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Bridge Magazine - Part 1

OUR HOME, YOUR LONDON FROM DOUGLAS

OUR HOME, YOUR LONDON FROM DOUGLAS

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In the summer of 1929, the residents<br />

of rutland gate would, upon peering down<br />

through their elegant sash windows, have<br />

been aghast. for in the street below, a motley<br />

crew of mostly twentysomethings had begun<br />

to assemble in varying states of disarray, lured<br />

to this pocket of south kensington for one of<br />

rosemary sanders’ parties.<br />

while this tableau might have been an<br />

all-too-familiar feature of what we have<br />

retrospectively come to term as the “roaring<br />

twenties”, more unusual was the mode of<br />

transport by which the revellers arrived. they<br />

came in prams and baby carriages, and their<br />

dress, far from couture, was more befitting of<br />

the nursery. what the neighbours would not<br />

have glimpsed – no doubt to their eternal relief<br />

– was that once out of gaze, the merrymakers<br />

were provided with an assortment of dolls and<br />

bottles, props to be frolicked with inside adultsized<br />

playpens, while the nursery beakers<br />

contained not so much milk as gin.<br />

so far, so fetish, but this was not, contrary<br />

to appearances, a gathering of oddballs on<br />

the fringes of society. the party was attended<br />

by such well-known scene-dwellers as the<br />

actress brenda dean paul,<br />

along with some of the<br />

best-connected and most<br />

louche-living aristocrats of<br />

this, the Jazz Age. for this<br />

was the notorious second<br />

childhood party, and the<br />

determinedly frivolous<br />

set of attendees were, as<br />

they were labelled by the<br />

incredulous yet transfixed<br />

press at the time, the<br />

bright young people.<br />

but if the second<br />

childhood party attracted<br />

disapproval, it was<br />

hardly the first of its kind<br />

to do so. if anything, the<br />

quickly bored bright<br />

young people (in whose<br />

studiedly flippant parlance,<br />

much was deemed “too,<br />

too tiresome”) saw it<br />

as marking a decline<br />

in the ingenuity of their<br />

legendary japes. its<br />

attendees considered it<br />

an asininely deliberate<br />

attempt at the kind of<br />

American actress<br />

and bonne vivante<br />

Tallulah Bankhead<br />

Flapper on the cover<br />

of Life in 1926<br />

FEATURE<br />

parties which had<br />

previously defined their<br />

movement.<br />

it was on precisely 26<br />

July 1924 that the set made<br />

its debut in the eyes of The Daily<br />

Mail and its readers. the paper’s<br />

headline announced them unambiguously<br />

with the words: “midnight chase in london.<br />

50 motorcars. the bright young people”;<br />

they were thence set to be near permanently<br />

present within its pages for the next few years.<br />

the group that came into startling focus on<br />

this day in 1924 was a band of young society<br />

people who, up until then, would have been<br />

habitués of the more formal coming-out balls.<br />

now they ran amok on the streets of the capital<br />

in a sort of drunken treasure hunt, which<br />

culminated in breakfast at norfolk house, st<br />

James’s. the heady mélange of celebrity –<br />

including the American star tallulah bankhead<br />

– with glamorous aristocrats made for the stuff of<br />

instant legend, particularly amid the landscape<br />

BRIdGE MAGAZINE 31

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