Detail of “Mystic Seaport” by Carl Evers - Antiques and the Arts Online
Detail of “Mystic Seaport” by Carl Evers - Antiques and the Arts Online
Detail of “Mystic Seaport” by Carl Evers - Antiques and the Arts Online
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2 - THE GALLERY July 15, 2011 — <strong>Antiques</strong> <strong>and</strong> The <strong>Arts</strong> Weekly<br />
WORCESTER, MASS. — “If you are<br />
fair with a collector <strong>and</strong> honest, you will<br />
have that collector for life. I have had customers<br />
for 20 to 30 years. I have filled<br />
<strong>the</strong>ir houses up with paintings,” said art<br />
dealer Bill Union, owner <strong>of</strong> Art <strong>and</strong><br />
Antique Gallery.<br />
Union <strong>of</strong>fers a “buy-back” guarantee. If a<br />
collector is not happy with an art purchase<br />
for any reason, Union will buy it back for<br />
<strong>the</strong> same price. If <strong>the</strong> painting comes back<br />
to him more than a year after he sold it,<br />
Union pays a ten percent increase over <strong>the</strong><br />
initial sales price. “That is a ten percent<br />
increase for life, not per year,” he quipped.<br />
Also, a pr<strong>of</strong>essional dealer is expected to<br />
know what <strong>the</strong>y are looking at when <strong>the</strong>y<br />
are inspecting a painting for purchase, so<br />
<strong>the</strong> buy-back guarantee does not apply to<br />
dealer purchases.<br />
Art <strong>and</strong> Antique Gallery also has a 24hour<br />
evaluation period for works <strong>of</strong> art that<br />
are shipped. This is especially important if a<br />
collector is purchasing a painting based on<br />
an image sent through email or seen on a<br />
website (Art <strong>and</strong> Antique Gallery is listed<br />
on AskArt.com). Once a painting is<br />
received, if <strong>the</strong> customer does not like <strong>the</strong><br />
work for any reason, <strong>the</strong>y can ship it back.<br />
Although Union declares that he is not in<br />
<strong>the</strong> “finance business,” he will extend terms<br />
for paying over a three-month time period<br />
in certain cases. “Any longer than that <strong>and</strong><br />
you probably should not be buying art, you<br />
BY DENNIS COSTIN<br />
OWNER, ERNDEN FINE ART GALLERY<br />
Ernie Bynum speaks with <strong>the</strong> voice <strong>of</strong> a colorist concentrating<br />
not on painting pretty pictures but on<br />
painting images that relate to his past, but in a manner<br />
that creates mystery <strong>and</strong> intrigue. He applies layer<br />
upon layer <strong>of</strong> paint, reductive in imagery, yet expansive<br />
<strong>and</strong> dynamic in its depth <strong>of</strong> color. A whole dream-like<br />
world resonates with inner life <strong>and</strong> inner light, drawing<br />
<strong>the</strong> viewer through <strong>the</strong> plane into this deep, mysterious<br />
essence.<br />
Over time Bynum’s work has become much less figurative.<br />
A passing suggestion <strong>of</strong> image becomes an<br />
expression <strong>of</strong> color <strong>and</strong> light. His shapes seem to dissolve<br />
into space; <strong>and</strong> whereas in <strong>the</strong> past, one could<br />
more clearly see <strong>the</strong> skiff, cottage <strong>and</strong> wharf <strong>and</strong> water<br />
tower, <strong>and</strong> now <strong>the</strong> eye catches only a furtive glimpse<br />
<strong>of</strong> <strong>the</strong>se images, receding in <strong>the</strong> exp<strong>and</strong>ing field <strong>of</strong><br />
color. There are no horizon lines in Bynum’s pieces<br />
because he continues to reach for <strong>the</strong> ultimate in a<br />
painting; creating what could be a l<strong>and</strong>scape, a still life<br />
or images <strong>of</strong> animals that beckon to <strong>the</strong> viewer’s imagination.<br />
While Bynum continues to work on less <strong>and</strong> less figuration<br />
in his work, with some <strong>of</strong> his newly completed<br />
work he has drawn on imagery he started working on<br />
19 years ago; a cow, a rooster, a horse, flowers, all more<br />
abstract than figurative but which continue to speak to<br />
<strong>the</strong> diversity <strong>of</strong> his creative genius.<br />
Bynum states, “Painting is a process that begins with<br />
no preconceived notions <strong>of</strong> what I will paint. I let my<br />
subconscious take over <strong>and</strong> begin working on my compositions<br />
as ideas begin to flow. I do not rely on tech-<br />
My Kind Of Art<br />
Art dealer Bill Union <strong>of</strong> Antique <strong>and</strong> Art Gallery, Worcester, Mass., next to an oil<br />
painting <strong>by</strong> Constantine Kluge titled “A Beautiful Day.”<br />
should be buying food,” said Union. “Art is<br />
a luxury. Paintings are not a necessity.”<br />
Necessity or not, Union does think <strong>of</strong><br />
paintings as a good investment, with one<br />
important word <strong>of</strong> advice: “Never buy anything<br />
you don’t like.” For him, that means<br />
paintings from <strong>the</strong> Nineteenth <strong>and</strong> early<br />
Twentieth Centuries, which he considers<br />
to be <strong>the</strong> “sweet spot” <strong>of</strong> <strong>the</strong> art market. “If<br />
you’ve noticed, it is getting harder to find.<br />
Dem<strong>and</strong> is up. It’s that wonderful oldfashioned<br />
school <strong>of</strong> art that I see holding<br />
up over time. My kind <strong>of</strong> art.”<br />
Union believes strongly in <strong>the</strong> affinity <strong>of</strong><br />
<strong>the</strong> antiques market <strong>and</strong> <strong>the</strong> art market. “I<br />
was <strong>the</strong> first paintings dealer to set up at<br />
antiques shows. There were guys who sold<br />
antiques with a few pictures mixed in, but<br />
Ernie Bynum: Layers <strong>of</strong> Mystery<br />
Ernie Bynum, “ID” (BY11211), oil on canvas, 36 <strong>by</strong><br />
24 inches.<br />
nique but ra<strong>the</strong>r on my ideas <strong>and</strong> sense <strong>of</strong> composition.<br />
Using both brush <strong>and</strong> palette knife, I build up<br />
colors, so that in <strong>the</strong> process images emerge, unique to<br />
in <strong>the</strong> early days, I was <strong>the</strong> only guy at<br />
antiques shows who sold only artwork —<br />
starting with <strong>the</strong> old New Haven Coliseum<br />
show in <strong>the</strong> 1970s. At <strong>the</strong> time, that show<br />
was <strong>the</strong> oldest antiques show in <strong>the</strong> country.<br />
Now, more <strong>and</strong> more paintings dealers<br />
are flocking to antiques shows. Miami<br />
Beach is now 60 percent art dealers. It’s<br />
known for art.”<br />
Union buys <strong>and</strong> sells paintings every day.<br />
“I have a lot <strong>of</strong> things happening all <strong>the</strong><br />
time,” he said. This constant activity, coupled<br />
with his willingness to let things go at<br />
reasonable prices, means that a good piece<br />
in his h<strong>and</strong>s generally will not last long<br />
before it is sold. He has a full schedule <strong>of</strong><br />
antiques shows lined up, including <strong>the</strong> Baltimore<br />
<strong>Antiques</strong> Show; Madison Bouckville,<br />
in Bouckville, N.Y.; New Hampshire Week<br />
in Manchester; Birchwood Manor <strong>Antiques</strong><br />
Show in Whippany, N.J.; <strong>the</strong> Farmington<br />
<strong>Antiques</strong> Show (now at <strong>the</strong> Harwinton,<br />
Conn. Fairgrounds); The Pier <strong>Antiques</strong><br />
Show in New York City; <strong>and</strong> <strong>the</strong> Connecticut<br />
Fall <strong>Antiques</strong> Show in Hartford.<br />
Art shoppers do not have to wait for an<br />
antiques show to meet Union <strong>and</strong> see <strong>the</strong><br />
vast number <strong>of</strong> paintings he has at a given<br />
time. “People should know that <strong>the</strong>y can<br />
come to me directly,” said Union.<br />
Art <strong>and</strong> Antique Gallery is at 4 Old English<br />
Road in Worcester, Mass. To reach Bill Union,<br />
call 508-259-4694 or email<br />
wmunion@charter.net.<br />
each painting, imagery that resonates with warmth,<br />
sensitivity, peacefulness <strong>and</strong> tranquility. For me, my<br />
palette is merely for experimentation. I would never be<br />
able to mix <strong>the</strong> same color twice. Each new day, I am<br />
challenged to mix new colors.”<br />
These paintings originate at <strong>the</strong> intersection <strong>of</strong> psychological<br />
<strong>and</strong> literal l<strong>and</strong>scapes. Through his unique<br />
vocabulary, Bynum creates work that is a compelling<br />
union <strong>of</strong> luminous color <strong>and</strong> pr<strong>of</strong>ound affect.<br />
He draws inspiration from his experience <strong>of</strong> nature<br />
<strong>and</strong> place, from his youth in <strong>the</strong> pine forests <strong>of</strong> North<br />
Carolina, his exposure as a teenager to coastal Connecticut<br />
<strong>and</strong> Cape Cod, his adult years spent in New<br />
Mexico, <strong>the</strong> Caribbean <strong>and</strong> West Africa, <strong>and</strong> now in<br />
Provincetown, New York City <strong>and</strong> Connecticut. The<br />
separation <strong>of</strong> nature <strong>and</strong> spirit is not a reality for<br />
Bynum. For Bynum, it cannot be discussed; it must be<br />
painted.<br />
Bynum received his BS degree from Fordham University<br />
in New York City. He concluded his graduate<br />
studies at <strong>the</strong> University <strong>of</strong> Chicago, graduating Cum<br />
Laude with an MA. Prior to painting full time, Bynum<br />
was a psycho<strong>the</strong>rapist.<br />
Bynum’s work has been exhibited in both solo <strong>and</strong><br />
group exhibitions in Provincetown; New York City;<br />
Arroyo Seco, New Mexico; San Juan, Puerto Rico; <strong>and</strong><br />
Saba, Ne<strong>the</strong>rl<strong>and</strong>s Antilles. His paintings are in private<br />
<strong>and</strong> corporate collections throughout <strong>the</strong> United States,<br />
in <strong>the</strong> Caribbean, Europe <strong>and</strong> Australia.<br />
Ernden Fine Art Gallery is at 397 Commercial Street in<br />
Provincetown, Mass. For information on Ernie Bynum’s<br />
work, call 508-487-6700 or email erndengallery@att.net.<br />
The gallery’s website is www.erndengallery.com.