Gough, P. (2008) Commemoration of war. In: Graham, B. and ...
Gough, P. (2008) Commemoration of war. In: Graham, B. and ...
Gough, P. (2008) Commemoration of war. In: Graham, B. and ...
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house the national <strong>war</strong> art collection in an imposing „Hall <strong>of</strong> Remembrance‟ came<br />
to nothing twenty years earlier, as did a similar architectural scheme in Canada.<br />
Although, many ideas were realised, though few were achieved without some<br />
degree <strong>of</strong> argument.<br />
<strong>In</strong> this chapter I will examine how the desire to produce a common<br />
underst<strong>and</strong>ing <strong>of</strong> the past has resulted in material forms such as the plinth <strong>and</strong><br />
the pedestal which have become the key visual components <strong>of</strong> ideological <strong>and</strong><br />
rhetorical urban topography, I want to contrast them with the concept <strong>of</strong> „reified<br />
place‟, in particular preserved or reconstructed battlefields which have become<br />
the focus <strong>of</strong> commemorative rites; the places where „one takes personal<br />
narratives‟. Most <strong>of</strong> the examples used to illustrate this tension will be drawn from<br />
the northern European theatres <strong>of</strong> <strong>war</strong>, although reference will be made to<br />
certain far-flung conflicts – such as the Battle <strong>of</strong> Gettysburg – which became the<br />
template for historic conservation <strong>and</strong> the embellishment <strong>of</strong> military memory. <strong>In</strong><br />
concentrating on idealised objects on the one h<strong>and</strong>, <strong>and</strong> recuperated l<strong>and</strong>scapes<br />
on the other I will have to set aside consideration <strong>of</strong> other acts <strong>of</strong><br />
commemoration: by these we might include ritual, song <strong>and</strong> poetry, but also the<br />
material culture <strong>of</strong> <strong>war</strong> such as artwork, paintings <strong>and</strong> sculpture which were<br />
commissioned by national governments as both propag<strong>and</strong>a <strong>and</strong> as evidence <strong>of</strong><br />
cultural superiority. When considering how <strong>war</strong>fare might variously be<br />
commemorated it is clear that every act is highly contested. Even the granting <strong>of</strong><br />
<strong>war</strong> trophies could stir dissent <strong>and</strong> disagreement. <strong>In</strong> 1919, when the small east<br />
Lancashire town <strong>of</strong> Haslingden was <strong>of</strong>fered a tank as a gift from the government<br />
in recognition <strong>of</strong> its contribution to <strong>war</strong> savings, the local branch <strong>of</strong> the<br />
Discharged Soldiers <strong>and</strong> Sailors Association (DSSA) rejected it as an<br />
inappropriate emblem <strong>of</strong> commemoration. „This tank‟, wrote their President, „will<br />
remind us <strong>of</strong> things we do not want to be reminded <strong>of</strong>, <strong>and</strong> one which would be<br />
an expense to the town.‟ (Haslingden Gazette 1919) He asked instead that the<br />
government send an army-hut as a club-room for the veterans, <strong>and</strong> ensure them<br />
a fitting place in the coming Peace Day celebrations – the protocols for the latter<br />
paul.gough@uwe.ac.uk<br />
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