN AMERICA (She vanishes as
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ANGELS IN AMERICA ROY: Suck my dick
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ANGELS IN AMERICA BELIZE: There's a
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ANGELS IN AMERICA The worst thing a
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ANGELS IN AMERICA PRIOR: No, I... H
- Page 201 and 202:
ANGELS IN AMERICA CALEB: Will there
- Page 203 and 204:
ANGELS IN AMERICA (Joe kisses Louis
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ANGELS IN AMERICA HARPER (Overlappi
- Page 207 and 208:
ANGELS IN AMERICA (The Mormon Mothe
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ANGELS IN AMERICA JOE: YOU believe
- Page 211 and 212:
ANGELS IN AMERICA LOUIS: I miss him
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ANGELS IN AMERICA BELIZE: Time to t
- Page 215 and 216:
ANGELS IN AMERICA (Roy laughs softl
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ANGELS IN AMERICA HARPER (Joining i
- Page 219 and 220:
ANGELS IN AMERICA Stygian. How trag
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ANGELS IN AMERICA LOUIS: But you do
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ANGELS IN AMERICA JOE: With a man.
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ANGELS IN AMERICA BELIZE (To Joe):
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ANGELS IN AMERICA ROY: Sssshhh. Fir
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ANGELS IN AMERICA BELIZE: SACRED He
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ANGELS IN AMERICA LOUIS (Looking):
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ANGELS IN AMERICA (Louis shakes Ms
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ANGELS IN AMERICA If I could manage
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ANGELS IN AMERICA Take me to St. Vi
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ANGELS IN AMERICA Scene 6 Night. Pr
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ANGELS IN AMERICA HANNAH (A nod, th
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ANGELS IN AMERICA Scene 7 That nigh
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ANGELS IN AMERICA JOE: I'm having a
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ANGELS IN AMERICA They didn't chang
- Page 249 and 250:
ANGELS IN AMERICA (Louis falls to t
- Page 251 and 252:
ANGELS IN AMERICA Rosenberg's Hatre
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Scene 1 ACT FIVE: Heaven, I'm in He
- Page 256 and 257:
PERESTROIKA PRIOR: I... will not le
- Page 258 and 259:
PERESTROIKA HARPER: She was wanderi
- Page 260 and 261:
PERESTROIKA BELIZE: Stop whining. W
- Page 262 and 263:
PERESTROIKA LOUIS: B'olmo deevro ch
- Page 264 and 265:
PERESTROIKA ROY: Show me a little o
- Page 266 and 267:
(The static intensifies.) ASIATICA:
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PERESTROIKA AUSTRALIA: It is a Conu
- Page 270 and 271:
AUSTRALIA: Oh We have tried. We suf
- Page 272 and 273:
PERESTROIKA body, more sores than s
- Page 274 and 275:
PERESTROIKA Penuel, Peniel, Ja'akov
- Page 276 and 277:
PERESTROIKA (Brief tense pause; Pri
- Page 278 and 279:
HARPER (Quietly): Did that hurt? (J
- Page 280 and 281:
PERESTROIKA HARPER: Night flight to
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ANGELS IN AMERICA PRIOR (To audienc
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ANGELS IN AMERICA BELIZE: But the W
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With a Little Help from My Friends
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AFTERWORD wrote a series of remarka
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AFTERWORD More pessimistic than I,
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AFTERWORD anxious my analyst sugges
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1991 National Arts Club's Joseph Ke