Program Guide - San Francisco International Film Festival - San ...
Program Guide - San Francisco International Film Festival - San ...
Program Guide - San Francisco International Film Festival - San ...
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New Directors<br />
86<br />
aRTEmiSia<br />
aI-TSaO<br />
NORTh amERICaN pREmIERE<br />
Taiwan<br />
2008<br />
85 min<br />
DiR Chiang Hsiu-chiung<br />
PROD Wu Jui-yen<br />
SCR Tseng Yu-chieh<br />
Cam Chin Ting-chang<br />
ED Chen Po-wen<br />
mUS Li Hsin-yun<br />
CaST Pan Li-li, Mo Tzu-yi, Chuo Heng-yin<br />
PRinT SOURCE Public Television Service<br />
Foundation, No. 100, Lane 75, Sect. 3, Kang-<br />
Ning Road, 114 Taipei, Taiwan. FAX: 886-22-<br />
630-1895. EMAIL: prg70126@mail.pts.org.tw.<br />
CaUSES LGBT Issues, Youth<br />
GGa TElEviSiOn naRRaTivE winnER<br />
In Taiwanese with English subtitles.<br />
Presented with support from Taipei Economic<br />
and Cultural Office, <strong>San</strong> <strong>Francisco</strong>.<br />
Like many of her male predecessors in the Taiwanese<br />
New Wave, director Chiang Hsiu-chiung probes the<br />
generational and cultural conflicts confronting modern<br />
families in Taiwan. Her well-scripted debut is a matrilineal<br />
drama about three generations of resilient women. In a<br />
powerfully subdued performance, famed Taiwanese opera<br />
star and actress Pan Li Li portrays the title role of Ai-tsao,<br />
a single 58-year-old woman who cares for her critical,<br />
penny-pinching mother and closeted gay son. As a young<br />
woman, Ai-tsao defied her conservative family to marry<br />
an older mainlander and pursue an independent life in<br />
Taipei. Now widowed for over 20 years, she proudly dotes<br />
on her two children, for whom she has dutifully worked<br />
to provide a good life and first-rate education. Chiang’s<br />
compassionate, observant camera tracks the small and<br />
sometimes playful details of Ai-tsao’s unwavering daily<br />
routine: morning tai chi in the park, coastal bus rides to<br />
her mother’s house, dinner conversations with her son<br />
and the occasional visit to model apartments for extended<br />
family. When small clues begin to expose her son’s<br />
gay relationship, Ai-tsao struggles to quietly accept his<br />
unspoken transgression. However, when her daughter<br />
returns from abroad harboring a secret as well, Ai-tsao<br />
is forced to find the courage to reevaluate her own past<br />
and her most fundamental values. Like the wild and hardy<br />
plant of her namesake, she discovers that she must adapt<br />
to her ever-changing environment if she is to protect and<br />
preserve the family she cherishes.<br />
—Kyle Stephan<br />
ChianG hSiU-ChiUnG<br />
While completing her graduate studies in theater and<br />
screenwriting at the Taipei National University of the Arts,<br />
Chiang Hsiu-chiung delivered a Golden Horse–nominated<br />
performance in Edward Yang’s epic A Brighter Summer Day<br />
(SFIFF 1992). Behind the scenes, Chiang worked as assistant<br />
director and performance supervisor on Yang’s films, including<br />
A Confucian Confusion (SFIFF 1995) and A One and a Two,<br />
and those of Hou Hsiao-hsien: Flowers of Shanghai, SFIFF<br />
1999) and Millennium Mambo (SFIFF 2002). After directing<br />
several short films and television segments, she presents her<br />
debut feature film, Artemisia.<br />
SUN apR 26 9:15 KaBUKI aRTE26K<br />
SUN maY 3 12:45 KaBUKI aRTE03K<br />
ThU maY 7 8:30 KaBUKI aRTE07K