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OUTDOOR SOUTHWEST - Desert Magazine of the Southwest

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HOW JO TAKE<br />

GOOD PICTURES<br />

OF BIRDS<br />

By J. FRED and FRAN DODSON<br />

30 / <strong>Desert</strong> <strong>Magazine</strong> / October, 1961<br />

I HEN WE WENT to spend our first<br />

winter on <strong>the</strong> desert, we were eagerly<br />

looking forward to enjoying <strong>the</strong> mild<br />

climate, flaming sunsets and exotic<br />

flowers. An added attraction we did not<br />

anticipate has been <strong>the</strong> birds. Only a pair<br />

<strong>of</strong> friendly Cactus Wrens and a Curvedbill<br />

Thrasher were <strong>the</strong>re to greet us, but<br />

when feed and water were made available,<br />

<strong>the</strong> news quickly spread, and each day<br />

brought new boarders.<br />

By spring we could sit in <strong>the</strong> open yard<br />

but 25 feet from where dozens <strong>of</strong> <strong>Desert</strong><br />

and White-Crowned Sparrows, Finches,<br />

three kinds <strong>of</strong> Doves and many o<strong>the</strong>r bird<br />

neighbors would feed on scattered grain.<br />

Cardinals would fly in for sunflower seeds,<br />

while Flickers and Gila Woodpeckers<br />

searched for hidden nutmeats and suet. And<br />

it was gratifying to see <strong>the</strong> Gambel's Quail<br />

come with <strong>the</strong>ir broods <strong>of</strong> tiny young, and<br />

feel safe in our presence.<br />

All this was very pleasing to <strong>the</strong> eye, but<br />

in a photograph <strong>the</strong> birds appeared as mere<br />

specks. We decided to try some close-up<br />

shots that would show more distinctly <strong>the</strong><br />

markings and fea<strong>the</strong>r detail <strong>of</strong> <strong>the</strong> individual<br />

bird visitor.<br />

An important tool for this kind <strong>of</strong> work<br />

is a remote control mechanism so <strong>the</strong> camera<br />

can be placed close to <strong>the</strong> subject and<br />

operated from a distance. Tripping <strong>the</strong><br />

shutter with a string or pneumatic cable<br />

release is too slow for birds. An electric<br />

tripper or solenoid connected to <strong>the</strong> camera<br />

shutter dees <strong>the</strong> job. One end <strong>of</strong> a double<br />

wire is connected to <strong>the</strong> solenoid; at <strong>the</strong><br />

o<strong>the</strong>r end is <strong>the</strong> battery and switch. When<br />

<strong>the</strong> switch is operated, <strong>the</strong> circuit is closed,<br />

<strong>the</strong> solenoid operates <strong>the</strong> shutter, and <strong>the</strong><br />

exposure is made.<br />

For <strong>the</strong> press or view camera, <strong>the</strong> purchase<br />

and installation <strong>of</strong> a solenoid is a<br />

simple matter; but for most o<strong>the</strong>r types <strong>of</strong><br />

cameras, including <strong>the</strong> popular 3 5 mm. size,<br />

your favorite camera store will be <strong>of</strong> little<br />

help in supplying an automatic tripper, and<br />

you will have to depend on your own ingenuity<br />

or that <strong>of</strong> a technical - minded<br />

friend. We made a tripper for our 1000F<br />

Hasselblad camera, using a heavy solenoid<br />

and some scrap parts, including a part taken<br />

from <strong>the</strong> mechanism <strong>of</strong> a window lock.<br />

Works fine.<br />

Two 50-foot lengths <strong>of</strong> two-wire extension<br />

cord are used so that two cameras can<br />

be set up at <strong>the</strong> same time, if desired. We

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