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Living as Equals: How Three White Communities<br />

Struggled to Make Interracial Connections During the<br />

Civil Rights Era<br />

by Phyllis Palmer<br />

V<strong>and</strong>erbilt University Press, 2008<br />

When I began the thinking <strong>and</strong><br />

research that produced Living as<br />

Equals, I simply wanted to find<br />

interracial connections that I knew<br />

from my own life existed during the<br />

Civil Rights era, but were not part<br />

<strong>of</strong> the st<strong>and</strong>ard history. Learning<br />

about a few organized efforts to<br />

cross the color line as legal <strong>and</strong><br />

social barriers came down led to a<br />

more specific question: How did<br />

White Americans who were not<br />

resistant to social change respond<br />

to the myriad possibilities opened<br />

by the Civil Rights movement?<br />

This book tells three stories <strong>of</strong> intentional efforts to<br />

transform the old paradigms <strong>of</strong> racial segregation <strong>and</strong> White<br />

dominance into new discourses <strong>of</strong> mutual respect <strong>and</strong> care. <strong>The</strong><br />

National Conference <strong>of</strong> Christians <strong>and</strong> Jews ran summer camps in<br />

New York <strong>and</strong> Los Angeles where young people broke taboos<br />

about social segregation <strong>and</strong> came to believe, much to the dismay<br />

<strong>of</strong> many parents, that interracial dating <strong>and</strong> marriage were fine<br />

<strong>and</strong> fun. In <strong>Washington</strong>, DC, the group Neighbors, Inc. led a<br />

battle to end the racial designation <strong>of</strong> “Colored” in real estate ads.<br />

<strong>The</strong>y also joined coalitions to open housing in Virginia, Maryl<strong>and</strong>,<br />

<strong>and</strong> DC, <strong>and</strong> to protect the interracial neighborhoods <strong>of</strong> Takoma<br />

<strong>and</strong> Shepherd Park. <strong>The</strong>se White <strong>and</strong> Black middle-class families<br />

constructed a picture <strong>of</strong> tolerant, multi-racial cosmopolitanism to<br />

counter the predominant 1950s allure <strong>of</strong> White-only suburban<br />

family life. And in San Antonio, some Northside Anglos, who<br />

organized in churches <strong>and</strong> unions with help from Saul Alinsky’s<br />

Industrial Areas Foundation, joined a political coalition with<br />

Westside Mexican Americans to claim a voice in city governance<br />

for people other than Anglo businessmen. I hope Living as Equals<br />

encourages contemporary Americans to continue reaching across<br />

the divisions that perpetuate residential segregation, de facto school<br />

segregation, <strong>and</strong> the ongoing equation <strong>of</strong> White with American. ■<br />

Support American Studies On-Line <br />

Your generous gifts help AMST provide support for graduate<br />

student conference travel, research expenses, <strong>and</strong> campus colloquia.<br />

Please consider a tax-deductible donation by clicking the Give Now<br />

button at: http://www.gwu.edu/give/thepower<strong>of</strong>giving Or send a<br />

check to the address below, payable to GWU American Studies.<br />

Designate your gift for American Studies on the website or memo<br />

line <strong>of</strong> your check. Thank you for your much needed support!!!<br />

Development & Alumni Relations<br />

Attn: Gift Processing<br />

<strong>The</strong> <strong>George</strong> <strong>Washington</strong> University<br />

2100 M Street, NW Suite 310<br />

<strong>Washington</strong>, DC 20052<br />

continued from p. 13<br />

Faculty News<br />

Urban Studies. <strong>The</strong> highlight <strong>of</strong> the program was a lecture by<br />

Camilo José Vergara, entitled “Harlem: <strong>The</strong> Unmaking <strong>of</strong> a<br />

Ghetto.” Lastly, he gave a talk on “<strong>The</strong> Significance <strong>of</strong><br />

African-American History” to senior citizens at Saint Mary's<br />

Court's Senior Lunch Program. In sum, Osman completed an<br />

exciting year <strong>of</strong> scholarship, as well as teaching at GW, for<br />

which he designed three new courses, including an<br />

undergraduate version <strong>of</strong> his “Cityscapes” course <strong>and</strong> two new<br />

research seminars.<br />

Elaine Peña had a productive year at GW teaching courses on<br />

performance <strong>and</strong> culture in the Americas. She also gave guest<br />

lectures at Yale University, <strong>George</strong>town University, <strong>and</strong><br />

Northwestern University. She presented her research at the<br />

National University <strong>of</strong> Colombia-Bogotá <strong>and</strong> at Oxford<br />

University. Elaine submitted her manuscript, Performing Piety:<br />

Building, Walking, <strong>and</strong> Conquering in Central México <strong>and</strong> the Midwest<br />

to the University <strong>of</strong> California Press (forthcoming). She also<br />

published an article in American Quarterly entitled “Beyond<br />

México: Guadalupan Sacred Space Production <strong>and</strong><br />

Mobilization in a Chicago Suburb” 60.3 (2008). In addition to<br />

her position at GW, Elaine is serving as a consultant for the<br />

Smithsonian National Museum <strong>of</strong> American History.<br />

John Vlach reports that several <strong>of</strong> the projects he described in<br />

last year’s newsletter continue to roll on happily. <strong>The</strong><br />

exhibition <strong>and</strong> book that examine the history <strong>and</strong> practice <strong>of</strong><br />

traditional basketry by African-American women in South<br />

Carolina is making its way from Charleston to New York,<br />

where it will inaugurate the new Museum for African Art.<br />

(<strong>The</strong>re is considerable excitement brewing along Central Park<br />

East in the anticipation <strong>of</strong> this addition to an already<br />

distinguished list <strong>of</strong> museums in the Big Apple.) <strong>The</strong> book that<br />

accompanies the show, “Grass Roots: <strong>The</strong> African Origins <strong>of</strong><br />

an American Art,” has already garnered many compliments.<br />

Looking ahead, John’s work on stoneware pottery made by<br />

enslaved blacks in the US is in the planning stage. John joined<br />

all the “usual suspects” at a gathering this past February in<br />

Edgefield County, SC. At the end <strong>of</strong> the three-day caucus it<br />

was decreed that all <strong>of</strong> those present would contribute in some<br />

fashion to a wide multi-disciplinary effort to tell the story <strong>of</strong><br />

how that county (previously best known as the birth place <strong>of</strong><br />

Strom Thurmond) became the site <strong>of</strong> extraordinary ceramic<br />

forms. For decades the scope <strong>of</strong> such a study was too daunting<br />

for one scholar or one discipline to fathom but now it appears<br />

that various scholars are ready to form a happy coalition<br />

connecting archaeologists, geographers, historians,<br />

genealogists, potters, folklorists, <strong>and</strong> others. John quips, “It<br />

might be too much to hope for, but just maybe, in the future<br />

old Strom may no longer get top billing.” ■<br />

This issue <strong>of</strong> the GWU American Studies Department annual newsletter<br />

was edited by Maureen Kent<strong>of</strong>f, Executive Assistant, amst@gwu.edu<br />

American Studies 2008-09 16

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