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Made in Melbourne! Enjoyed Nationally! - Q Magazine

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q art: RYAN DAVIS - BLUE<br />

Blue – A Retrospective.<br />

"Blue" is a range of works <strong>in</strong>spired by<br />

the post impressionists caught <strong>in</strong> the<br />

cusp of Pop Art. Further <strong>in</strong>spired by<br />

twentieth century beach culture, washed<br />

with this touch of Pop Art, Ryan creates<br />

a range of pa<strong>in</strong>t<strong>in</strong>gs from big blue skies<br />

with everyday beach life to detailed<br />

wallpapered patterns, featur<strong>in</strong>g unique<br />

and abstract narratives.<br />

These works will stimulate everyone's visual<br />

library of big blue skies with everyday scenes<br />

of beach life and people hav<strong>in</strong>g fun.<br />

Born <strong>in</strong> England <strong>in</strong> 1972, Ryan and his family<br />

came to Australia on an ocean l<strong>in</strong>er called "The<br />

Australia" on a family ticket cost<strong>in</strong>g 26 pounds.<br />

Throughout this body of work, we can see a<br />

heavy <strong>in</strong>fluence of Australian landscape and<br />

culture. Ryan’s technique also shows the ref<strong>in</strong>ement and control of the European classics.<br />

Obta<strong>in</strong><strong>in</strong>g a degree <strong>in</strong> three-dimensional design, from the University of Newcastle <strong>in</strong> the UK, Ryan’s technique was further developed<br />

whilst travell<strong>in</strong>g throughout Europe and study<strong>in</strong>g the works of such artists as Monet, Constable and Dali. Ryan has now returned to<br />

Australia and calls <strong>Melbourne</strong> home.<br />

"I have always admired people such a Jeffrey Smart. His<br />

clean palette and fun subject matter has drawn me to push<br />

my work <strong>in</strong>to the surreal arena. Smart, Constable and the<br />

likes of Monet make a wonderful blend of <strong>in</strong>spiration<br />

comb<strong>in</strong><strong>in</strong>g my heritage and past eight years <strong>in</strong> <strong>Melbourne</strong>,"<br />

says Ryan.<br />

Ryan calls upon smart techniques to create works of art<br />

arrest<strong>in</strong>g <strong>in</strong> realism and engag<strong>in</strong>g <strong>in</strong> visual and narrative<br />

wit. He recognises the power of realism and uses his<br />

tra<strong>in</strong><strong>in</strong>g <strong>in</strong> three-dimensional design to great effect, whilst<br />

still call<strong>in</strong>g upon traditional techniques so to lay the <strong>in</strong>tricate<br />

patterns that he uses [without the use of stencils] and with<br />

an <strong>in</strong>terest <strong>in</strong> visual concepts and conceits to express his<br />

narratives.<br />

For the last five years Ryan has been exhibit<strong>in</strong>g work across<br />

Australia and Asia. He is also a commission artist, who<br />

has done works for companies such as Pa<strong>in</strong>t Right, and<br />

numerous bars and cafes and private collectors.<br />

"I believe a pa<strong>in</strong>t<strong>in</strong>g should not be placed on a wall to fill<br />

a space, but to <strong>in</strong>spire the onlooker, to evoke thought and<br />

feel<strong>in</strong>g, tell a story and record times gone by."<br />

Open now at Arterial (74 Hoddle Street, Abbotsford), runn<strong>in</strong>g<br />

to the 13th June. Weekdays - 12pm to 7pm Sat-Sun -<br />

10am to 6pm

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