OUTDOOR SOUTHWEST - Desert Magazine of the Southwest
OUTDOOR SOUTHWEST - Desert Magazine of the Southwest
OUTDOOR SOUTHWEST - Desert Magazine of the Southwest
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HOW JO TAKE<br />
GOOD PICTURES<br />
OF BIRDS<br />
By J. FRED and FRAN DODSON<br />
30 / <strong>Desert</strong> <strong>Magazine</strong> / October, 1961<br />
I HEN WE WENT to spend our first<br />
winter on <strong>the</strong> desert, we were eagerly<br />
looking forward to enjoying <strong>the</strong> mild<br />
climate, flaming sunsets and exotic<br />
flowers. An added attraction we did not<br />
anticipate has been <strong>the</strong> birds. Only a pair<br />
<strong>of</strong> friendly Cactus Wrens and a Curvedbill<br />
Thrasher were <strong>the</strong>re to greet us, but<br />
when feed and water were made available,<br />
<strong>the</strong> news quickly spread, and each day<br />
brought new boarders.<br />
By spring we could sit in <strong>the</strong> open yard<br />
but 25 feet from where dozens <strong>of</strong> <strong>Desert</strong><br />
and White-Crowned Sparrows, Finches,<br />
three kinds <strong>of</strong> Doves and many o<strong>the</strong>r bird<br />
neighbors would feed on scattered grain.<br />
Cardinals would fly in for sunflower seeds,<br />
while Flickers and Gila Woodpeckers<br />
searched for hidden nutmeats and suet. And<br />
it was gratifying to see <strong>the</strong> Gambel's Quail<br />
come with <strong>the</strong>ir broods <strong>of</strong> tiny young, and<br />
feel safe in our presence.<br />
All this was very pleasing to <strong>the</strong> eye, but<br />
in a photograph <strong>the</strong> birds appeared as mere<br />
specks. We decided to try some close-up<br />
shots that would show more distinctly <strong>the</strong><br />
markings and fea<strong>the</strong>r detail <strong>of</strong> <strong>the</strong> individual<br />
bird visitor.<br />
An important tool for this kind <strong>of</strong> work<br />
is a remote control mechanism so <strong>the</strong> camera<br />
can be placed close to <strong>the</strong> subject and<br />
operated from a distance. Tripping <strong>the</strong><br />
shutter with a string or pneumatic cable<br />
release is too slow for birds. An electric<br />
tripper or solenoid connected to <strong>the</strong> camera<br />
shutter dees <strong>the</strong> job. One end <strong>of</strong> a double<br />
wire is connected to <strong>the</strong> solenoid; at <strong>the</strong><br />
o<strong>the</strong>r end is <strong>the</strong> battery and switch. When<br />
<strong>the</strong> switch is operated, <strong>the</strong> circuit is closed,<br />
<strong>the</strong> solenoid operates <strong>the</strong> shutter, and <strong>the</strong><br />
exposure is made.<br />
For <strong>the</strong> press or view camera, <strong>the</strong> purchase<br />
and installation <strong>of</strong> a solenoid is a<br />
simple matter; but for most o<strong>the</strong>r types <strong>of</strong><br />
cameras, including <strong>the</strong> popular 3 5 mm. size,<br />
your favorite camera store will be <strong>of</strong> little<br />
help in supplying an automatic tripper, and<br />
you will have to depend on your own ingenuity<br />
or that <strong>of</strong> a technical - minded<br />
friend. We made a tripper for our 1000F<br />
Hasselblad camera, using a heavy solenoid<br />
and some scrap parts, including a part taken<br />
from <strong>the</strong> mechanism <strong>of</strong> a window lock.<br />
Works fine.<br />
Two 50-foot lengths <strong>of</strong> two-wire extension<br />
cord are used so that two cameras can<br />
be set up at <strong>the</strong> same time, if desired. We