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The Soul of Osteopathy - The Book Locker

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<strong>Soul</strong> <strong>of</strong> <strong>Osteopathy</strong><br />

Contemporary Preface to Biogen<br />

<strong>The</strong>re are few guides for the student who looks beyond<br />

the anatomic/biomechanical interpretation <strong>of</strong><br />

osteopathy according to Dr. Still. However, one is<br />

immediately excited, if one has been intrigued by Still’s<br />

description <strong>of</strong> Biogen in his wrestling with the concepts<br />

<strong>of</strong> body-mind- spirit, when one discovers Coues. Elliot<br />

Coues’ publication (1884) certainly predates Still’s<br />

publication <strong>of</strong> <strong>The</strong> Philosophy and Mechanical Principles<br />

<strong>of</strong> <strong>Osteopathy</strong> (1901). Coues lays claim to credit in<br />

coining the term biogen. Since Still would not cite<br />

references, we know little directly about how Still came<br />

to use the term, biogen, in approaching the problem <strong>of</strong><br />

“what is life?”<br />

Did they have direct contact? Kirksville was on the<br />

active rail line and a busy center <strong>of</strong> therapeutic activity.<br />

Once he left Virginia as a youth, Still’s travels eastward<br />

were limited to his participation in the 1903 Columbia<br />

Exposition in St. Louis. By the time <strong>of</strong> his writing <strong>of</strong> his<br />

monograph on Biogen, Coues, as we will see in<br />

reviewing his biography, was ensconced solidly in the<br />

Washington intellectual community. His days as an<br />

explorer <strong>of</strong> the American West as an army surgeon and<br />

scientific field <strong>of</strong>ficer were behind him.<br />

An analysis <strong>of</strong> the text does not help greatly. On an<br />

initial reading, there seem to be minimal conceptual<br />

links. <strong>The</strong> setting and occasion for the use <strong>of</strong> the word<br />

is different. Still’s eclectic style in writing, or compiling,<br />

his books places chapters in random juxtaposition<br />

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