Ace in the Hole - MatthewHunt
Ace in the Hole - MatthewHunt
Ace in the Hole - MatthewHunt
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Cél<strong>in</strong>e and Julie Go Boat<strong>in</strong>g<br />
(Jacques Rivette, 1974)<br />
Two eccentric women run amok <strong>in</strong> Paris. Jacques Rivette's three hour feature is whimsy on<br />
an epic scale, mannered, playful and <strong>in</strong>spired by turns. Madonna's movie career might have<br />
been different without it: Susan Seidelman was <strong>in</strong>spired by Cél<strong>in</strong>e and Julie when she came<br />
to make Desperately Seek<strong>in</strong>g Susan, <strong>in</strong> which Madge had <strong>the</strong> best part.<br />
The Cement Garden<br />
(Andrew Birk<strong>in</strong>, 1993)<br />
Ian McEwan has rarely had a better showcase than this heated and haunt<strong>in</strong>g adaptation of<br />
his Lord of <strong>the</strong> Flies-style analysis of suburban anarchy. Aga<strong>in</strong>st <strong>the</strong> backdrop of a forbidd<strong>in</strong>g<br />
concrete house, a husband and wife die of natural causes, leav<strong>in</strong>g <strong>the</strong>ir children to cover up<br />
<strong>the</strong>ir deaths and explore <strong>the</strong>ir new freedoms, sexual and o<strong>the</strong>rwise, <strong>in</strong> ways that defy<br />
convention and - especially - <strong>the</strong> law.<br />
Central Station<br />
(Walter Salles, 1998)<br />
The film that kicked off Lat<strong>in</strong> America's c<strong>in</strong>ematic renaissance, and <strong>the</strong> most emotionally<br />
honest. Fernanda Montenegro's seasoned turn as a cynical ex-schoolteacher, and newcomer<br />
V<strong>in</strong>icius de Oliver as <strong>the</strong> n<strong>in</strong>e-year-old she is forced to care for, fuse <strong>in</strong>to a film with all <strong>the</strong><br />
tough social credentials of <strong>the</strong> "buena onda".<br />
La Cérémonie<br />
(Claude Chabrol, 1995)<br />
In Claude Chabrol, France's master of suspense, Ruth Rendell found <strong>the</strong> perfect c<strong>in</strong>ematic<br />
<strong>in</strong>terpreter for her classic A Judgment In Stone about an illiterate young woman hired as a<br />
cleaner <strong>in</strong> a well-off bourgeois household. She forms a dangerous friendship with <strong>the</strong> local<br />
postmistress who is enviously resentful of <strong>the</strong> family's local prestige.<br />
The Charge of <strong>the</strong> Light Brigade<br />
(Tony Richardson, 1968)<br />
Tony Richardson fashioned a MASH-like anti-war film set <strong>in</strong> <strong>the</strong> Crimean era. Many of<br />
Brita<strong>in</strong>'s f<strong>in</strong>est actors are on display, most of <strong>the</strong>m sport<strong>in</strong>g facial hair to die for. Trevor<br />
Howard is wonderfully bad-tempered as Lord Cardigan, Charles Wood's dialogue is barbed<br />
and witty, and <strong>the</strong> charge itself is staged with elan. The cartoon sections (courtesy of Richard<br />
Williams of Roger Rabbit fame) aren't bad ei<strong>the</strong>r.<br />
Chariots of Fire<br />
(Hugh Hudson, 1981)<br />
Iconic runn<strong>in</strong>g scenes accompanied by Vangelis score. The film tells <strong>the</strong> true story of British<br />
athletes, Eric Liddell (Ian Charleson) and Harold Abrahams (Ben Cross) who overcame<br />
personal difficulties to compete <strong>in</strong> <strong>the</strong> 1924 Olympics. What with all <strong>the</strong> slow-mo action by top<br />
toff totty, it's easy to get carried away with all <strong>the</strong> flag-wav<strong>in</strong>g.<br />
The Chess Players<br />
(Satyajit Ray, 1977)<br />
Elegant, lavish, but emotionally understated satire from <strong>the</strong> great Indian film-maker about <strong>the</strong><br />
British Raj <strong>in</strong> 1850. Richard Attenborough plays <strong>the</strong> British General Outram, and Saeed<br />
Jaffrey and Sanjeev Kumar play two noblemen whose passion for chess means <strong>the</strong>y won't<br />
wake up to <strong>the</strong> clear and present danger from <strong>the</strong> rapacious British. They are about to be<br />
checkmated.<br />
Chicken Run<br />
(Peter Lord, Nick Park, 2000)<br />
Aardman's attempt to court America could have led to dilution of <strong>the</strong>ir homegrown vision. But<br />
despite draft<strong>in</strong>g <strong>in</strong> Mel Gibson to lead a group of chickens, Great Escape-fashion, to safety,<br />
Lord and Park reta<strong>in</strong>ed <strong>the</strong> eccentricity and delicate characterisation of <strong>the</strong>ir best work, as<br />
well as unbelievably <strong>in</strong>tricate technical prowess.