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The Prose Works of William Wordsworth - Humanities-Ebooks

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<strong>The</strong> <strong>Prose</strong> <strong>Works</strong> <strong>of</strong> <strong>William</strong> <strong>Wordsworth</strong><br />

<br />

because <strong>of</strong> its connection with An Unpublished Tour, a prose work now published<br />

for the first time, it might be maintained that the Memoir should be included in this<br />

edition. But we have held fast to our principle <strong>of</strong> not republishing notes to poems.<br />

Had we made an exception <strong>of</strong> the Memoir, we would have been hard pressed to find<br />

grounds for excluding other long notes to the poetry. For similar reasons we have not<br />

attempted to include in this edition <strong>Wordsworth</strong>’s marginalia.<br />

Another omission is far from intentional. In May 1838, in a letter to Daniel Stuart,<br />

formerly the editor <strong>of</strong> the Courier, <strong>Wordsworth</strong> listed poems and prose contributions<br />

which he had published in several journals; among them was ‘one article which I<br />

was induced to publish in a London newspaper, when Southey and Byron were at<br />

war’ (L.Y., p. 942). An extensive search has so far failed to uncover for us this lost<br />

article. All that we have found is a corroborating allusion in the Literary Gazette <strong>of</strong><br />

19 January 1822; before reprinting in full Southey’s letter <strong>of</strong> 11 January to the Courier,<br />

the Gazette gives a burlesque account <strong>of</strong> the ‘fight’ between Southey and Byron<br />

and lists, among a series <strong>of</strong> episodes, an intervention by the ‘Leach-gatherer’. No<br />

details <strong>of</strong> place or date are given. Alert to possibilities <strong>of</strong> other uncollected prose, we<br />

have, nevertheless, not systematically sought for a mysterious essay once mentioned<br />

by Hazlitt. In the course <strong>of</strong> praising Burke’s prose style, Hazlitt made an aside: ‘I<br />

remember Coleridge assuring me … that <strong>Wordsworth</strong> had written an Essay on Marriage,<br />

which, for manly thought and nervous expression, he deemed incomparably<br />

superior’ (<strong>The</strong> Complete <strong>Works</strong> <strong>of</strong> <strong>William</strong> Hazlitt, ed. P. P. Howe (London, 1931),<br />

xii. 228). We have met no other reference to such an essay and rather suspect that, if<br />

Hazlitt’s recollection is accurate, Coleridge was swelling the corpus <strong>of</strong> <strong>Wordsworth</strong>’s<br />

writing, as he sometimes swelled his own.<br />

<strong>The</strong> texts <strong>of</strong> our edition, whether <strong>of</strong> works published by <strong>Wordsworth</strong> or <strong>of</strong> works<br />

left unpublished in manuscript, are, with one exception, the last to have been corrected<br />

by him. <strong>The</strong> exception is the Preface to Lyrical Ballads, which is here published in two<br />

versions on facing pages, the first edition <strong>of</strong> 1800 and the last edition <strong>of</strong> 1850. Throughout<br />

the whole <strong>of</strong> our edition, variants, both from manuscripts and earlier editions, are<br />

preserved in textual notes and occasionally in longer appendices. <strong>The</strong> last versions to<br />

be corrected by <strong>Wordsworth</strong> have been adopted as the main texts not only because <strong>of</strong><br />

the great importance which he attached ‘to following strictly the last Copy <strong>of</strong> the text<br />

<strong>of</strong> an Author’ (L.Y., p. 473), but also because <strong>of</strong> the kinds <strong>of</strong> revisions that are peculiar<br />

to his prose. In the case <strong>of</strong> unpublished manuscripts, the last corrected version provides<br />

In this electronic edition the decision whether to display the pages side by side or alternately is<br />

for the reader to make: the viewing toolbar allows for both [RG].

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