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DAISY MILLER HONORS ENGLISH Please read through these ...

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12. What do we learn about Daisy, her brother and mother from their first meetings with<br />

Winterbourne? What are his first judgements of Daisy? ("in her bright, sweet, superficial little<br />

visage there was no mockery, no irony"). What seems unusual to Winterbourne about her manner of<br />

greeting him and her reaction to his invitation to the Castle of Chillon?<br />

13. To what degree is Daisy intelligent? Interested in other cultures? Perceptive about other<br />

people? What are her social preferences? Does she seem to have friends of her own sex? What are<br />

her motivations in Europe? Which aspects of her portrayal seem critical? (e. g., "her light, slightly<br />

monotonous smile"). Can you tell when she makes mistakes of language?<br />

14. Can this story be <strong>read</strong> as a comment on the expectations for wealthy young women of the<br />

period? On the lack of formal education or active endeavors for women?<br />

15. Are Daisy and Winterbourne temperamentally well-suited to become friends?<br />

16. How is Mrs. Costello characterized? Mrs. Walker? Whose opinions do they represent? To what<br />

extent are their opinions founded on evidence? What does Mrs. Costello mean by saying, "But she is<br />

very common."<br />

17. In what sense is Mrs. Costello correct/or incorrect when she warns Winterbourne, "You have<br />

lived too long out of the country. You will be sure to make some great mistake. You are too<br />

innocent"?<br />

18. How is Daisy's mother portrayed? To what extent is Daisy the victim of unusual<br />

circumstances? What can you infer from this novel about the lives and health of prosperous middleaged<br />

women of the period (or the author's view thereof)? Had Daisy lived, what do you think would<br />

have become of her?<br />

19. How does Daisy react to the news of the varied stages of her social rejection? To what extent<br />

does it distress her? ("You needn't be afraid. I'm not afraid!")<br />

20. Which events in the first section parallel Daisy's ill-omened nighttime tryst with Giovanelli?<br />

Can Winterbourne be viewed as a possible admirer of Daisy? Why doesn't she accept his offer of a<br />

nighttime boat ride?<br />

21. According to the values of his society, should Winterbourne have accompanied Daisy to Chillon?<br />

Is their trip a sign of flirtation? How does Daisy react to the news that he must return to Geneva?<br />

22. What is ominous about the ending of the story's first section? The opening of the second?<br />

What is the symbolism of the shift from "Les Trois Couronnes" to Rome? How is the story's<br />

progression aided by the division into two sections?<br />

23. To what extent are manners and morals conflated in the society represented in this story? Is<br />

it possible to separate <strong>these</strong> two within the plot--or does the narrator also see them as nearly<br />

identical?<br />

24. What opinions and acts reveal Randolph's and Mrs. Miller's failure to adjust to life in Europe?<br />

25. What are some signs of ignorance or failure to sense danger in Mrs. Miller's reactions to<br />

Daisy's behavior? ("Of course, it's a great deal pleasanter for a young lady if she knows plenty of<br />

gentlemen.")<br />

26. Under what circumstances is Daisy warned that she may contract a fever? What symbolism or<br />

indirection seems to surround such concerns? In your opinion, to what degree were their concerns<br />

valid?<br />

27. What are some humorous moments in their conversation with Mrs. Walker?<br />

28. What moments in Daisy's conversation foreshadow her death? ("We are going to stay all<br />

winter if we don't die of the fever; and I guess we'll stay then.") How would you characterize her<br />

conversation--artless? honest? simple? naive? heedless?

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