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Case 1:09-cv-21893-WMH Document 16 Entered on FLSD Docket 07/31/2009 Page 11 of 24<br />

lowercase); and color (Mr. Chow: black and white v. Philippe: red). These marks are so<br />

dissimilar that it is like comparing wantons to walruses.<br />

The only similarity between these two marks is the name “Chow” at the end of Philippe’s<br />

mark. As discussed above, the word “Chow” is an incredibly weak aspect of the two marks as<br />

evidenced by the hundreds of “Chow” trademarks registered with the United States Patent and<br />

Trademark Office, the number of Chinese restaurants using the name “Chow” in the same<br />

geographic locations in which the parties operate, and the large number of businesses<br />

incorporating the name “Chow” with the Secretary of State in the areas where Plaintiffs and<br />

Philippe do business.<br />

Furthermore, Philippe regularly uses other marks on nearly every aspect of its restaurants<br />

to identify Philippe in a way that could never be confusingly similar to Mr. Chow:<br />

Philippe displays these marks on everything from their storefront to their artificial sweeteners to<br />

distinguish themselves from Plaintiffs. See Composite Exhibit F to Shapiro Decl. Indeed, the<br />

difference between Plaintiffs’ and Philippe’s marks is as different as night and day. The stark<br />

contrast of the overall look of the two marks plainly evidences that the two marks are entirely<br />

dissimilar as a matter of law, and therefore, this factor weighs strongly in Philippe’s favor.<br />

C. Similarity of the Products<br />

Both Plaintiffs and Philippe operate restaurants that serve Chinese cuisine; however, this<br />

lone similarity is not fully dispositive of this factor. In fact, when two restaurants have highly<br />

distinct and unique features, the weight of this factor is significantly diminished. In Barbeque<br />

Marx, Inc. v. 551 Ogden, Inc., 235 F.3d 1041 (7th Cir. 2000), the court held that even though<br />

two restaurants serving similar food were in close proximity to each other, they were not likely<br />

to cause consumer confusion based on the differences between their ambiance and theme:<br />

SMOKE DADDY, a small restaurant seating only 42, and<br />

decorated in a 1950s style, focuses heavily on blues music. In<br />

contrast, BONE DADDY styles itself as an “irreverent” restaurant,<br />

using [ ] sexually charged slogans . . . BONE DADDY's interior<br />

has a very different feel, and its stronger emphasis on food<br />

differentiates its style from that of SMOKE DADDY.<br />

-11-<br />

RICHMAN GREER, P.A.<br />

Miami • West Palm Beach

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