2012 Catalogue - the churchie national emerging art prize
2012 Catalogue - the churchie national emerging art prize
2012 Catalogue - the churchie national emerging art prize
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Commended<br />
Genevieve Kemarr Loy<br />
b.1982, Iylenty (Mosquito Bore), Utopia, NT<br />
Language: Anmatyerr, Country: Atnangkere<br />
In this painting, Genevieve Loy depicts <strong>the</strong><br />
green plant called Akwerlkerrmwerlkerr that<br />
grows like a lawn alongside <strong>the</strong> road. It has<br />
white flowers on top and bush turkeys like to<br />
eat <strong>the</strong> seeds.<br />
Genevieve is <strong>the</strong> granddaughter of Nancy<br />
Petyarr, one of <strong>the</strong> famed Petyarr sisters. Her<br />
fa<strong>the</strong>r, Cowboy Loy Pwerl, also taught her to<br />
paint.<br />
Genevieve is a promising young <strong>art</strong>ist to<br />
recently emerge from Utopia in Central<br />
Australia. As <strong>the</strong> daughter of senior elder<br />
Cowboy Loy Pwerl, Genevieve paints The<br />
Bush Turkey Dreaming (or Arwengerrp) story.<br />
Her works show a mature grasp of colour,<br />
design, and resolved aes<strong>the</strong>tic direction.<br />
Her Bush Turkey Dreaming paintings combine<br />
traditional meticulous dots and elegant wisps,<br />
creating vibrant, pulsating, and richly textured<br />
surfaces. These works represent Genevieve’s<br />
own re-imaging of <strong>the</strong> Dreaming stories.<br />
On a superficial level, her paintings depict <strong>the</strong><br />
tracks <strong>the</strong> bush turkey makes, as it searches<br />
for seeds and o<strong>the</strong>r ‘tucker’ and makes its<br />
way to <strong>the</strong> waterhole. Genevieve’s paintings<br />
are characterised by a beautiful and careful<br />
handling of paint, a harmonious sense of<br />
colour and great control of <strong>the</strong> delicate spidery<br />
marks that make <strong>the</strong>ir way across her canvas.<br />
Loy has been included in numerous<br />
exhibitions and <strong>prize</strong>s since 2007. In 2009<br />
she p<strong>art</strong>icipated in a two person show Making<br />
<strong>the</strong>ir Mark: Elizabeth Kunoth Kngwarray and<br />
Genevieve Kemarr Loy, at Lauraine Diggins<br />
Fine Art in Melbourne, and appeared in An<br />
Individual Perspective: From <strong>the</strong> Indigenous<br />
Collection of Lauraine Diggins, at Deakin<br />
University Gallery, Burwood, and which toured<br />
to Geelong Gallery in 2010. She has been a<br />
finalist in prestigious <strong>prize</strong> exhibitions including<br />
<strong>the</strong> recent Metro Arts Award in Melbourne,<br />
The 59th Blake Prize, National Art School<br />
Gallery, Sydney (which toured <strong>national</strong>ly until<br />
2011), and <strong>the</strong> Fisher’s Ghost Art Award,<br />
Campbelltown Art Centre in Sydney, 2010.<br />
— Naomi Evans<br />
14 | <strong>the</strong> <strong>churchie</strong> <strong>national</strong> <strong>emerging</strong> <strong>art</strong> exhibition