Big Drums, Little Loincloths, and the Wild One: The Making of O-Daiko

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Big Drums, Little Loincloths, and the Wild One: The Making of O-Daiko

Big Drums, Little Loincloths, and the Wild One: The Making of O-Daiko

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Page 1 and 2: Taiko, Pop Culture, and Transnation
Page 3 and 4: Kumi-Daiko • Remark on “newness
Page 5 and 6: Map of Taiko Places Sado Island (Ko
Page 7 and 8: Kodo Sign
Page 9: Kodo Rehearsal Hall
Page 13 and 14: App Practice - Dancing
Page 15 and 16: AppsPracticeKyogen
Page 17 and 18: App Discipline
Page 19 and 20: App Farming
Page 21 and 22: Map of Taiko Places Sado Island (Ko
Page 23 and 24: How not to practice Miyake Daiko
Page 25 and 26: Odai ko Abo unds
Page 27 and 28: Muhomatsu no Issho (The Wild One, 1
Page 29 and 30: Early Ondekoza Image
Page 31 and 32: Ondekoza’s Early Odaiko
Page 33 and 34: Kodo’s Yatai-bayashi
Page 35 and 36: PumpedUpWo men
Page 37 and 38: Ondekoza Runs America (’90-’93)