Made in Melbourne! Enjoyed Nationally! - Q Magazine
Made in Melbourne! Enjoyed Nationally! - Q Magazine
Made in Melbourne! Enjoyed Nationally! - Q Magazine
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q art: RYAN DAVIS - BLUE<br />
Blue – A Retrospective.<br />
"Blue" is a range of works <strong>in</strong>spired by<br />
the post impressionists caught <strong>in</strong> the<br />
cusp of Pop Art. Further <strong>in</strong>spired by<br />
twentieth century beach culture, washed<br />
with this touch of Pop Art, Ryan creates<br />
a range of pa<strong>in</strong>t<strong>in</strong>gs from big blue skies<br />
with everyday beach life to detailed<br />
wallpapered patterns, featur<strong>in</strong>g unique<br />
and abstract narratives.<br />
These works will stimulate everyone's visual<br />
library of big blue skies with everyday scenes<br />
of beach life and people hav<strong>in</strong>g fun.<br />
Born <strong>in</strong> England <strong>in</strong> 1972, Ryan and his family<br />
came to Australia on an ocean l<strong>in</strong>er called "The<br />
Australia" on a family ticket cost<strong>in</strong>g 26 pounds.<br />
Throughout this body of work, we can see a<br />
heavy <strong>in</strong>fluence of Australian landscape and<br />
culture. Ryan’s technique also shows the ref<strong>in</strong>ement and control of the European classics.<br />
Obta<strong>in</strong><strong>in</strong>g a degree <strong>in</strong> three-dimensional design, from the University of Newcastle <strong>in</strong> the UK, Ryan’s technique was further developed<br />
whilst travell<strong>in</strong>g throughout Europe and study<strong>in</strong>g the works of such artists as Monet, Constable and Dali. Ryan has now returned to<br />
Australia and calls <strong>Melbourne</strong> home.<br />
"I have always admired people such a Jeffrey Smart. His<br />
clean palette and fun subject matter has drawn me to push<br />
my work <strong>in</strong>to the surreal arena. Smart, Constable and the<br />
likes of Monet make a wonderful blend of <strong>in</strong>spiration<br />
comb<strong>in</strong><strong>in</strong>g my heritage and past eight years <strong>in</strong> <strong>Melbourne</strong>,"<br />
says Ryan.<br />
Ryan calls upon smart techniques to create works of art<br />
arrest<strong>in</strong>g <strong>in</strong> realism and engag<strong>in</strong>g <strong>in</strong> visual and narrative<br />
wit. He recognises the power of realism and uses his<br />
tra<strong>in</strong><strong>in</strong>g <strong>in</strong> three-dimensional design to great effect, whilst<br />
still call<strong>in</strong>g upon traditional techniques so to lay the <strong>in</strong>tricate<br />
patterns that he uses [without the use of stencils] and with<br />
an <strong>in</strong>terest <strong>in</strong> visual concepts and conceits to express his<br />
narratives.<br />
For the last five years Ryan has been exhibit<strong>in</strong>g work across<br />
Australia and Asia. He is also a commission artist, who<br />
has done works for companies such as Pa<strong>in</strong>t Right, and<br />
numerous bars and cafes and private collectors.<br />
"I believe a pa<strong>in</strong>t<strong>in</strong>g should not be placed on a wall to fill<br />
a space, but to <strong>in</strong>spire the onlooker, to evoke thought and<br />
feel<strong>in</strong>g, tell a story and record times gone by."<br />
Open now at Arterial (74 Hoddle Street, Abbotsford), runn<strong>in</strong>g<br />
to the 13th June. Weekdays - 12pm to 7pm Sat-Sun -<br />
10am to 6pm