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195109-DesertMagazin.. - Desert Magazine of the Southwest

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The Moquis <strong>of</strong>ten selected sites for <strong>the</strong>ir homes which are almost inaccessible today.<br />

<strong>the</strong> figures which <strong>the</strong> ancient artists put<br />

on <strong>the</strong> walls, <strong>the</strong> archeologists have<br />

never agreed as to <strong>the</strong>ir significance—<br />

why <strong>the</strong>y were placed <strong>the</strong>re and what<br />

<strong>the</strong>ir meaning may have been to <strong>the</strong><br />

tribesmen <strong>of</strong> that period. Members <strong>of</strong><br />

our little campfire group were unanimous<br />

as to one conclusion—we agreed<br />

that <strong>the</strong> art work <strong>of</strong> <strong>the</strong> ancients is no<br />

less baffling than are some <strong>of</strong> <strong>the</strong> socalled<br />

modernistic creations which certain<br />

contemporary artists are exhibiting<br />

today.<br />

Botanically, <strong>the</strong> Kaiparowits exhibited<br />

specimens <strong>of</strong> both <strong>the</strong> Transitional<br />

and Alpine zones <strong>of</strong> life. The<br />

highest elevation we reached was 7410,<br />

and <strong>the</strong> plant life included Sego lily,<br />

<strong>the</strong> state flower <strong>of</strong> Utah, Indian paint<br />

brush, and great fields <strong>of</strong> purple lupine<br />

just coming into blossom. In addition<br />

to <strong>the</strong> forest <strong>of</strong> pinyon pine and juniper<br />

<strong>the</strong>re were aspen, manzanita, service<br />

berries, ephedra, scrub oak, sage and<br />

one <strong>of</strong> <strong>the</strong> prickly pear species <strong>of</strong> cactus.<br />

While <strong>the</strong>re were many deer tracks<br />

on <strong>the</strong> plateau, we saw only one <strong>of</strong><br />

<strong>the</strong>se animals—a doe. O<strong>the</strong>r wildlife<br />

was sparse — one rattlesnake, a few<br />

jackrabbits, rodents and lizards. Apparently<br />

<strong>the</strong> water supply here is too<br />

limited for most species <strong>of</strong> game animals.<br />

At <strong>the</strong> edge <strong>of</strong> <strong>the</strong> plateau we were<br />

looking down on <strong>the</strong> great Escalante<br />

River basin with its scores <strong>of</strong> tributaries.<br />

Everett Ruess, 20-year-old<br />

poet-artist-explorer went into this region<br />

alone with his two burros in 1934<br />

to explore <strong>the</strong> Moqui houses — and<br />

never returned. His diary and letters<br />

have since <strong>the</strong>n been published by<br />

<strong>Desert</strong> <strong>Magazine</strong> in On <strong>Desert</strong> Trails<br />

with Everett Ruess.<br />

Edson and Delane were among<br />

those who spent many days searching<br />

for <strong>the</strong> missing boy. One evening at<br />

<strong>the</strong> campfire <strong>the</strong>y told in detail <strong>the</strong>ir<br />

<strong>the</strong>ories to explain his mysterious disappearance.<br />

Like many o<strong>the</strong>r residents<br />

<strong>of</strong> <strong>the</strong> Escalante region, <strong>the</strong>y believe<br />

he met with foul play.<br />

Use <strong>of</strong> ropes was necessary for security<br />

purposes in scaling some <strong>of</strong> <strong>the</strong><br />

cliffs where <strong>the</strong> ancient dwellings were<br />

located. In one place we found where<br />

<strong>the</strong> Moquis had cut finger and toe holds<br />

in <strong>the</strong> sandstone face to reach <strong>the</strong>ir<br />

home-in-<strong>the</strong>-cavern.<br />

In one area we found <strong>the</strong> ground<br />

covered with chips <strong>of</strong> flint and obsidian.<br />

For some reason <strong>the</strong> Indians<br />

had used this spot as a factory site for<br />

<strong>the</strong> making <strong>of</strong> <strong>the</strong>ir points. The stone<br />

used in making <strong>the</strong>ir weapons had to<br />

be brought up on <strong>the</strong> plateau from distant<br />

deposits, for <strong>the</strong>re was no rock<br />

on <strong>the</strong> Kaiparowits suitable for this<br />

purpose. Edson picked up a beautiful<br />

turquoise bead—obviously brought in<br />

from elsewhere.<br />

At <strong>the</strong> end <strong>of</strong> four days—which was<br />

<strong>the</strong> length <strong>of</strong> our scheduled camp on<br />

<strong>the</strong> plateau, <strong>the</strong> three little tinajas<br />

where we dipped out domestic water<br />

were nearly empty.<br />

Perhaps it was lack <strong>of</strong> water which<br />

eventually oaused <strong>the</strong> little brown men<br />

<strong>of</strong> <strong>the</strong> Moqui tribe to abandon <strong>the</strong>ir<br />

homes on top <strong>of</strong> <strong>the</strong> plateau. I am sure<br />

it was a matter <strong>of</strong> great urgency to <strong>the</strong>m<br />

—for with an ample supply <strong>of</strong> food<br />

and water this truly would be an ideal<br />

hideaway for peaceful tribesmen who<br />

preferred to live by toil ra<strong>the</strong>r than by<br />

plunder.<br />

SEPTEMBER, 1951 11

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