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JULY 29 wp - Harmonia Mundi UK Distribution

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Label: Stradivarius<br />

File Under: Classical/Orchestral<br />

Catalogue No: STR33944<br />

Barcode: 8011570339447<br />

NORMAL Price<br />

Format: 1 CD<br />

Packaging: digipack<br />

Insieme Strumentale di Roma<br />

Paolo Perrone [violin]<br />

Giorgio Sasso [violin and conductor]<br />

VIVALDI: Violin Concertos<br />

Insieme Strumentale di Roma<br />

Giorgio Sasso<br />

Concerto in F major RV 287 for violin, strings and continuo<br />

Concerto in C major RV 508 for two violins, strings and continuo<br />

Concerto in G minor RV 517 for two violins, strings and continuo<br />

Concerto in C major RV 113 for strings and continuo<br />

Concerto in G minor RV 321 for violin, strings and continuo<br />

Concerto in D minor RV 240 for violin, strings and continuo<br />

Concerto in D major RV 123 for strings and continuo<br />

RELEASE DATE<br />

<strong>29</strong>TH <strong>JULY</strong> 2013<br />

From the liner notes by Pablo Queipo de Llano:<br />

The seven concertos presented on this CD constitute an anthology of Vivaldi’s repertory for strings in his most preferred<br />

forms: the four-part concerto without a solo instrument, the concerto with one or two solo violins. Although the three types<br />

of the genre were already well known when Vivaldi began to cultivate them in the first decade of the 18th century, the<br />

advent of the Red Priest caused an authentic revolution in the repertory both in Italy and abroad. Apart from the<br />

sensuous musical substance which characterises them, the main formal novelty of Vivaldi’s concertos consists in the<br />

“stellar” arrangement of the solo parts, which in Vivaldi’s works is seen in a hitherto unknown splendour. Vivaldi raises<br />

the soloist to the position of authentic protagonist of the concerto, going beyond the discreet role which the fathers of the<br />

genre - Corelli, Torelli and Albinoni among others – had given them. Although the string concertos without a soloist –<br />

called 'Concerti Ripieni' by Vivaldi – prove to be less spectacular because of the absence of a soloist, the personality of<br />

the Venetian maestro still stands out.

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