SEP/OCT 2013 - American Conservatory Theater

WHO’S WHO IN 1776
Service and Blackhawk Productions;
Peabody, SONY, and Wincott awards),
and “‘T’ is for Tom” (Tom Stoppard radio
plays, WNYC and WQXR).
KELLY A. BORGIA*(Production
Stage Manager) worked last season with
Asolo Repertory Theatre on 1776, The
Heidi Chronicles, You Can’t Take It with You,
The Game’s Afoot, and Noah Racy’s PULSE.
Other Asolo Rep favorites include My
Fair Lady, Yentl, Hamlet: Prince of Cuba,
Bonnie & Clyde, Las Meninas, The Life of
Galileo, and The Perfume Shop. Regional
theater credits include The Whipping Man,
Clybourne Park, Boeing Boeing, Deathtrap,
Superior Donuts, Noises Off, and The
Pavilion (Dorset Theatre Festival); Hedwig
and the Angry Inch, Once on This Island,
and Betrayal (Hangar Theatre); Beauty and
the Beast and The Full Monty (Northern
Stage); and The Miser, Picnic, a.m. Sunday,
Speed-the-Plow (centerstage). Off-
Broadway credits include Hurricane: A
New Musical (New York Musical Theatre
Festival) and Cato (The Flea Theater).
Borgia will return to Sarasota for Asolo
Rep’s 2013–14 season; she will serve as
stage manager for Showboat, Other Desert
Cities, and The Grapes of Wrath.
DICK DALEY* (Stage Manager)
became the conservatory producer at
A.C.T. after joining the company as a stage
manager and then working as the associate
production manager for many years. Stage
management credits at A.C.T. include Gem
of the Ocean, Happy End, Travesties, A Moon
for the Misbegotten, Waiting for Godot, and
the world premieres of A Christmas Carol
and After the War. Other regional credits
include The Opposite of Sex: The Musical
and Dr. Faustus, written and directed by
David Mamet (Magic Theatre); River’s
End, Bus Stop, Communicating Doors, The
Last Schwartz (Marin Theatre Company);
Macbeth and Henry V (Commonwealth
Shakespeare Company); Twelfth Night (Los
Angeles Women’s Shakespeare Company);
King Lear and Henry V (The Company
of Women); The Resistible Rise of Arturo
Ui; Ain’t Misbehavin’; and The Night Larry
Kramer Kissed Me. Prior to moving to
San Francisco, Daley was the production
manager at Emerson College in Boston
for seven years and oversaw the B.F.A.
production/stage management program.
KAREN SZPALLER’s* (Assistant
Stage Manager) A.C.T. credits include
Stuck Elevator, Armistead Maupin’s Tales
of the City, The Normal Heart, Maple
and Vine, A Christmas Carol (2006–12),
Brief Encounter, The Tosca Project, Curse
of the Starving Class, Blackbird, and The
Imaginary Invalid. Favorite past shows
include the national tour of Spamalot
in San Francisco; Anna Deavere Smith’s
newest work, On Grace, at Grace
Cathedral; The Wild Bridge, Let Me Down
Easy, Concerning Strange Devices from the
Distant West, The Lieutenant of Inishmore,
Eurydice, Fêtes de la Nuit, The Glass
Menagerie, Brundibar, and Comedy on
the Bridge at Berkeley Repertory Theatre;
Urinetown: The Musical at San Jose Stage
Company; Wheelhouse and Striking 12 at
TheatreWorks; Salomé at Aurora Theatre
Company; and Ragtime and She Loves
Me at Foothill Music Theatre. She is the
production coordinator at TheatreWorks
in Menlo Park, California.
BURT AND DEEDEE
MCMURTRY(Executive Producers)
married soon after graduating from Rice
University in Houston and have lived on
the San Francisco peninsula since they
arrived in California in 1957. They recently
produced A.C.T.’s productions of Arcadia,
Maple and Vine, Armistead Maupin’s Tales
of the City, Vigil, Rock ’n’ Roll, Happy End,
and The Imaginary Invalid. Both Burt and
Deedee feel that the theater is an important
asset to the people of the Bay Area and are
pleased to support it. Deedee has played
a pivotal role not only as a member of
the A.C.T. Emeritus Advisory Board, but
also as a former co-chair of the Producers
Circle, ensuring that A.C.T. has the funds
needed to produce inspiring work onstage
each year. An electrical engineer by training
and a retired venture capitalist, Burt is an
active volunteer at Stanford and past chair
of the board of trustees of the university.
PATTI AND RUSTY RUEFF
(Executive Producers) are A.C.T. subscribers
who have both loved theater their entire
lives, having supported and participated
in governing regional theaters across the
United States for more than 20 years.
Rusty is the chairman of the GRAMMY
Foundation, a venture company investor
and advisor, former CEO of the digital
music commerce company SNOCAP, and
executive vice president of Electronic Arts
(EA). He served on the A.C.T. Board of
Trustees from 2003 to 2013, most recently
as its president. Patti, a former special events
consultant, has chaired five A.C.T. Season
Galas and is actively involved in a number of
philanthropic and service endeavors. 1776
is the ninth production for which the Rueffs
have served as A.C.T. executive producers.
ASOLO REPERTORY THEATRE
in Sarasota, Florida, now in its 55 th season, is
one of the largest regional theater companies
in the United States and is widely considered
the premiere professional theater in the
South. Of only a handful of true rotating
repertory companies in the country, Asolo
Rep presents ten to fifteen shows each season
that are designed, staged, and performed
by the very best creative talent working in
the industry today. Asolo Rep builds and
produces its own shows in its state-of-the-art
Koski Production Center, a 50,000-squarefoot
facility that is the largest of its kind in
the southeastern United States. Asolo Rep
is now entering the second season of its
five-season initiative known as The American
Character Project, a thematic guideline
for the plays it is producing. Launched
with 1776, each play under this umbrella
examines different aspects of our national
personality.
MUSIC THEATRE
INTERNATIONAL (MTI) is one
of the world’s leading theatrical licensing
agencies, granting schools as well as amateur
and professional theaters from around the
world the rights to perform the largest
selection of great musicals from Broadway
and beyond. MTI works directly with
the composers, lyricists, and book writers
of these shows to provide official scripts,
musical materials, and dynamic theatrical
resources to more than 60,000 theatrical
organizations in the United States and in
more than 60 countries worldwide.
* Member of Actors’ Equity Association, the union of professional
actors and stage managers in the United States
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