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For Gore Vidal, a Final Plot Twist - iSites - Harvard University

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11/13/13 <strong>For</strong> <strong>Gore</strong> <strong>Vidal</strong>, a <strong>Final</strong> <strong>Plot</strong> <strong>Twist</strong> - NYTimes.com<br />

Arlyne Reingold, Mr. Austen’s sister, would like <strong>Harvard</strong> to allow her access to some of Mr.<br />

Austen’s possessions: a ruby ring he wore, a belt buckle, some of his singing recordings and<br />

pictures of her family, particularly a collage Mr. Austen made of their father’s old driving<br />

licenses. “Why would they want that?” she said.<br />

The most hurtful omission in Mr. <strong>Vidal</strong>’s will, his family and friends agreed, regards Norberto<br />

Nierras, his housekeeper and chef.<br />

“Norberto is not getting anything, and he was devoted to <strong>Gore</strong>,” Mr. Steers said.<br />

Mr. Nierras said recently: “I’m 60 years old and had planned to stay with Mr. <strong>Vidal</strong> until I<br />

retired. I will have to go back to the Philippines, I cannot afford to stay in America. I didn’t<br />

expect he’d leave me anything, other people are surprised he didn’t. If Mr. <strong>Vidal</strong> did leave me<br />

something, I would be very, very grateful as it would help with my retirement in the<br />

Philippines, as I have a small pension.”<br />

After being held by Mr. Tyrnauer and later Mr. Parini, the literary executorship of Mr. <strong>Vidal</strong>’s<br />

estate will be shared among several people, Mr. Parini said, while the estate “is keen to move<br />

forward with <strong>Gore</strong>’s work.” He said that Mr. Auchincloss and Richard Morris, Mr. <strong>Vidal</strong>’s agent,<br />

were working on ways to to repackage and republish Mr. <strong>Vidal</strong>’s work.<br />

“There will be a major relaunch of his work as soon as possible after the dust settles,” Mr. Parini<br />

said. “There is so much great work, lying in publishing limbo.”<br />

As we sat in Mr. <strong>Vidal</strong>’s living room, Mr. Steers said the house felt “depressing. There’s very<br />

little light. Nothing’s changed since the 1970s. Would I turn it down if it was left to me? No, of<br />

course not, but I am not going to passionately pursue it. I am repulsed by the whole situation.”<br />

He said he was busy doing other things, prime among them directing the film of the Jane<br />

Austen parody, “Pride and Prejudice and Zombies,” adapted from Seth Grahame-Smith’s novel.<br />

“You still feel him here,” said Mr. Steers, smiling, of Mr. <strong>Vidal</strong>. “He was such a presence. This<br />

house is so full of memories, I can’t imagine ever being able to come in here and not be<br />

overcome by them.”<br />

Tim Teeman is the author of “In Bed With <strong>Gore</strong> <strong>Vidal</strong>: Hustlers, Hollywood and the Private World<br />

of an American Master,” (Riverdale Avenue Books/Magnus).<br />

www.nytimes.com/2013/11/10/fashion/In-a-final-plot-twist-<strong>Gore</strong>-<strong>Vidal</strong>-leaves-his-estate-to-<strong>Harvard</strong>-Universtity.html?_r=1&&pagewanted=print 7/8

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