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Classical new release - Harmonia Mundi UK Distribution

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Label: Wergo<br />

File Under: <strong>Classical</strong>/Instrumental<br />

Catalogue No: WER6760-2<br />

Barcode: 4010228676020<br />

NORMAL Price<br />

Format: 1 CD<br />

Packaging: cristal<br />

Daniele Roccato (double bass)<br />

Fabrizio Ottaviucci [piano]<br />

Massimiliano Pitocco [bayan]<br />

GUBAIDULINA: In Croce<br />

works for double bass<br />

Daniele Roccato<br />

Sonata, Pantomime, In Croce, Preludes<br />

RELEASE DATE<br />

3RD JUNE 2013<br />

The double bass is the focus of four compositions by Sofia Gubaidulina, presented here in unique interpretations by<br />

Daniele Roccato, Fabrizio Ottaviucci and Massimiliano Pitocco. The compositions which were written and reviewed over<br />

a time span of over 40 years "are among the highlights in double bass literature: four gems of outstanding value every<br />

double bass player should learn to perform." (Roccato)<br />

In 'Sonata' the double bass part is largely written in a traditional way. However, the performer can opt for various choices<br />

of fingering, positions and resonating chords according to personal preferences. Moreover, it is to be assumed that<br />

Gubaidulina also intended a specific gestural expressiveness of the double bass player to be part of the tonal result.<br />

In 'Pantomime' one immediately senses a certain theatricality which is evoked by melodic contours, dramatic pauses and<br />

dynamic progressions. Everything contributes to revealing the composer’s dramatic intention.<br />

Gubaidulina originally composed her ten 'Preludes' for the cello. Later, she rearranged nine of these original<br />

compositions for double bass.<br />

In 1975 Sofia Gubaidulina, Viktor Suslin and Vyacheslav Artyomov founded a group called 'Astreya' whose aim was to<br />

achieve <strong>new</strong> forms of improvisation by using either ancient or folk instruments. Against this backdrop, the composer used<br />

for her third version of 'In Croce' not only the double bass but also the bayan which is a sort of button accordion quite<br />

common in Russia at the beginning of the 20th century.

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