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Program Guide - San Francisco International Film Festival - San ...

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New Directors<br />

86<br />

aRTEmiSia<br />

aI-TSaO<br />

NORTh amERICaN pREmIERE<br />

Taiwan<br />

2008<br />

85 min<br />

DiR Chiang Hsiu-chiung<br />

PROD Wu Jui-yen<br />

SCR Tseng Yu-chieh<br />

Cam Chin Ting-chang<br />

ED Chen Po-wen<br />

mUS Li Hsin-yun<br />

CaST Pan Li-li, Mo Tzu-yi, Chuo Heng-yin<br />

PRinT SOURCE Public Television Service<br />

Foundation, No. 100, Lane 75, Sect. 3, Kang-<br />

Ning Road, 114 Taipei, Taiwan. FAX: 886-22-<br />

630-1895. EMAIL: prg70126@mail.pts.org.tw.<br />

CaUSES LGBT Issues, Youth<br />

GGa TElEviSiOn naRRaTivE winnER<br />

In Taiwanese with English subtitles.<br />

Presented with support from Taipei Economic<br />

and Cultural Office, <strong>San</strong> <strong>Francisco</strong>.<br />

Like many of her male predecessors in the Taiwanese<br />

New Wave, director Chiang Hsiu-chiung probes the<br />

generational and cultural conflicts confronting modern<br />

families in Taiwan. Her well-scripted debut is a matrilineal<br />

drama about three generations of resilient women. In a<br />

powerfully subdued performance, famed Taiwanese opera<br />

star and actress Pan Li Li portrays the title role of Ai-tsao,<br />

a single 58-year-old woman who cares for her critical,<br />

penny-pinching mother and closeted gay son. As a young<br />

woman, Ai-tsao defied her conservative family to marry<br />

an older mainlander and pursue an independent life in<br />

Taipei. Now widowed for over 20 years, she proudly dotes<br />

on her two children, for whom she has dutifully worked<br />

to provide a good life and first-rate education. Chiang’s<br />

compassionate, observant camera tracks the small and<br />

sometimes playful details of Ai-tsao’s unwavering daily<br />

routine: morning tai chi in the park, coastal bus rides to<br />

her mother’s house, dinner conversations with her son<br />

and the occasional visit to model apartments for extended<br />

family. When small clues begin to expose her son’s<br />

gay relationship, Ai-tsao struggles to quietly accept his<br />

unspoken transgression. However, when her daughter<br />

returns from abroad harboring a secret as well, Ai-tsao<br />

is forced to find the courage to reevaluate her own past<br />

and her most fundamental values. Like the wild and hardy<br />

plant of her namesake, she discovers that she must adapt<br />

to her ever-changing environment if she is to protect and<br />

preserve the family she cherishes.<br />

—Kyle Stephan<br />

ChianG hSiU-ChiUnG<br />

While completing her graduate studies in theater and<br />

screenwriting at the Taipei National University of the Arts,<br />

Chiang Hsiu-chiung delivered a Golden Horse–nominated<br />

performance in Edward Yang’s epic A Brighter Summer Day<br />

(SFIFF 1992). Behind the scenes, Chiang worked as assistant<br />

director and performance supervisor on Yang’s films, including<br />

A Confucian Confusion (SFIFF 1995) and A One and a Two,<br />

and those of Hou Hsiao-hsien: Flowers of Shanghai, SFIFF<br />

1999) and Millennium Mambo (SFIFF 2002). After directing<br />

several short films and television segments, she presents her<br />

debut feature film, Artemisia.<br />

SUN apR 26 9:15 KaBUKI aRTE26K<br />

SUN maY 3 12:45 KaBUKI aRTE03K<br />

ThU maY 7 8:30 KaBUKI aRTE07K

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