On Really Existing Anti-Americanism - Hoover Institution

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Hoover Classics : Berman hcberman ch3 Mp_86 rev0 page 86 86 Anti-Americanism in Europe own materialism, beating him at his own game:—unless one reads Brecht’s meditation on the urgency of poetry for the soldier in the field as a commentary on the poem’s telos. It was, one can conclude, a Wordsworthian “virgin liberty” that had fought in Catalonia, and so Brecht hopes, the same spirit of liberty will rally to defend England. Making freedom real is the beautiful: an aesthetic proposition where Brecht and Wordsworth, the Communist and the romantic, overlap. Brecht’s engagement with English literature has multiple components: autonomy, aesthetics, individualism, the mercantile ethos of capitalism, and the heroic ethos of war. Facing the danger posed by the authoritarian state on the continent, Brecht turned to the alternative: the parliamentary England of Addison’s day that challenged Bourbon domination of the continent around 1700, and, a century later, Wordsworth’s England of 1800 that defeated Napoleonic imperialism. Would the English-speaking world similarly withstand the Nazi threat of Hitler’s Festung Europa, “fortress Europe”? Analyzing the British culture that could support the democratic wars—the poetry of Addison and Wordsworth—Brecht comes to admire it, even if he would never make it fully his own. Nonetheless, for the moment of 1940 at least, he could overcome his illiberal predispositions and express esteem for the democratic petty bourgeoisie, hoping that British capitalism would be able to live up to its historical legacy and act against fascism. His admiration for the soldier in the field, radiant with the aura of Wordsworth and the legitimacy of antifascism, is the diametrical opposite of Roy’s dis-
Hoover Classics : Berman hcberman ch3 Mp_87 rev0 page 87 Really Existing Anti-Americanism 87 dain for the democratic soldier, with his childish scrawl and bad manners. The passages show Brecht working toward a rapprochement with the liberal institutions of England and the emancipatory character of bourgeois, which is to say, capitalist, life: for this same substance, shifted to the United States, today’s anti-American only has contempt. anti-americanism: a european ideology Is anti-Americanism an endogenous formation, the consequence of internal European cultural processes, or does it reflect genuine differences between Europe and the United States? This chapter began exploring the first model, according to which the enemy is understood to be a retroactive construction, necessary for the constitution of an identity. It followed that anti-Americanism had little to do with reality, or with real conflicts, and much more to do with cultural traditions and stereotypes. Yet Brecht’s reflections of 1940 suggest an alternative account. At a particular point in history, he was able to shift loyalties from one culture to another, from continental ideologies of dogma to British liberalism and liberty. For all his Central European illiberalism (which is shared by today’s European anti-American movements), he nonetheless imagined a personal rapprochement with the enemy, the culture across the channel. Brecht, the son of Augsburg, accepted Marlborough’s victory at Blenheim and all that that implied—parliamentary ascendancy, commercial culture, military prowess as a progressive force, and, ultimately,
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On Really Existing Anti-Americanism - Hoover Institution

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