June 10, 2011 - Glebe Report
June 10, 2011 - Glebe Report
June 10, 2011 - Glebe Report
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PHOTO: PATTI LYNN<br />
24 <strong>Glebe</strong> <strong>Report</strong> <strong>June</strong> <strong>10</strong>, <strong>2011</strong> <strong>Glebe</strong> <strong>Report</strong> <strong>June</strong> <strong>10</strong>, <strong>2011</strong> 25<br />
Musical interludes in <strong>June</strong><br />
First Baptist Church at the corner of<br />
Laurier and Elgin<br />
by James Calkin<br />
Thursdays in <strong>June</strong>, the downtown First<br />
Baptist Church at Laurier and Elgin<br />
streets, presents a series of lunch hour<br />
musical interludes. This is another in a<br />
series of increasingly popular midday<br />
musical getaways. What better way to<br />
spend a spring noon hour in the downtown<br />
core than by listening to some of<br />
Ottawa’s top classical musicians in the<br />
sumptuous acoustics of this heritage<br />
structure?<br />
Well-known organist James Calkin<br />
opened the series Thursday, <strong>June</strong> 2<br />
with a concert of works by Bach and<br />
Widor followed by Wesley Warren on<br />
Thursday, <strong>June</strong> 9. The amazing mezzosoprano<br />
Whitney O’Hearn is featured<br />
in the third concert on Thursday, <strong>June</strong><br />
16. Baroque violinist Kevin James delights<br />
with pyrotechnics from the Italian<br />
baroque on Thursday, <strong>June</strong> 23. Finally the unusual duo combination of organ<br />
(Karen Holmes) and French horn (Damian Rivers-Moore) is featured just before<br />
Canada Day on Thursday, <strong>June</strong> 30. <br />
Concerts run each Thursday in <strong>June</strong> from 12:15-1:00 p.m. Admission is $5<br />
at the door. For more info, surf over to:http://firstbaptistottawa.ca/congregational/poster.pdf.<br />
James Calkin is the director of music at the First Baptist Church of Ottawa.<br />
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Jazz Festival<br />
Daniel Lanois’ Black Dub plays closing night.<br />
by Megan Marshall<br />
Ottawa’s jazz festival should be<br />
appropriately named the Jazz Explosion<br />
this year due to the stellar<br />
and overwhelming line-up. Running<br />
from <strong>June</strong> 23-July 3 in Confederation<br />
Park downtown, this year’s festival<br />
promises to blow your musical<br />
mind with acts including Youssou N’<br />
Dour, Paco De Lucia, Brad Mehldau,<br />
Joshua Redman, Pink Martini and<br />
myriad others. But don’t just go for<br />
the ‘known’ names or headliners!<br />
There are a multitude of under-theradar<br />
acts who will dazzle and inspire,<br />
such as the Brian Browne Trio,<br />
Craig Pedersen Quartet, Gord Grdina<br />
Trio, Jaga Jazzist, Jayme Stone,<br />
Megan Jerome, Mash Potato Mashers,<br />
My Tiny Circus, Renee Yoxon,<br />
Shooglenifty & the Peptides. There<br />
has been some speculation concerning<br />
some of the headliners due to acts<br />
which are not commonly known for<br />
being ‘jazz’; however those doubts<br />
will quickly be dispelled.<br />
On opening night <strong>June</strong> 23, Robert<br />
Plant & his Band of Joy are the<br />
headlining act. Of course, as soon<br />
as one hears the name, memories of<br />
Led Zeppelin creep into mind. Do<br />
not be fooled. Plant has long since<br />
departed from the psychedelic rock<br />
roots of Zeppelin; his six Grammy<br />
winning, multi-platinum project with<br />
Alison Krauss, Raising Sand, was indeed<br />
a bluegrass-folk album. Stemming<br />
from this, Plant’s latest album,<br />
Band of Joy, features Patti Griffin<br />
and Buddy Miller, both guitar masters<br />
bridging the gap between folk<br />
and jazz. Though you may show up<br />
to see the legend of Zeppelin, you’ll<br />
walk away with a newfound respect<br />
for the artistry and musicianship of<br />
Robert Plant.<br />
© Aveda Corp. © Aveda Corp.<br />
let nature work<br />
wonders.<br />
MUSIC<br />
Elvis Costello & the Imposters<br />
grace the main stage on <strong>June</strong> 24.<br />
Anyone dubious of Costello’s ability<br />
to provide sensational jazz is simply<br />
ignorant. With over 30 major release<br />
albums under his belt, ranging from<br />
rock to classical, there is no questioning<br />
his vast musical abilities. His<br />
latest album, The Future Lies Ahead,<br />
is a perfect melange of roots, rock,<br />
with a twist of jazz.<br />
Saturday <strong>June</strong> 25 hosts one of<br />
Canada’s legends to the main stage:<br />
k.d. lang & the Siss Boom Band. Although<br />
known for her hit “Constant<br />
Craving” and renowned cover of<br />
Leonard Cohen’s “Hallelujah”, lang<br />
has always had a spark that is hard<br />
to pinpoint. Her music ranges from<br />
easy listening to rockabilly and much<br />
in-between. The band’s latest album,<br />
Sing It Loud, may at first appear to<br />
be a rockabilly project, but upon listening,<br />
the guitar detail offers much<br />
more of a jazz influence than rock.<br />
This night is guaranteed to be a<br />
packed park!<br />
On closing night July 3, Daniel<br />
Lanois’ band Black Dub will shock,<br />
stimulate and make you beg for more.<br />
The band consists of jazz virtuosos<br />
Brian Blade (drums), Trixie Whitley<br />
(vocals, drums, guitar, keys), Jim<br />
Wilson (bass & keys) and of course<br />
Daniel Lanois (vocals, pedal steel<br />
and guitar). Together, this exceptional<br />
group will electrify your soul. Do<br />
NOT miss this performance.<br />
For tickets and more information,<br />
11 YORK ST<br />
ON please K1N visit: www.ottawajazzfestival.<br />
com.<br />
Megan Marshall, who brings readers<br />
information and insight on the local<br />
music scene, can be found most<br />
days managing Compact Music in<br />
the <strong>Glebe</strong>.<br />
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ART<br />
Mapping<br />
the mythical landscape<br />
by Bhatboy<br />
Move over doodle art, I have created<br />
my own colouring project for all<br />
ages complete with its own Ottawa.<br />
It is a map of a mythical landscape<br />
crafted of the imagination that has<br />
grown from my experience of growing<br />
up in the <strong>Glebe</strong>. Many aspects of<br />
the map are autobiographical; it is<br />
only natural that many aspects of my<br />
world should seem familiar to other<br />
Glebites. A keen colourist will find<br />
the <strong>Glebe</strong> Community Centre, the<br />
Aberdeen Pavilion and the Church of<br />
the Blessed Sacrament surrounded<br />
by bodies of water that seem vaguely<br />
familiar.<br />
I have always been fascinated by<br />
maps and their abstract representation<br />
of the world. Any one place can<br />
be mapped a thousand ways according<br />
to what you choose to chart: elevation;<br />
rainfall; political allegiance;<br />
number of cats per household. Each<br />
map of the same area will be different.<br />
Maps tell the story of the passing<br />
of time. With their shifting boundaries,<br />
and evolving statistics, they are<br />
fluid, yet they are imagined and created<br />
by individuals.<br />
Mutchmor appears as a self enclosed<br />
enclave with market gardens<br />
and a public school, reflective of<br />
my childhood when I had little perspective<br />
and my world was small<br />
without significant views. In the<br />
summer, my parents would put me<br />
in the back of the car and drive me<br />
to our cottage near Algonquin Park.<br />
This too appears in the map as The<br />
Independency of Lock, named after<br />
my family. This appears as a detail<br />
in the top left hand corner of the<br />
map. As I grew older, I made road<br />
trips to San Francisco, and Detroit;<br />
these appear at the periphery of my<br />
consciousness, at the edge of the<br />
kingdom.<br />
Amongst the islands of familiarity<br />
within, are mountains of the unknown,<br />
valleys of seclusion, and<br />
cold snowy glaciers of solitude as<br />
the map is also an escape, a vacation,<br />
a journey to places that are safe, and<br />
places of adventure. This is the exploration<br />
of life which we should all<br />
undertake. For some of us, this is the<br />
past, for others, it is our future, for<br />
what is life, if it is not an adventure?<br />
Colouring the map should be a vacation<br />
from life. Whether we choose to<br />
colour it in an organized fashion, or<br />
in a random disorderly way is reflective<br />
of the individual who colours; it<br />
is our own expression of life. Some<br />
will choose not to colour it at all.<br />
Personally, I prefer to use a pencil<br />
crayon rather than a felt tip pen as<br />
I find the colours softer and easier<br />
to blend from one to the other. You<br />
can choose to colour the political<br />
boundaries, or to follow the gentle<br />
flow of the topographical features.<br />
The boundaries are fluid and open to<br />
expression unlike the doodle arts and<br />
colouring books that I used to colour<br />
as a child.<br />
I was driven to create my own<br />
maps at a young age and as I matured,<br />
so did the concept of what<br />
these maps could be. I am currently<br />
working on mapping an entire world<br />
whose cultures parallel our own like<br />
a distorted mirror image, telling the<br />
story of mankind’s transformation<br />
of a planet. With our exploration of<br />
the planet, our perspective of it has<br />
changed from being a boundless<br />
world to a self contained globe. This<br />
map is the landscape of my own life,<br />
compete with dragons.<br />
Bhat Boy’s colour it yourself map<br />
of Zurn is 27 x 32 inches and retails<br />
for $20 at Mrs Tiggy Winkles and the<br />
Gordon Harrison Gallery on Sussex<br />
Drive. Pencil crayons not included.<br />
<strong>Glebe</strong> art tour<br />
of our gardens and studios<br />
by Martha Bowers<br />
This summer, a group of <strong>Glebe</strong> residents are reviving the popular “<strong>Glebe</strong> Art<br />
in Our Gardens” tour. This event will be held on the weekend of July 9 and <strong>10</strong><br />
and will feature the artwork of a number of <strong>Glebe</strong> artists – painters, potters,<br />
sculptors, jewellers – who will display their art in their gardens and studios.<br />
In past years, this event has attracted visitors, art lovers and gardeners from<br />
throughout Ottawa and beyond.<br />
With the reconstruction of Bank Street, this summer will be especially challenging<br />
for <strong>Glebe</strong> residents and businesses alike, and it will be important to<br />
continue to support our local commercial enterprises and welcome people to<br />
our neighbourhood. The “<strong>Glebe</strong> Art in Our Gardens and Studios” tour will<br />
attract many visitors to the <strong>Glebe</strong> on a midsummer weekend to stroll along<br />
our quiet side streets to view the work of talented local artists and to enjoy the<br />
delights of our lovely gardens.<br />
Brochures listing the artists’ names as well as a map showing the studio and<br />
garden locations will be available in <strong>Glebe</strong> shops and at the <strong>Glebe</strong> Community<br />
Centre. Information will also be available on the website www.glebearttour.ca.<br />
Be sure to mark July 9-<strong>10</strong> on your calendar. We look forward to meeting old<br />
friends and new who will support our artists and businesses.<br />
Thank you for helping to make the “<strong>Glebe</strong> Art in Our Gardens and Studios”<br />
tour a success this July!<br />
Martha Bowers is a long time resident of the <strong>Glebe</strong>.<br />
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(613) 565-0588<br />
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