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Tony Hillerman Bio.pdf

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an a local store. <strong>Hillerman</strong> loved reading and books as a youth, and in those<br />

days before television and without even enough money for batteries for the radio,<br />

he also formed an appreciation for oral storytelling. He would listen to the men<br />

who gathered at his parents' store to tell stories and tall tales, and learned<br />

pacing, timing, and the importance of detail. <strong>Hillerman</strong>'s youth was thus spent, as<br />

Muhlestein noted, "poor in money but rich in the tools of a future writer."<br />

<strong>Hillerman</strong> also learned, according to Muhlestein, "what it meant to be an<br />

outsider," by attending a boarding school for Potawatomie Indian girls. Doubly<br />

removed because of both race and gender, <strong>Hillerman</strong> internalized this feeling of<br />

being an outsider, but also formed a deep and abiding respect for Indian ways<br />

and culture. As important as that message was, he also learned another: the<br />

significance of class in America. As a youngster <strong>Hillerman</strong> viewed himself as a<br />

country boy, one who got his haircuts at home, not at a barber shop. If the world<br />

were divided into urban and rural, he would opt for the latter.<br />

After graduating from high school, <strong>Hillerman</strong> began college at Oklahoma State<br />

University, but then joined the army to fight in World War II. He took part in the D-<br />

Day landings, was wounded in Alsace, and earned a Silver Star, among other<br />

decorations. His letters home, which found their way into the hands of a<br />

journalist, were so detailed and spirited that the newspaperman convinced the<br />

young returning soldier to take up a career in writing.<br />

Enrolling in journalism courses, <strong>Hillerman</strong> also worked part-time to support his<br />

education. It was in 1945, while driving a truckload of drilling pipe from Oklahoma<br />

to New Mexico, that he first encountered the Navajo and their reservation. The<br />

Navajos he first saw were engaged in a curing ceremony called the Enemy Way,<br />

during which a young Navajo fresh from service in the war, like <strong>Hillerman</strong> himself,<br />

was being cured of the foreign contamination and brought back into harmony<br />

with his own people. "When I met the Navajos I now so often write about,"<br />

<strong>Hillerman</strong> recalled to Ernie Bulow in Talking Mysteries, "I recognized kindred<br />

spirits. Country boys. More of us. Folks among whom I felt at ease." In 1948,<br />

<strong>Hillerman</strong> graduated from the journalism program at the University of Oklahoma.<br />

He was also married that year to Marie Unzner; the couple would eventually have<br />

one child together and adopt five additional children.<br />

<strong>Hillerman</strong> took several newspaper jobs in and around Oklahoma, Texas, and<br />

New Mexico before joining the staff of the Santa Fe New Mexican in 1954. He<br />

stayed with that paper until 1963, working at the end of his journalism career as<br />

executive editor. But he had a longing to become a novelist, and with the<br />

encouragement of his wife, left journalism behind to study writing, soon becoming<br />

a journalism professor at the University of New Mexico, where he remained until<br />

1985. It was while he was a professor of journalism that he wrote his first novel,<br />

The Blessing Way, in which he introduces Joe Leaphorn, a fiftyish Navajo with<br />

the Tribal Police on the reservation. Leaphorn, however, was almost cut out of<br />

this manuscript at the urging of <strong>Hillerman</strong>'s agent. Finally, an editor at Harper &<br />

Row wrote an enthusiastic critique of the manuscript, wanting <strong>Hillerman</strong> to<br />

increase Leaphorn's role, and the writer's first major protagonist was born.<br />

In this debut novel, the motive for the murder of a young Navajo is witchcraft in<br />

the shape of a Navajo Wolf, akin to a werewolf. According to Geoff Sadler, a

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