The Prose Works of William Wordsworth - Humanities-Ebooks
The Prose Works of William Wordsworth - Humanities-Ebooks
The Prose Works of William Wordsworth - Humanities-Ebooks
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<strong>The</strong> <strong>Prose</strong> <strong>Works</strong> <strong>of</strong> <strong>William</strong> <strong>Wordsworth</strong><br />
<br />
because <strong>of</strong> its connection with An Unpublished Tour, a prose work now published<br />
for the first time, it might be maintained that the Memoir should be included in this<br />
edition. But we have held fast to our principle <strong>of</strong> not republishing notes to poems.<br />
Had we made an exception <strong>of</strong> the Memoir, we would have been hard pressed to find<br />
grounds for excluding other long notes to the poetry. For similar reasons we have not<br />
attempted to include in this edition <strong>Wordsworth</strong>’s marginalia.<br />
Another omission is far from intentional. In May 1838, in a letter to Daniel Stuart,<br />
formerly the editor <strong>of</strong> the Courier, <strong>Wordsworth</strong> listed poems and prose contributions<br />
which he had published in several journals; among them was ‘one article which I<br />
was induced to publish in a London newspaper, when Southey and Byron were at<br />
war’ (L.Y., p. 942). An extensive search has so far failed to uncover for us this lost<br />
article. All that we have found is a corroborating allusion in the Literary Gazette <strong>of</strong><br />
19 January 1822; before reprinting in full Southey’s letter <strong>of</strong> 11 January to the Courier,<br />
the Gazette gives a burlesque account <strong>of</strong> the ‘fight’ between Southey and Byron<br />
and lists, among a series <strong>of</strong> episodes, an intervention by the ‘Leach-gatherer’. No<br />
details <strong>of</strong> place or date are given. Alert to possibilities <strong>of</strong> other uncollected prose, we<br />
have, nevertheless, not systematically sought for a mysterious essay once mentioned<br />
by Hazlitt. In the course <strong>of</strong> praising Burke’s prose style, Hazlitt made an aside: ‘I<br />
remember Coleridge assuring me … that <strong>Wordsworth</strong> had written an Essay on Marriage,<br />
which, for manly thought and nervous expression, he deemed incomparably<br />
superior’ (<strong>The</strong> Complete <strong>Works</strong> <strong>of</strong> <strong>William</strong> Hazlitt, ed. P. P. Howe (London, 1931),<br />
xii. 228). We have met no other reference to such an essay and rather suspect that, if<br />
Hazlitt’s recollection is accurate, Coleridge was swelling the corpus <strong>of</strong> <strong>Wordsworth</strong>’s<br />
writing, as he sometimes swelled his own.<br />
<strong>The</strong> texts <strong>of</strong> our edition, whether <strong>of</strong> works published by <strong>Wordsworth</strong> or <strong>of</strong> works<br />
left unpublished in manuscript, are, with one exception, the last to have been corrected<br />
by him. <strong>The</strong> exception is the Preface to Lyrical Ballads, which is here published in two<br />
versions on facing pages, the first edition <strong>of</strong> 1800 and the last edition <strong>of</strong> 1850. Throughout<br />
the whole <strong>of</strong> our edition, variants, both from manuscripts and earlier editions, are<br />
preserved in textual notes and occasionally in longer appendices. <strong>The</strong> last versions to<br />
be corrected by <strong>Wordsworth</strong> have been adopted as the main texts not only because <strong>of</strong><br />
the great importance which he attached ‘to following strictly the last Copy <strong>of</strong> the text<br />
<strong>of</strong> an Author’ (L.Y., p. 473), but also because <strong>of</strong> the kinds <strong>of</strong> revisions that are peculiar<br />
to his prose. In the case <strong>of</strong> unpublished manuscripts, the last corrected version provides<br />
In this electronic edition the decision whether to display the pages side by side or alternately is<br />
for the reader to make: the viewing toolbar allows for both [RG].