- Page 1 and 2: CHARLESTON CONTRADICTIONS: A CASE S
- Page 3 and 4: Board of Architectural Review, atto
- Page 5 and 6: ACKNOWLEDGMENTS I would like to tha
- Page 7 and 8: Table of Contents (Continued) Page
- Page 9 and 10: List of Figures (Continued) Figure
- Page 11 and 12: CHAPTER ONE INTRODUCTION PROBLEM ST
- Page 13 and 14: would not be opposed to their demol
- Page 15 and 16: Modernists. It was one of the build
- Page 17 and 18: RESEARCH QUESTIONS This research pr
- Page 19 and 20: the many and varied nuances that ma
- Page 21 and 22: of social science and feels that, s
- Page 23 and 24: pitfalls of both relativism and pos
- Page 25 and 26: ehind cultural expression. This is
- Page 27 and 28: approach to social research that Fa
- Page 29 and 30: development. Since the rich and var
- Page 31 and 32: open to the public set the preceden
- Page 33 and 34: Ironically, as Rockefeller was reco
- Page 35: including owning and administering
- Page 39 and 40: learned at European schools of arch
- Page 41 and 42: includes building from the 1950s an
- Page 43 and 44: for adoption of the elements of Cor
- Page 45 and 46: New additions, exterior alterations
- Page 47 and 48: uilding from the past if there is n
- Page 49 and 50: CHARLESTON PRESERVATION BACKGROUND
- Page 51 and 52: property on the inventory be review
- Page 53 and 54: The fact that none of Charleston’
- Page 55 and 56: past for the benefit of the present
- Page 57 and 58: for Historic Preservation conferenc
- Page 59 and 60: labeled as significant under Criter
- Page 61 and 62: PRESERVATION OF THE RECENT PAST LIT
- Page 63 and 64: Alan Hess is an architect and advoc
- Page 65 and 66: the depth and resonance of ‘true
- Page 67 and 68: time allows us to properly evaluate
- Page 69 and 70: techniques need to be modified when
- Page 71 and 72: een replaced by another one. He lik
- Page 73 and 74: uilding that needs to be preserved.
- Page 75 and 76: Journalist Kim O’Connell writes t
- Page 77 and 78: and the project is set to proceed,
- Page 79 and 80: cues can reflect a deeper meaning t
- Page 81 and 82: According to Day, a new addition ca
- Page 83 and 84: disciplines of the built environmen
- Page 85 and 86: “time” and he is critical of so
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warned that there is not a single s
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Semes, he feels that it is the buil
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decorative detail or call for it; t
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Bauhaus]” (Signorelli and Salinga
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een prevented. He is also critical
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The Modernists generally support th
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CHAPTER THREE RESEARCH METHODS RESE
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design, was used for this case stud
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the Historic Charleston Foundation.
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including drawings, maps, and photo
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and experience in Charleston’s pr
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explanatory studies, the explanatio
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validity of the study and that ther
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since all three buildings and prese
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OLD CHARLESTON COUNTY LIBRARY, 404
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Figure 4: 1888 Sanborn map, showing
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Figure 7: 1934 aerial photo of Char
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necessary daylight for the facility
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the BAR, even if they were not loca
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Other editorials against the propos
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Other writers wondered how long it
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mixing of races, stating: “Indeed
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Articles discussing the future of M
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Figure 13: Rendering of new hotel f
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On February 20 th , 2008 the Board
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Figure 17: An undated historic phot
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Figure 19: 1888 Sanborn map showing
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On November 8 th , 1948, the federa
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can demonstrate the requirements of
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As compared to the controversy that
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The building was full of asbestos,
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demolish the existing Federal Build
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Later that year, Michael Maher of t
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proposed to place a covenant on the
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Figure 29: Additional rendering of
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the statement, are that it was the
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limited to business hours, and a pr
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Figure 31: Rendering of the propose
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Figure 32: Proposed 1958 Charleston
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conventions and money to the city.
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Despite the fact that the project w
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Part of the winning plan called for
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Figure 37: 1960s aerial photo of th
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Figure 39: Mid-1960’s aerial phot
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David Schwarz would be the architec
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Critics agreed that the building ne
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Figure 41: Rendering of the propose
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On June 13 th , 2012, the Gaillard
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of performances at the building has
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down building with a simple pedimen
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thought was that building something
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thought to be as important as build
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the 1960s, was also cited for raisi
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uildings with controversial designs
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eaction that the building elicits t
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much more of the building was being
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As opposed to the overall preservat
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difficult to reuse without major al
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Thinking more about the style of pr
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it was not important to save every
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There have been many buildings on e
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considered on their own merits, rat
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For the Gaillard Auditorium, partic
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preservationists comfortable with t
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Another participant reiterated that
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uildings to preserve or not, partic
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enough to be considered cutting-edg
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One participant noted that since th
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Since there is a perceived lack of
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design in Charleston and everyone,
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preservation movement going, becaus
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procedures of historic preservation
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questioned. However, as is many tim
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tradition towards a more industrial
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these resources needed to be recogn
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proposed to create these alteration
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that the paint needed to be less op
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create an “exceptional” end pro
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designed in the Modern style do not
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oke with the tradition and appearan
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already failing, contributing to th
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that attempt is debatable, dependin
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not be convinced that it is worth s
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The treatments that the three build
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once was there. While the preferenc
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This phenomenon is demonstrated by
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starting to reach the cutoff to be
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sustainability angle, since the gre
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their usefulness and needed to be u
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While preservation attempts to have
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uildings that the movement preserve
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the past that it recedes. While pre
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uildings. The example of the BAR in
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different buildings for the case st
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future designers and researchers wi
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CHAPTER NINE REFERENCE LIST A Young
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———. 2010e. Gaillard Makeover
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Cusato, Marianne, Ben Pentreath, Ri
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Goldberger, Paul. 2008. The Moderni
- Page 286 and 287:
Johnson, Nicole. 2012. Developer Mo
- Page 288 and 289:
McClure, Harlan E. and Vernon Hodge
- Page 290 and 291:
Nielsen, J. V., Jr. 1955. Growing N
- Page 292 and 293:
Seidman, I. E. 1991. Interviewing a
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Tiller, de Teel P. 2007. Obey the I