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HITCHIN THESPIANS<br />
Oc<strong>to</strong>ber 2009, The Gordon Craig Theatre,Stevenage
For all your mailing and postroom needs<br />
Best wishes <strong>to</strong> <strong>Hitchin</strong> <strong>Thespians</strong><br />
on <strong>the</strong>ir forthcoming production of<br />
‘FIDDLER ON THE ROOF’<br />
TO ACCESS ROYAL DISCOUNTS<br />
CONTACT MIKE BARKER ON:<br />
FP EXECUTIVE AGENCY LTD<br />
130 High Street Barkway Herts SG8 8EG<br />
Tel: 01763 849360 Fax: 01763 848900<br />
Mobile: 07740 617918<br />
Email: mike@fpexecutiveagency.co.uk<br />
• 3p-80p + discounts on each item of post<br />
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• Solici<strong>to</strong>rs DX moni<strong>to</strong>ring systems<br />
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HITCHIN THESPIANS<br />
present<br />
Original choreography<br />
and direction reproduced by<br />
LINDA DYNE<br />
Musical Direction<br />
JOHN EDWARDS<br />
Monday 5th - Saturday10th Oc<strong>to</strong>ber 2009<br />
The Gordon Craig Theatre, Stevenage<br />
The <strong>Hitchin</strong> <strong>Thespians</strong> - About us...<br />
In 1902 Miss Pepper,<br />
returning <strong>to</strong> <strong>Hitchin</strong> after<br />
a visit <strong>to</strong> <strong>the</strong> south<br />
coast, <strong>to</strong>ld her friend,<br />
Mrs Walter Carling, of a<br />
performance she had<br />
<strong>see</strong>n <strong>the</strong>re. <strong>Hitchin</strong>, she<br />
said, must have an operatic society. Mrs Carling agreed and arranged a local<br />
performance, by ladies only, of Coleridge Taylor's ‘The Gitanos’. On February<br />
21st 1903 a decision was taken <strong>to</strong> form <strong>the</strong> <strong>Hitchin</strong> Amateur Light Opera<br />
Company with <strong>the</strong> Reverend G.B. Gainsford as president. In its early years <strong>the</strong><br />
Society devoted itself largely <strong>to</strong> <strong>the</strong> works of Gilbert and Sullivan. In March<br />
1905 <strong>the</strong> name was changed, for <strong>the</strong> sake of brevity, <strong>to</strong> <strong>Hitchin</strong> <strong>Thespians</strong>.<br />
Though <strong>the</strong> Society suspended its activities during World War 1, <strong>the</strong> popularity<br />
of its shows grew rapidly in post-war years. In May 1933 ‘The Desert Song’<br />
was played <strong>to</strong> almost 10,000 people in a week at <strong>the</strong> Hermitage Cinema! In<br />
1958 <strong>the</strong> <strong>Thespians</strong> purchased <strong>the</strong> freehold of <strong>the</strong> Old Guild Rooms in<br />
Paynes Park, in which <strong>the</strong>y had rehearsed for a number of years, for £750.<br />
In 1977 <strong>the</strong> Society presented "Robert and Elizabeth" in Stevenage's<br />
new Gordon Craig Theatre, where it still continues <strong>to</strong> stage its major<br />
productions. Its policy has been <strong>to</strong> present, whenever possible, <strong>the</strong> first<br />
amateur performance of newly released shows, of near-professional standard.<br />
Book by<br />
JOSEPH STEIN<br />
Music by<br />
JERRY BOCK<br />
Lyrics by<br />
SHELDON HARNICK<br />
Produced on <strong>the</strong> New York stage by<br />
HAROLD PRINCE<br />
Original New York stage production directed<br />
and choreographed by Jerome Robbins<br />
Based on SHOLEM ALEICHEM s<strong>to</strong>ries<br />
by special permission of ARNOLD PERL<br />
This amateur production is presented by arrangement with JOSEF WEINBERGER LTD.<br />
on behalf of MUSIC THEATRE INTERNATIONAL of NEW YORK.<br />
MUSICAL THEATRE Each year we present two fully staged musicals at The<br />
Gordon Craig Theatre in Stevenage. We thrive on challenge and have presented<br />
some shows that many o<strong>the</strong>r societies are wary of. In addition <strong>the</strong>re are<br />
occasionally smaller scale productions of musicals which are performed at<br />
our purpose built rehearsal suite, Woodside Hall, or at <strong>the</strong> Town Hall, <strong>Hitchin</strong>.<br />
Groups of members are also welcome <strong>to</strong> get <strong>to</strong>ge<strong>the</strong>r and perform concerts<br />
and shows with a smaller cast.<br />
CONCERTS AND CHORAL WORKS In addition <strong>to</strong> our musical <strong>the</strong>atre activities<br />
we have a thriving choir. The variety of music performed by this group is<br />
staggering, as one member put it - "from Bach <strong>to</strong> Bernstein!"There are<br />
typically three concerts each year, often performed at Woodside Hall, but<br />
sometimes in surroundings that might suit <strong>the</strong> performance better such<br />
as <strong>the</strong> lovely parish church of St. Mary's in <strong>Hitchin</strong>.<br />
WORKSHOPS AND SPONSORSHIPS We are proud <strong>to</strong> fulfil our educational<br />
aims and ambitions through workshops and sponsorships. In recent years we<br />
have sponsored members <strong>to</strong> attend voice and performance training at <strong>the</strong><br />
Little Benslow Music School in <strong>Hitchin</strong> and have also arranged for members<br />
<strong>to</strong> participate in masterclasses with professional singers and voice coaches.<br />
One of our Musical Direc<strong>to</strong>rs has also led a fascinating series of lectures<br />
on wide-ranging aspects of music.
From <strong>the</strong><br />
Chairman...<br />
Welcome <strong>to</strong> this evening’s performance of ‘Fiddler on <strong>the</strong> Roof’.<br />
This classic musical <strong>the</strong>atre piece will be well known <strong>to</strong> most as it has<br />
long been one of <strong>the</strong> more popular shows. Despite <strong>the</strong> ra<strong>the</strong>r grim <strong>to</strong>pic of <strong>the</strong><br />
pogroms, Jewish clearances, <strong>the</strong>re are still some joyous moments in <strong>the</strong> s<strong>to</strong>ry.<br />
Numerous love s<strong>to</strong>ries, weddings and comedic moments from family life all bring<br />
this s<strong>to</strong>ry <strong>to</strong> life and many of <strong>the</strong> issues <strong>see</strong>n are very relevant in <strong>to</strong>day’s society.<br />
We are delighted <strong>to</strong> welcome back Linda Dyne as our stage direc<strong>to</strong>r for this show and<br />
John Edwards as musical direc<strong>to</strong>r. Rehearsals have been hard work but tremendous<br />
fun and I hope you will enjoy <strong>the</strong> results of <strong>the</strong> company’s labours in this performance.<br />
<strong>Hitchin</strong> <strong>Thespians</strong> like <strong>to</strong> maintain a varied <strong>programme</strong> and so this more traditional show is a<br />
contrast <strong>to</strong> <strong>the</strong> previous production of ‘Sweeney Todd’. Our next production in March 2010 will be<br />
‘The Music Man’ also at <strong>the</strong> Gordon Craig Theatre and I hope you will come along <strong>to</strong> this <strong>to</strong>o.<br />
I would like <strong>to</strong> thank you for supporting us in this production and if this is <strong>the</strong> first production of ours<br />
you have attended, we hope it will be <strong>the</strong> first of many. Now its time <strong>to</strong> sit back, read <strong>the</strong> synopsis and be<br />
transported as <strong>the</strong> curtain rises on <strong>the</strong> countryside, somewhere in Eastern Europe.<br />
Lucy Miller-White<br />
The Committee 2009 /2010<br />
CHAIRMAN: Lucy Miller-White<br />
TREASURER: Mark Savage<br />
HONORARY GENERAL SECRETARY: Alex Evans<br />
PRODUCTION MANAGER: Sarah Bailes<br />
CHORAL MANAGER: Sheila Soothill<br />
BUSINESS MANAGER: Kate Webb<br />
WOODSIDE HALL MANAGER: Ann Crook<br />
SOCIAL & FUNDRAISING: Vivienne Tadman<br />
LIFE MEMBERS:<br />
Olive Ansell, Ann Crook, Brenda Cundell,<br />
Marion Hargraves, Audrey Jenkins, Derek Jenkins,<br />
Denis Rowland, Gordon Whar<strong>to</strong>n<br />
HONORARY MEMBERS:<br />
Bert Broe, Mollie Gilbert, Edgar Gilbert,<br />
Roger Heath, Alfons Krupp,<br />
Bernard Mallett, Jim Snell,<br />
Justin Thomas<br />
COMMITTEE MEMBERS:<br />
Christine Fox, Charles Langford, Sue Osbourn
The Production Team<br />
Linda Dyne<br />
PRODUCTION DIRECTOR<br />
Linda has now been acting both professionally and directing<br />
Amateur Societies for longer than she will admit <strong>to</strong>! Her last<br />
two shows have both been directed at <strong>the</strong> Gordon Craig<br />
Theatre with ‘Calamity Jane’ and ‘Kiss Me Kate’. She is<br />
delighted <strong>to</strong> direct ‘Fiddler on <strong>the</strong> Roof’ again, as this has<br />
been a favourite show of hers since she herself played<br />
Tzeitel. Linda says that although this production is going <strong>to</strong><br />
be ‘traditional’, it will be a slightly different portrayal of this<br />
classic piece. Linda is very pleased <strong>to</strong> have retired this year<br />
so that she has more time <strong>to</strong> direct, and has ‘Princess Ida’ at<br />
Watford Palace, ‘Hot Mikado’ in <strong>the</strong> Arena at St Albans and<br />
‘Crazy for You’ at <strong>the</strong> Gordon Craig lined up for 2010.<br />
John Edwards<br />
MUSICAL DIRECTOR<br />
Throughout his career, often in far-flung places (Scotland,<br />
Singapore and New Mexico included), John has directed<br />
choirs and stage productions in a wide variety of styles and<br />
locations.He also composes in his spare (?) time – his<br />
cantata ‘England’s Heartland’ was awarded first prize in <strong>the</strong><br />
1989 ‘Theme for Hertfordshire’ competition. He is also<br />
involved in <strong>the</strong> annual fund-raising concerts in aid of<br />
Breakthrough, <strong>the</strong> breast cancer charity.<br />
This will be his 11th production as M.D. with <strong>Hitchin</strong><br />
<strong>Thespians</strong> – two of which (‘Singing in <strong>the</strong> Rain’ and ‘Jekyll<br />
and Hyde’) won <strong>the</strong> company NODA awards - and he is<br />
looking forward (hopefully) <strong>to</strong> adding ‘Fiddler’ <strong>to</strong> <strong>the</strong> tally.<br />
For all up-<strong>to</strong>-date news and information, don’t forget <strong>to</strong> log on <strong>to</strong>...<br />
www.hitchin<strong>the</strong>spians.org.uk<br />
If you are interested in joining <strong>the</strong> Society as<br />
ei<strong>the</strong>r a member or a patron, <strong>the</strong>n please contact:-<br />
Alex Evans - Hon. Secretary, 4 Cubitt Close, <strong>Hitchin</strong>, Herts. SG4 0EL<br />
secretary@hitchin<strong>the</strong>spians.org.uk<br />
Alternatively, if you would prefer you can join our ‘SHOW MAILING LIST’
The<br />
S<strong>to</strong>ry...<br />
The year is 1905 and a Jewish community in Tsarist Russia is trying <strong>to</strong> eke out a<br />
living in <strong>the</strong> village of Anatevka. Tevye, a milkman, strives very hard <strong>to</strong> keep up <strong>the</strong><br />
traditions of his faith, race and culture. He has five daughters, itself a problem but what is<br />
more pressing is trying <strong>to</strong> find husbands for <strong>the</strong> eldest three children. Yente, <strong>the</strong> village<br />
matchmaker, does her best but with no money and no dowry <strong>to</strong> offer she finds that her<br />
work is very difficult. Even so, <strong>the</strong> girls dream of <strong>the</strong> love that <strong>the</strong>y will find one day.<br />
Tevye is called <strong>to</strong> <strong>see</strong> <strong>the</strong> butcher, Lazar Wolf, who is interested in marrying his eldest daughter<br />
Tzeitel. They make an agreement and celebrate. However, Tzeitel rejects <strong>the</strong> butcher’s proposal. She<br />
has her heart set on <strong>the</strong> young, impecunious tailor, Motel. The ‘new way’ is that children shall decide<br />
partners for <strong>the</strong>mselves. But will Golde, Tevye's loving wife, accept this change in traditional values? Tevye conjures<br />
up a dream, and in <strong>the</strong> relating of it, he attempts <strong>to</strong> persuade Golde that Lazar Wolf is not a good match and that<br />
Grandmo<strong>the</strong>r would much prefer her granddaughter <strong>to</strong> marry <strong>the</strong> tailor. Golde is persuaded and that is <strong>the</strong> first chink<br />
in <strong>the</strong> breakdown of traditional values.<br />
Tevye's second daughter, Hodel, has fallen in love with Perchik, a political student and an activist against <strong>the</strong><br />
repressive regime. Tevye refuses <strong>to</strong> give his permission for Hodel and Perchik <strong>to</strong> marry but <strong>the</strong>y inform Tevye that <strong>the</strong>y<br />
do not wish <strong>to</strong> <strong>see</strong>k his permission <strong>to</strong> marry but merely his blessing. Traditions are obviously changing. Later, Perchik<br />
is arrested and is sent <strong>to</strong> Siberia, where Hodel intends <strong>to</strong> join him. She promises her fa<strong>the</strong>r <strong>the</strong>y<br />
will be married under a canopy in <strong>the</strong> traditional Jewish way. Her fa<strong>the</strong>r accompanies her <strong>to</strong> <strong>the</strong><br />
railway station <strong>to</strong> bid her farewell.<br />
Chava, Tevye's third eldest daughter, has fallen for a Russian soldier Fyedka. Not only is<br />
he Russian, he is not a Jew and <strong>the</strong> bending of tradition this far is something that<br />
Tevye cannot reconcile himself <strong>to</strong>. From this point on, Chava ceases <strong>to</strong> be his daughter<br />
and is shunned.<br />
Meanwhile, Anatevka itself is under threat. The Jews are being forced <strong>to</strong> leave <strong>the</strong>ir<br />
homes and many of <strong>the</strong>m decide <strong>to</strong> go <strong>to</strong> live in America where many of <strong>the</strong>m<br />
have friends and relations. That is where Tevye and Golde and<br />
<strong>the</strong> two youngest children are <strong>to</strong> go. Motel and Tzeitel, who now<br />
have a child of <strong>the</strong>ir own, will join <strong>the</strong>m. Chava<br />
and Fyedka, wanted by nei<strong>the</strong>r Jew nor Russian,<br />
go <strong>to</strong> live in Poland. The Fiddler on <strong>the</strong> Roof,<br />
<strong>the</strong> indomitable spirit of <strong>the</strong> Jewish people, will<br />
live on in all of <strong>the</strong>m.
The Company<br />
After a break of six years, Steve is delighted <strong>to</strong><br />
return <strong>to</strong> <strong>the</strong> <strong>Thespians</strong> in his favourite role, playing<br />
‘Tevye’ for <strong>the</strong> fourth time. His o<strong>the</strong>r favourite roles<br />
have included Higgins in ‘My Fair Lady’, The King in<br />
‘The King and I’, Emile in ‘South Pacific’, Escamillo<br />
in ‘Carmen’, Pirate King in ‘Broadway Pirates of<br />
Penzance’, Pilate in ‘Jesus Christ Superstar’, Judas<br />
in ‘Godspell’, Cervantes in ‘Man of La Mancha’,<br />
Adam in ‘Seven Brides for Seven Bro<strong>the</strong>rs’,<br />
Billy Bigelow in ‘Carousel’, Captain in ‘Titanic’<br />
and Rico in ‘Copacabana’. Steve hopes that<br />
you will enjoy this version of one of his<br />
perennial favourites.<br />
Steve Wilks<br />
TEVYE, THE MILKMAN<br />
Judith is delighted <strong>to</strong> be back with <strong>the</strong> <strong>Hitchin</strong><br />
<strong>Thespians</strong> after a fifteen year absence and is<br />
pleased <strong>to</strong> note that nobody has aged at all since<br />
she was last here! Over <strong>the</strong> years she has enjoyed<br />
playing lots of parts for different societies,<br />
including Sally Bowles in ‘Cabaret’, Adelaide in<br />
‘Guys and Dolls’, Ado Annie in ‘Oklahoma’,<br />
Eliza Doolittle in ‘My Fair Lady’ and Katisha in ‘The<br />
Mikado’. This is her third trip <strong>to</strong> Anatevka; <strong>the</strong> first<br />
time round she played <strong>the</strong> part of ‘Tzeitel’<br />
so now feels that she has really grown up.<br />
As well as amateur dramatics Judith enjoys<br />
looking after her three children and three cats.<br />
Judith Coen<br />
GOLDE, HIS WIFE
The Company<br />
Melanie Plowman<br />
TZEITEL<br />
Melanie joined <strong>Hitchin</strong> <strong>Thespians</strong> six years ago for ‘Seven Brides for Seven<br />
Bro<strong>the</strong>rs’. Since <strong>the</strong>n she has had many small roles including Nellie in ‘Jekyll &<br />
Hyde’, Ruth in ‘Thoroughly Modern Millie’ and Susan Hershey in <strong>the</strong> ‘Full Monty’<br />
(both in <strong>Hitchin</strong> and at <strong>the</strong> Edinburgh Fringe Festival) but her current favourite<br />
was Susan in ‘Calamity Jane’. She is also a member of <strong>the</strong> Lyt<strong>to</strong>n Players where<br />
she most recently performed as Caroline Neville in ‘Titanic’. Aside from <strong>the</strong><br />
shows, Melanie enjoys singing with <strong>the</strong> choir and participating in fundraising<br />
performances at Woodside Hall such as ‘That Ole Devil Called Love’.<br />
Melanie works as a production co-ordina<strong>to</strong>r working on <strong>programme</strong>s for <strong>the</strong><br />
Community Channel, Sky and Five. In <strong>the</strong> coming months she hopes, after<br />
being married twice on stage in <strong>the</strong> last year, <strong>to</strong> finally plan her real wedding.<br />
Nicola Niles<br />
HODEL<br />
This is <strong>the</strong> second time Nicola has appeared in ‘Fiddler on <strong>the</strong><br />
Roof’, having previously played ‘Chava’ for Lu<strong>to</strong>n Amateurs.<br />
Her previous roles for <strong>Hitchin</strong> <strong>Thespians</strong> have included Gloria in<br />
‘Thoroughly Modern Millie’, Emma in ‘Jekyll and Hyde’ and<br />
Yum-Yum in ‘The Mikado’. For Lu<strong>to</strong>n Amateurs, she has had <strong>the</strong><br />
fortune <strong>to</strong> play roles such as Hope Harcourt in ‘Anything Goes’,<br />
Ann in ‘Half a Sixpence’ and Eliza Doolittle in ‘My Fair Lady’.<br />
During <strong>the</strong> day she teaches part-time in a Special Needs<br />
School in Lu<strong>to</strong>n and spends <strong>the</strong> rest of her time<br />
looking after her two children.<br />
Katie Lambert<br />
CHAVA<br />
Katie has performed in numerous shows mainly with Letchworth<br />
Arcadians and Young Arcadians, but you will have <strong>see</strong>n her last<br />
with <strong>the</strong> <strong>Hitchin</strong> <strong>Thespians</strong> as Johanna in ‘Sweeney Todd’.<br />
Katie’s previous shows have included ‘Copacabana’, ‘High School<br />
Musical’ as Martha, ‘Wind in <strong>the</strong> Willows’ as Mole, ‘Oliver!’,<br />
‘Little Shop of Horrors’ and ‘Annie’. Aside from drama, Katie<br />
enjoys playing guitar, running, listening <strong>to</strong> music, socialising<br />
and drinking tea! In regards <strong>to</strong> her future she can’t predict<br />
where she will be in ten years time, but her ultimate<br />
dream would be <strong>to</strong> star in a West End show!
The Company<br />
Charles Langford<br />
MOTEL, THE TAILOR<br />
Charles has been a member of <strong>Hitchin</strong> <strong>Thespians</strong> since 2000.<br />
He has performed in many of <strong>the</strong> shows since <strong>the</strong>n. His favourite roles<br />
have included Tobias in 'Sweeney Todd', Cornelius in 'Hello Dolly',<br />
Demetrius in 'A Midsummer Night's Dream' (The Lyt<strong>to</strong>n Players),<br />
and Bossy Barbara in ‘Beauty and <strong>the</strong> Beast’. He says his most<br />
memorable experience was performing at <strong>the</strong> Edinburgh Fringe<br />
Festival in 2007 playing Malcom in ‘The Full Monty’. His last<br />
principal role for us was <strong>the</strong> Arbiter in 'Chess'. He says he is looking<br />
forward <strong>to</strong> working with <strong>the</strong> wonderful company in ‘Fiddler’.<br />
James Hamil<strong>to</strong>n<br />
PERCHIK, THE STUDENT<br />
When James made his first appearance with <strong>the</strong> <strong>Hitchin</strong><br />
<strong>Thespians</strong> in 1987, it never crossed his mind that twenty-two<br />
years later he’d still enjoy having people pay <strong>to</strong> watch him<br />
attempting <strong>to</strong> act. Having been a pirate, a Jet, a gong basher,<br />
an apostle and a stripper, he wonders if his portrayal of a bolshy<br />
student will be better than his impression of a real student<br />
whilst at university. When he’s not spending his time in<br />
rehearsals, James sings and plays brass in a covers band,<br />
plays hockey for Stevenage and football when he can.<br />
Kier Home<br />
FYEDKA<br />
Kier has spent most of his life on stage, mostly with <strong>Hitchin</strong> <strong>Thespians</strong> -<br />
his first musical being ‘The King And I’ for us in 1991. ‘Fiddler on <strong>the</strong><br />
Roof ‘ will be Kier's twelfth show with <strong>Hitchin</strong> <strong>Thespians</strong>. Kier has played<br />
many roles - an Apostle in ‘Jesus Christ Superstar’, Hortensio in ‘Kiss Me<br />
Kate’, ‘Seven Brides for Seven Bro<strong>the</strong>rs’, and various chorus roles.<br />
His favourite role has been Anthony in our last production of ‘Sweeney<br />
Todd’. Kier is pleased <strong>to</strong> be playing Fyedka, a character that he can<br />
relate <strong>to</strong> and had his eye upon since watching <strong>the</strong> film adaptation of<br />
‘Fiddler’. When he’s not involved in a show, Kier is ei<strong>the</strong>r working<br />
here at <strong>the</strong> Gordon Craig Theatre Box Office, at home listening <strong>to</strong><br />
‘The Rat Pack’, or with his nose in a book somewhere!
The Company<br />
Julia Nicolson<br />
YENTE, THE MATCHMAKER<br />
Despite her involvement in hair-pulling, attempted<br />
murder and fatal shootings in our last show<br />
‘Sweeney Todd’ where she played <strong>the</strong> ra<strong>the</strong>r evil<br />
‘Mrs Fogg, Julia has been allowed <strong>to</strong> remain<br />
a member of <strong>Hitchin</strong> <strong>Thespians</strong> and is delighted<br />
<strong>to</strong> be playing <strong>the</strong> role of Yente.<br />
Julia has been involved in amateur dramatics<br />
locally for over fifteen years and first played <strong>the</strong> role<br />
of Yente in <strong>the</strong> Stevenage Lyt<strong>to</strong>n Players 2004<br />
production. She is always happy <strong>to</strong> forfeit a pretty<br />
costume in favour of an ageing wig for <strong>the</strong> challenge<br />
and fun that comes from eccentric comedy character<br />
roles. Previous favourite roles include Widow Corney<br />
in ‘Oliver!’ and Claree Belcher in ‘Steel Magnolias’.<br />
This is Dom's debut with <strong>the</strong> <strong>Thespians</strong> but he is<br />
no newcomer <strong>to</strong> <strong>the</strong> <strong>the</strong>atre. He has taken several<br />
character and lead roles with o<strong>the</strong>r societies including<br />
Billy Bigelow in ‘Carousel’, Jud Fry in ‘Oklahoma’, The<br />
King in ‘The King and I’ and most recently he sank<br />
without a trace as Edgar Beane in ‘Titanic’.<br />
He also enjoys acting in plays and <strong>to</strong>ok <strong>the</strong><br />
part of <strong>the</strong> narra<strong>to</strong>r in ‘Blood Bro<strong>the</strong>rs’.<br />
Previously, Dominic lived in Russia and<br />
sang at <strong>the</strong> Bolshoi <strong>the</strong>atre... (it may have<br />
been <strong>the</strong> in bar, but <strong>the</strong> Bolshoi, none<strong>the</strong>less!)<br />
Dominic Baker<br />
LAZAR WOLF,<br />
THE BUTCHER
Act One<br />
Scenes & Songs...<br />
THE PLACE: Anatevka, a small village in Russia<br />
Prologue - Tradition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye & Company<br />
Scene One: The Kitchen in Tevye’s House<br />
Matchmaker . . . . . . . . . . . . . . . . . . . . Tzeitel, Hodel, Chava, Shprintze & Bielke<br />
Scene Two: The Yard of Tevye’s House<br />
If I Were A Rich Man . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye<br />
Scene Three: The Kitchen in Tevye’s House<br />
Sabbath Prayer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye, Golde & Villagers<br />
Scene Four: The Inn<br />
To Life . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye, Lazar Wolf, Villagers & Russians<br />
Scene Five: The Street outside <strong>the</strong> Inn<br />
Scene Six: The Yard of Tevye’s House<br />
Tevye’s Monologue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye<br />
Miracle of Miracles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Motel<br />
Scene Seven: Tevye’s Bedroom<br />
The Dream. . . . . . . Tevye, Golde, Grandma Tzeitel, Rabbi, Fruma-Sarah & Villagers<br />
Scene Eight: A Village Street<br />
Scene Nine: Tevye’s Barn<br />
Sunrise, Sunset . . . . . . . . . . . . . . . . . . Tevye, Golde, Perchik, Hodel & Villagers<br />
The Wedding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company<br />
There will be an interval of 20 minutes between acts.<br />
There will be strobe lighting during this performance.
Act Two<br />
Scenes & Songs...<br />
THE TIME: 1905, on <strong>the</strong> eve of <strong>the</strong> Russian Revolutionary Period<br />
Prologue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye<br />
Scene One: The Yard of Tevye’s House<br />
Now I Have Everything . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perchik & Hodel<br />
Tevye’s Rebuttal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye<br />
Do You Love Me? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye & Golde<br />
Scene Two: A Village Street<br />
The Rumour . . . . . . . . . . . . . . . . . . Yente, Shaindel, Mendel, Avram & Villagers<br />
Scene Three: A Railway Station<br />
Far From The Home I Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hodel<br />
Scene Four: Motel’s Tailor Shop, several months later<br />
Scene Five: Tevye’s Barn<br />
Chava Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tevye<br />
Scene Six: The Yard of Tevye’s House<br />
Anatevka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company<br />
Scene Seven: Tevye’s Barn<br />
The use of cameras, mobile phones and o<strong>the</strong>r recording equipment<br />
is strictly prohibited. Please do not smoke in <strong>the</strong> audi<strong>to</strong>rium.
The Company<br />
Tevye, <strong>the</strong> milkman . . . . . . . . . . . . . . . . . . . . . Steve Wilks<br />
Golde, his wife. . . . . . . . . . . . . . . . . . . . . . . . Judith Coen<br />
Tzeitel. . . . . . . . . . . . . . . . . . . . . . . . . . Melanie Plowman<br />
Hodel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nicola Niles<br />
Chava. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katie Lambert<br />
Shprintze . . . . . . . . . . . . . . . . . . . . . . . Charlotte Roberts<br />
Bielke . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emma Roberts<br />
Yente, <strong>the</strong> matchmaker . . . . . . . . . . . . . . . . Julia Nicolson<br />
Motel, <strong>the</strong> tailor. . . . . . . . . . . . . . . . . . . Charles Langford<br />
Perchik, <strong>the</strong> student . . . . . . . . . . . . . . . . James Hamil<strong>to</strong>n<br />
Lazar Wolf, <strong>the</strong> butcher . . . . . . . . . . . . . . . Dominic Baker<br />
Mordcha, <strong>the</strong> innkeeper . . . . . . . . . . . . . . . . . Chris Ingley<br />
Rabbi. . . . . . . . . . . . . . . . . . . . . . . . . . . . Stephen Holder<br />
Mendel, his son . . . . . . . . . . . . . . . . . . . . . . . Sam Rayner<br />
Avram, <strong>the</strong> bookseller . . . . . . . . . . . . . . . . . Mike Roberts<br />
Nachum, <strong>the</strong> beggar. . . . . . . . . . . . . . . . . . . . David Smith<br />
Grandma Tzeitel . . . . . . . . . . . . . . . . . . . . . . . . Katy King<br />
Fruma Sarah . . . . . . . . . . . . . . . . . . . . . . Barbara Thomas<br />
Constable . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Barker<br />
Fyedka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kier Home<br />
Fiddler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Jones<br />
Villagers<br />
Paul Adams, Michael Bailes, Sarah Bailes, Donna Barrett, Holly Böhme,<br />
Caroline Bonja, Phil Calver, Andrew Davies, Alison Day, Bethany Duxberry,<br />
Alex Evans, Isaac Evans, Judith Harrison, Caroline Hirst, Andy Johnson,<br />
Laura Johnson, Dean Kirkbride, Frazer Lucas, Kirsty McArthur,<br />
Colette Mitchell, Nick Morgan, Mark Savage, Julia Skinner,<br />
Bryan Summers, Vivienne Tadman, Gareth Thomas.
<strong>Hitchin</strong> <strong>Thespians</strong> is proud <strong>to</strong> be affiliated <strong>to</strong> <strong>the</strong> National<br />
Operatic and Dramatic Association (NODA) which was founded<br />
in 1899 as <strong>the</strong> main representative body for amateur <strong>the</strong>atre<br />
in <strong>the</strong> UK. It has a membership of some 2,500 amateur/<br />
community <strong>the</strong>atre groups and 3,000 individual<br />
enthusiasts throughout <strong>the</strong> country, staging musicals,<br />
operas, plays, concerts and pan<strong>to</strong>mimes in a wide<br />
variety of performing venues, ranging from leading<br />
professional <strong>the</strong>atres <strong>to</strong> village halls.<br />
NODA is divided in<strong>to</strong> eleven national Regions, each<br />
headed by a Regional Councillor who sits at <strong>the</strong> ruling<br />
body of <strong>the</strong> Association and who is supported by<br />
a network of Regional Representatives and o<strong>the</strong>r<br />
volunteers. The Representatives and <strong>the</strong>ir volunteers are<br />
<strong>the</strong> vital link <strong>to</strong> <strong>the</strong> grass roots of <strong>the</strong> Association, <strong>the</strong> amateur<br />
<strong>the</strong>atre companies <strong>the</strong>mselves. The association is administered from<br />
its headquarters in Peterborough.<br />
NODA offers multiple benefits <strong>to</strong> its members, providing free expert<br />
advice and factsheets on <strong>the</strong> many issues which can arise in putting<br />
on a performance. NODA represents <strong>the</strong> interests of amateur <strong>the</strong>atre<br />
in authorities, rights holders and <strong>the</strong> media. Conferences, workshops<br />
and seminars held at National and Regional level all help <strong>the</strong> members<br />
<strong>to</strong> share information on best practice. The NODA Annual Summer<br />
School offers training from professional tu<strong>to</strong>rs in acting,<br />
directing, music directing, musical <strong>the</strong>atre, stage management<br />
and o<strong>the</strong>r technical aspects of <strong>the</strong>atre performance.<br />
Bursaries are available from National and Regional funds.<br />
Regular Regional magazines and <strong>the</strong> quarterly ‘NODA<br />
National News’ provide a range of useful advice and<br />
information for amateur societies and practitioners, as<br />
well as free listings of performances, free classified ads<br />
for selling, buying or hiring scenery, props, scripts,<br />
and details of shows released or restricted for<br />
amateur performance.NODA’s trading area offers access <strong>to</strong><br />
goods and services for members and o<strong>the</strong>r amateur<br />
<strong>the</strong>atre enthusiasts, such as NODA pan<strong>to</strong>mimes, a sheet<br />
music service, official badges, youth representatives,<br />
commendation badges and Long Service Awards. Their awards are<br />
available for presentation <strong>to</strong> those who have given active service<br />
<strong>to</strong> amateur <strong>the</strong>atre for a period of ten years and every five years<br />
<strong>the</strong>reafter. NODA Insurance provides a package that caters for <strong>the</strong><br />
specific needs of amateur <strong>the</strong>atre with discounted premiums for<br />
NODA members.<br />
NODA aims <strong>to</strong> ensure that it provides help <strong>to</strong> amateur societies and<br />
individuals in achieving <strong>the</strong> highest standards of best practice and<br />
performance, and in meeting <strong>the</strong> challenges of <strong>the</strong> 21st century.<br />
Fiddler on <strong>the</strong> Roof- Stage & Screen<br />
Fiddler on <strong>the</strong> Roof is a musical with music<br />
by Jerry Bock, lyrics by Sheldon Harnick,<br />
and book by Joseph Stein, set in Tsarist<br />
Russia in 1905. It is based on ‘Tevye <strong>the</strong><br />
milkman and his daughters’ and o<strong>the</strong>r tales<br />
by Sholem Aleichem. The s<strong>to</strong>ry centres on<br />
Tevye, <strong>the</strong> fa<strong>the</strong>r of five daughters, and<br />
his attempts <strong>to</strong> maintain his family<br />
and religious traditions while outside<br />
influences encroach upon <strong>the</strong>ir lives.<br />
The original Broadway production of <strong>the</strong><br />
show, which opened in 1964, was <strong>the</strong> first<br />
run of a musical in his<strong>to</strong>ry <strong>to</strong> surpass 3,000<br />
performances, starring Zero Mostel. Fiddler<br />
held <strong>the</strong> record for <strong>the</strong> longest-running<br />
Broadway musical for almost 10 years<br />
until Grease surpassed its run. It remains<br />
Broadway's thirteenth longest-running show<br />
in his<strong>to</strong>ry. The production was extraordinarily<br />
profitable and highly acclaimed. It was<br />
nominated for ten Tony Awards, winning nine,<br />
including best musical, score, book, direction<br />
Chaim<br />
Topol<br />
and choreography. It spawned four<br />
Broadway revivals, a successful<br />
1971 film adaptation, and <strong>the</strong> show<br />
has enjoyed enduring international<br />
popularity. It is also a very popular<br />
choice for school and community<br />
productions. The film version was<br />
released in 1971 and won three<br />
Academy Awards including one for<br />
arranger-conduc<strong>to</strong>r John Williams.<br />
Chaim Topol played <strong>the</strong> role of Tevye.<br />
Zero Mostel
Sheila Soothill wishes<br />
<strong>Hitchin</strong> <strong>Thespians</strong><br />
every success with<br />
‘FIDDLER ON<br />
THE ROOF’<br />
THE DRUM PLACE<br />
Unit 5, 80 High Street<br />
Walkern, Herts. SG2 7PG<br />
Tel: 01438 860334<br />
Fax: 01438 861326<br />
Email: sheila@<strong>the</strong>drumplace.co.uk<br />
info@<strong>the</strong>drumplace.co.uk<br />
Fiddler on <strong>the</strong> Roof
The<br />
Orchestra...<br />
FLUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ian Killoran<br />
CLARINET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Neil Pennock<br />
TRUMPET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ellie Lovegrove<br />
TROMBONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Sylvester<br />
PERCUSSION . . . . . . . . . . . . . . . . . . . . . . . . . . James Pickford<br />
VIOLIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Janet Hicks<br />
VIOLIN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andrea Kelly<br />
CELLO. . . . . . . . . . . . . . . . . . . . . . . . . Rachel Sanders-Hewett<br />
DOUBLE BASS . . . . . . . . . . . . . . . . . . . . . . . . . . Fiona Nisbett<br />
KEYBOARDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nigel Gray
HITCHIN THESPIANS PAST PRODUCTIONS<br />
1903 . . . . . . . . . . . . . . . . . . .The Gitanos<br />
1904 . . . . . . . . . . . . . . . . . .The Sorcerer<br />
1905 . . . . .The Yeomen of <strong>the</strong> Guard<br />
1905 . . . . . . . . . . . .The Mountebanks<br />
1906 . . . . . . .The Pirates of Penzance<br />
1907 . . . . . . . . . . . . . . .The Gondoliers<br />
1908 . . . . . . . . . . . . . . . . . . .The Mikado<br />
1909 . . . . . . . . . . . . . . . .H.M.S. Pinafore<br />
1910 . . . . . . . . . . . . . . . . . . .Trial by Jury<br />
1910 . . . . . . . . . . . . . . . . . . . .Ruddigore<br />
1911 . . . . .The Yeomen of <strong>the</strong> Guard<br />
1913 . . . . . . . . . . . . . . . . . . . . . . .Patience<br />
1920 . . . . . . . . . . . . . . .The Gondoliers<br />
1921 . . . . . . . . . . . . . . . . . . .The Mikado<br />
1922 . . . . .The Yeomen of <strong>the</strong> Guard<br />
1922 . . . . . . .The Pirates of Penzance<br />
1923 . . . . . . . . . . . . . . . . . . . .Ruddigore<br />
1923 . . . . . . . . . . . . . . . . . .The Sorcerer<br />
1924 . . . . . . . . . . . . . . . . . . . . . . .Iolan<strong>the</strong><br />
1924 . . . . . . . . . . . . . . .The Gondoliers<br />
1925 . . . . . . . . . . . . . . .Merrie England<br />
1925 . . . . .The Yeomen of <strong>the</strong> Guard<br />
1926 . . . . . . . . . . . . . . . . . . . . . . .Patience<br />
1926 . . . . . . . . . . . . . . . . . . .Trial by Jury<br />
1926 . . . . . . . . . . . . . . . .H.M.S. Pinafore<br />
1927 . . . . . . . . . . . . . . . . . . .The Mikado<br />
1927 . . . . . . . . .Miss Hook of Holland<br />
1928 . . . . . . . . . . . . . . . . . . . .The Geisha<br />
1928 . . . . . . . . . . . . . . . . .A Country Girl<br />
1929 . . . . . . . . . . . . . . . . . . .Princess Ida<br />
1929 . . . . . . . . . . . . . . . . . . . . .Veronique<br />
1930 . . . . . . . . . . . . . . . . . . . .Tom Jones<br />
1931 . . . . . . .The Pirates of Penzance<br />
1931 . . . . . . . . . . . . . . .Merrie England<br />
1932 . . . . . . . . .The Belle of New York<br />
1932 . . . . . . . . . . . . . . . . . . . .Rose Marie<br />
1933 . . . . . . . . . . . . . .The Desert Song<br />
1933 . . . . . . . . . . .The Vagabond King<br />
1934 . . . . . . . . . . . . . . .The New Moon<br />
1935 . . . .The Maid of <strong>the</strong> Mountains<br />
1936 . . . . . . . . .Miss Hook of Holland<br />
1937 . . . . . . . . . . . .The Student Prince<br />
1938 . . . . . . . . . . . .Goodnight Vienna<br />
1939 . . . . . . . . . . . . . . . . . . . . .Showboat<br />
1946 . . . . . . . . . . . . . . .The Rebel Maid<br />
1947 . . . . . . . . . . . . . .The Desert Song<br />
1948 . . . . . . . . . . . . . . .The Gondoliers<br />
1949 . . . . . . . . . . . . . . .Chu Chin Chow<br />
1950 . . . . . . . . . . . . . . . . . . . .Rose Marie<br />
1951 . . . . . . . . . . . . . . . . . . .Bitter Sweet<br />
1951 . . . . . . . . .Yeomen of <strong>the</strong> Guard<br />
1952 . . . . . . . . .Vik<strong>to</strong>ria & Her Hussar<br />
1953 . . . . . . . . . . . . . . .The New Moon<br />
1954 . . . . . . . . . . . . . . . . . . .Wild Violets<br />
1955 . . . . . . . . . . . . . . .Magyar Melody<br />
1956 . . . . . . . . . . . . . . .The Quaker Girl<br />
1957 . . . . . . . . . . . .Goodnight Vienna<br />
1957 . . . . . . . . . . . . . . .Call Me Madam<br />
1958 . . . . . . . . . . . . . . . .Bless <strong>the</strong> Bride<br />
1959 . . . . . . . . . . . . . . .Love from Judy<br />
1960 . . . . . . . . . . . . . . . . . . . .Oklahoma<br />
1961 . . . . . . . . . . . . . . . . . . . . . .Carousel<br />
1962 . . . . . . . . . . . . . . .Hansel & Gretal<br />
1962 . . . . . . . . . . . . .The Merry Widow<br />
1963 . . . . . . . . . . . . . . . . . .Kiss Me Kate<br />
1964 . . . . . . . . . . . . .Pink Champagne<br />
1965 . . . . . . . . . . . . . . . .The Music Man<br />
1966 . . . . . . . . . . . . . . . . . . .Trial By Jury<br />
1966 . . . . . . . . . . . . . . . . . . .The King & I<br />
1967 . . .Orpheus in <strong>the</strong> Underworld<br />
1968 . . . . . . . . . . . . . . .Half A Sixpence<br />
1969 . . . . . . . . . . . . . . . . . . . . . . .Carmen<br />
1970 . . . . . . . . . . . . . . . . . . . . . . . .Kismet<br />
1971 . . . . . . . . . . . . .The Merry Widow<br />
1972 . . . . . . . . . . .The Sound of Music<br />
1972 . . . . . . . . . . . . . . . . . . . .Hello Dolly<br />
1973 . . . . . . . . . . . . .Most Happy Fella<br />
1974 . . . . . . . . . . . . . . . .Night in Venice<br />
1975 . . . . . . . . . . . . . . . . . .South Pacific<br />
1976 . . . . . . . . . . .The Beggars Opera<br />
1976 . . . . . . . . . . . . . . . . . . .Bitter Sweet<br />
1977 . . . . . . . . . . . .Robert & Elizabeth<br />
1977 . . . . . . . . .Yeomen of <strong>the</strong> Guard<br />
1978 . . . . . . . . . . . . . . .Die Fledermaus<br />
1979 . . . . . . . . . . .Fiddler on <strong>the</strong> Roof<br />
1980 . . . . . . . . . . . . . . . . . . . . .Showboat<br />
1981 . . . . . . . . . . . . . . . . . . . .Hello Dolly<br />
1982 . . .Orpheus in <strong>the</strong> Underworld<br />
1983 . . . . . . . . . . . . . . . .The Music Man<br />
1983 . . . . . . . . . . . . . . . . . . . . . . . .Grease<br />
1984 . . . . . . . . . . . . . . . . . . . . . .Carousel<br />
1985 . . . . . . . . . . . . .The Merry Widow<br />
1986 . . . . . . .The Pirates of Penzance<br />
1986 . . . . . . . . . . . . . . . . . . .Trial by Jury<br />
1987 . . . . . . . . . . . . . . . . . . . . . . . .Kismet<br />
1987 . . . . . . . . . . . . . . .West Side S<strong>to</strong>ry<br />
1988 . . . . . . . . . . .Annie Get your Gun<br />
1989 . . . . . . . . . . . . . . . . . . .The Mikado<br />
1989 . . . . . . . . . . . . . . . . .The Boyfriend<br />
1990 . . . . . . . . . . . . . . . . . .My Fair Lady<br />
1991 . . . . . . . . . . . . . . . . . .Kiss Me Kate<br />
1991 . . . . . . . . . . . . . . . . . . . . . . .Cabaret<br />
1992 . . . . . . . . . . . . . . . . . . . .Oklahoma<br />
1992 . . . . . . . . . . .The Sound of Music<br />
1993 . . . . . . . . . . . . . . . . . . .Trial by Jury<br />
1993 . . . . . . . . . . . . . . . .H.M.S. Pinafore<br />
1994 . . . . . . . . . . . . . . . .Guys and Dolls<br />
1994 . . . . . . . . . . . . . . . . . . . .Charlie Girl<br />
1995 . . . . . . . . . . .A Little Night Music<br />
1995 . . . . . . . . . . . . . . . . . . . . . . .Barnum<br />
1996 . . . . . . . . . . . . . . . . . . .42nd Street<br />
1996 . . . . . . .The Pirates of Penzance<br />
1997 . . . . . . . . . . . . . . . . . . . .Hello Dolly<br />
1997 . . . . . . . . . . .La Cage Aux Folles*<br />
1998 . . . . . . . . . . . . . . . . .Crazy For You<br />
1998 . . . . . . . . . . . . . . . . . . . . . . . . .Chess<br />
1999 . . . . . . . . . . . . . . . . . . . . . . . . .Oliver!<br />
1999 . . . . . . . . . . . .Singin’ in <strong>the</strong> Rain*<br />
2000 . . . . . . . . . . . . . . . . .Mack & Mabel<br />
2000 . . . . . . . . . . . . . . . . . .South Pacific<br />
2001 . . . . . . . . . . . . . . . . . . .The King & I<br />
2001 . . . . . . . . . . . . . . .Half A Sixpence<br />
2002 . . . . . . . . . . . . . . . . . . . . . . .Carmen<br />
2002 . . . . . . . . . . . . . . . .My One & Only<br />
2003 . . . . . . . . . . . . . . .West Side S<strong>to</strong>ry<br />
2003 . . . . . . . . . . . . . . . . . . . . . . .Barnum<br />
2004 . . . . . . . . . . . . . . .Seven Brides for<br />
. . . . . . . . . . . . . . . . . . . .Seven Bro<strong>the</strong>rs*<br />
2004 . . . . . . . . .Jesus Christ Superstar<br />
2005 . . . . . . . . . . . . . . . . . .Kiss Me Kate<br />
2005 . . . . . . . . . . . . . . . . . . . . . .Carousel<br />
2006 . . . . . . . . . . . . . . . . . .Me & My Girl<br />
2006 . . . . . . . . . . . . . . . .The Full Monty<br />
2006 . . . . . . . . . . . . . . . .Jekyll & Hyde*<br />
2007 . . . .Thoroughly Modern Millie<br />
2007 . . . . . . . . . . . . . . . . . . .The Mikado<br />
2008 . . . . . . . . . . . . . . . . . . . . . . . . .Chess<br />
2008 . . . . . . . . . . . . . . . . .Calamity Jane<br />
2009 . . . . . . . . . . . . . . . .Sweeney Todd<br />
2009 . . . . . . . . . . .Fiddler on <strong>the</strong> Roof<br />
* NODA Region 9 Eastern Area Award<br />
Mrs V Barker<br />
Mr & Mrs P Barry<br />
Mr & Mrs J Bedingfield<br />
Mrs M Bidwell<br />
Miss V Bishop<br />
Mr & Mrs P Blacker<br />
Mr N Bone<br />
Mr R Bray<br />
Mrs M Brendish<br />
Mrs M Briddon<br />
Mrs S Budin-Jones<br />
Miss R E Burrows<br />
Mrs E Calverley<br />
Mrs D E Chennells<br />
Mr G Cobb<br />
Mr R Cobb<br />
Mr & Mrs GT Cork<br />
Mr & Mrs D R Crick<br />
Mr N Cundell<br />
Mrs S Davies<br />
Mrs M Day<br />
Mr R Day<br />
Miss B Deamer<br />
Mrs G Donald<br />
HITCHIN THESPIANS PATRONS 2009<br />
Mr M P Doonan<br />
Mr & Mrs A Dover<br />
Mrs H Dublino<br />
Mrs E Edwards<br />
Mr M Everitt<br />
Mrs M E Fairchild<br />
Mr & MrsJ Franks<br />
Mrs J Frith<br />
Mr & Mrs M Galloway<br />
Dr & Mrs S P Gardiner<br />
Mrs N Gilderthorp<br />
Mrs M Gill<br />
Mr R Gorbing<br />
Mr B Griffiths<br />
Mr PGuthrie<br />
Mrs D Guy<strong>to</strong>n<br />
Mrs S Haigh<br />
Mr & Mrs C Hamil<strong>to</strong>n<br />
Mrs A Hammond<br />
Mrs B Harvey<br />
Mr R Hawkins<br />
Mr & Mrs D Haynes<br />
Miss B Hillyard<br />
Mr P & Mrs A Hollingsworth<br />
Mr P Houldcroft<br />
Mrs J E Howe<br />
Mrs W T Hoy<br />
Mr & Mrs L Hughes<br />
Mrs P Hunter<br />
Mrs J Hu<strong>the</strong>rt-Averill<br />
Mrs M Jones-Davies<br />
Mrs M Kemball-Cook<br />
Mr I Kennedy<br />
Mr P King<br />
Mr & Mrs H Leonard<br />
Mr & Mrs W E Lewis<br />
Mr A Lintern<br />
Mrs & Mrs M Mackenzie<br />
Mrs B Mallett<br />
Mrs A Mansfield<br />
Miss H Mansfield<br />
Dr C F & Mrs E A Ma<strong>the</strong>ws<br />
Mr & Mrs J Metzger<br />
Mrs G Moles<br />
Mrs N Morgan<br />
Mrs J Morris<br />
Mr M Newbery<br />
Mrs J New<strong>to</strong>n<br />
Mr & Mrs D Nicholls<br />
Mrs M Oliver<br />
Mr I Page<br />
Mrs C Page<br />
Mrs E Parsons<br />
Mr & Mrs K A Parsons<br />
Mr M C Pascal<br />
Dennis E. Pateman J.P.<br />
Mrs B Pennicott<br />
Mrs C Plowman<br />
Mrs P M Pollard<br />
Mrs E Pratt<br />
Mr & Mrs N W Revill<br />
Mrs M Richmond<br />
Mrs G Rowland<br />
Mr G H Russell<br />
Mrs R Saunders<br />
Mrs L M Shaw<br />
Mrs A Shephard<br />
Mrs P Slade<br />
Mrs V Slade<br />
Mrs & Mrs A Smith<br />
Mrs B Smith<br />
Mrs J Smith<br />
Mr J Smyth<br />
Miss P Tadman<br />
Mrs A D Taplin<br />
Mr & Mrs A R Taylor<br />
Mrs K Theaks<strong>to</strong>ne<br />
Mrs V Thompson<br />
Mr F Turgoose<br />
Mr & Mrs D H Verney<br />
Mr & Mrs R Vickers<br />
Mrs M Walker<br />
Mrs B Wall<br />
Mrs M Watson<br />
Mr G Williams<br />
Mr & Mrs P Willmott<br />
Mrs R Willmott<br />
Mr & Mrs C Wilson<br />
Mrs S Wisbey<br />
Mrs B Wiseman<br />
Mr R Woodhead<br />
Mr & Mrs P Woods<br />
Mr & Mrs R Worbey
For <strong>Hitchin</strong> <strong>Thespians</strong><br />
Stage Manager . . . . . . . . . . . . . . . . . . . . . .Philippa Tadman<br />
Assistant Stage Manager . . . . . . . . . . . . . . . .Richard Cobb<br />
Production Manager . . . . . . . . . . . . . . . . . . . . .Sarah Bailes<br />
Lighting & Sound . . . . . . . . . . . . . . . .Black Duck AV LTD<br />
Scenery . . . . . . . . . . . . . . . . . . . . . . . . . .Scenic Projects Ltd<br />
Costumes . . . . . . . . . . . . . . . . . . . . . . . .Carousel Costumes<br />
Business Manager . . . . . . . . . . . . . . . . . . . . . . . .Kate Webb<br />
Business Team . . . . . . . . . . . . . .Nick Morgan, Jane Homer<br />
Programme Design . . . . . . . . . . . . . . . . . .TeeeGeee Design<br />
Programme Editing/Advertising . .Sue Osbourn, Kate Webb<br />
Programme/Poster Printing . . . . . . . . . . .Streets of Baldock<br />
Pho<strong>to</strong>graphy . . . . . . . . . . . . . . . . . . . .Ralph Rapley/XMO4<br />
Front of House . . . . . . . . . . . . . . . . . . . . . . . . .Sue Osbourn<br />
Chaperone Co-ordina<strong>to</strong>r . . . . . . . . . . . . . . . . . .Claire Bailes<br />
Chaperones . . . .Alan Bailes, Peter Bailey, Melanie Troiano<br />
Assistant <strong>to</strong> <strong>the</strong> Direc<strong>to</strong>r . . . . . . . . . . . . . . .Carolyn Roberts<br />
Wardrobe Manager . . . . . . . . . . . . . . . . .Keryle Ru<strong>the</strong>rford<br />
Wardrobe Team . . . . . . .Nicki Bowles, Margaret Brendish,<br />
. . . . . . . . . . . . . . . . . . . .Angela Hollingsworth, Judy Page,<br />
. . . . . . . . . . . . . . . . . . . . .Barbara Pennicott, Mary Roberts<br />
Stage Crew . . . . . . . . . . . . . .Viv Stephenson, Neil Leggat,<br />
. . . . . . . . . . . . . . . . . . . . . . . . . .Wayne Hough, Cliff Gulbis<br />
Properties Manager . . . . . . . . . . . . . . . . . .Charles Langford<br />
Properties Assistants . . . . . . . . . . . . . . . .Philippa Bayfield,<br />
. . . . . . . . . . . . . . . . . . . . . .John Keogh, Lucy Miller-White<br />
Continuity . . . . . . . . . . . . . . . . .Iain Ru<strong>the</strong>rford, Kate Webb<br />
Make Up Manager . . . . . . . . . . . . . . . . . . . . .Donna Barrett<br />
Make Up Team . . .Karis Allen, Sarah Barry, Ron Bur<strong>to</strong>n,<br />
. . . . . . . . . . . . . . . . . . .Sarah Cunningham, Rhian Hegarty,<br />
. . . . . .Michelle Marple, Bronwen Martin, Sheila Soothill<br />
Rehearsal Accompanist . . . . . . . . . . . . . . . . . . . .Nigel Gray<br />
Librarian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chris Fox<br />
CALLING YOUNG THESPIANS...<br />
If you like <strong>to</strong> sing, act or dance and are in Year 6 and above we want <strong>to</strong> hear from you.<br />
Young <strong>Thespians</strong> meet Sunday mornings at Woodside Hall, Walsworth Road, <strong>Hitchin</strong>, from 10am <strong>to</strong> 12 noon.<br />
There is a charge of £25 <strong>to</strong> take part in each production. Young <strong>Thespians</strong> will be presenting...<br />
at Woodside Hall from<br />
15th - 17th April 2010<br />
If you are interested please contact<br />
Ann Crook 01462 434181,<br />
anncrook@btinternet.com
OUR LAST<br />
PRODUCTION<br />
MARCH 2009<br />
Sweeney<br />
Todd
THE HITCHIN THESPIANS ...COMING SOON...<br />
The Last Five Years<br />
20th & 21st November 2009, Woodside Hall, <strong>Hitchin</strong><br />
THE HITCHIN THESPIANS CHOIR<br />
Christmas at Woodside r<br />
10th - 12th December 2009, Woodside Hall, <strong>Hitchin</strong><br />
The Music Man<br />
8th - 13th March 2010, The Gordon Craig Theatre, Stevenage<br />
HITCHIN THESPIANS: 01462 641575 GORDON CRAIG THEATRE: 01438 363200<br />
<strong>Hitchin</strong> <strong>Thespians</strong> choir is looking for new members...<br />
<strong>Hitchin</strong> <strong>Thespians</strong> choir is looking for new members.<br />
We are a long established choral group singing a<br />
diverse range of music encompassing everything from<br />
modern show songs <strong>to</strong> large scale classical choral<br />
works. We perform three concerts a year, including <strong>the</strong><br />
ever popular and always sold out ‘Christmas at<br />
Woodside’ concert. At <strong>the</strong> moment we are rehearsing<br />
for ‘Christmas at Woodside 2009’ and after Christmas<br />
will be looking forward <strong>to</strong> our Spring concert on<br />
Saturday 27th March 2010 followed by our Summer<br />
concert on Saturday 17th July 2010.<br />
Interested in joining us?<br />
If so, contact our secretary at: secretary@hitchin<strong>the</strong>spians.org.uk or by phone on<br />
01462 458803 for fur<strong>the</strong>r details. Visit our website at www.hitchin<strong>the</strong>spians.org.uk<br />
<strong>to</strong> learn more about our choral and show activities.
The<br />
Last Five<br />
Years<br />
Written and Composed by Jason Robert Brown<br />
Originally Produced for <strong>the</strong> New York Stage by Arielle Tepper and Marty Bell<br />
Originally Produced by Northlight Theatre Chicago, Illinois<br />
20th & 21st November 2009<br />
Woodside Hall, <strong>Hitchin</strong><br />
Tickets: £10.00 Box Office: 01763 242158<br />
This amateur production is presented by arrangement with JOSEF WEINBERGER LTD.<br />
FOR THE GORDON CRAIG THEATRE
Hamil<strong>to</strong>n<br />
Davies<br />
28 High Street, Stevenage,<br />
Herts, SG1 3HF<br />
Fax: (01438) 740084<br />
Email: law@hamil<strong>to</strong>ndavies.co.uk<br />
Website: www.hamil<strong>to</strong>ndavies.co.uk<br />
SOLICITORS<br />
Tel: 01438 315898<br />
We always offer a truly approachable,<br />
friendly and efficient professional service<br />
• Personal injury work<br />
• Commercial work<br />
• Wills and probate<br />
• Estate planning<br />
• Problems of <strong>the</strong> elderly<br />
• Family and divorce work<br />
• Employment issues<br />
• Property transactions<br />
...that’s law with a human face!