2234 Industrial Drive, Stockton, CA 95206 - Jedistar
2234 Industrial Drive, Stockton, CA 95206 - Jedistar
2234 Industrial Drive, Stockton, CA 95206 - Jedistar
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Artist Series<br />
The Bi-Amp Advantage<br />
Many players want a little growl in their sound, but due to horn distortion,<br />
it is hard to get good sounding overdrive from passive full-range<br />
systems. The 700RB-II, 1001RB-II, and 2001RB are bi-amped with a<br />
separate 50W amp for driving the horn, so it doesn’t distort when you<br />
drive the amp hard. As a result, you can get all the growl you want from<br />
your lower speakers, while the horn stays clean and articulate. GK<br />
amplifiers have the horn control on the amp front panel, which makes<br />
managing your overall sound that much easier.<br />
●<br />
heads ●<br />
Two Speakon TM Style<br />
cables included.<br />
2001RB Dual Bi-amp (2 x 500W & 2 x 50W)<br />
It’s the big gun, GK’s candidate for the ultimate stage rig! This unit is<br />
based on the bi-amp system from the 1001RB but with dual 540W woofer<br />
amps bridgeable to 1080W, two 50W horn amps, and two continuously variable<br />
speed fans for cooling. It gets the deep, floor-shaking, warm sound<br />
that powers reggae bands. For rock players, it features a special design<br />
distortion circuit that lets you quickly dial in the perfect growl and drive.<br />
For funk players, its voicing filters and bi-amp controls let you scoop the<br />
mids and add the perfect high-end edge needed for popping. For any style<br />
of music performed on arena stages, the 2001RB is destined to be the premier<br />
amp of choice.<br />
2001RB Distortion Circuit<br />
The secret to the 2001RB’s smooth natural distortion is that the horn amp<br />
is automatically muted when the high gain channel is activated, thus preventing<br />
any raspy distortion from the horns. The horn amps can also be<br />
muted on the low gain channel as needed for certain blues sounds. Such<br />
horn muting is only possible with a bi-amp system, and only the 2001RB<br />
has this circuitry design. Easy on-stage control is provided by a three button<br />
footswitch, which mutes the horns, selects channel A or B, and also<br />
activates the tuning mute.<br />
● POWER90db, Clip LED,<br />
10dB Pad, Mute Switch, Mute LED, & A/B Switch.<br />
● HIGH GAIN (B): “B” LED, Gain, Edge, Bottom, & Level<br />
Controls.<br />
● LOW GAIN (A): “A” LED & Level Control.<br />
● VOICING FILTERS: 5/4 String Bass, Adjustable Contour, &<br />
Presence.<br />
● EQUALIZER: Bass Specific Series Four Band Active.<br />
● OUTPUT: Boost, Tweeter Level with High Cut Switch, &<br />
Woofer Level with Crossover Switch.<br />
● DIRECT OUT: XLR, Level Control, Ground Lift, & Pre/Post<br />
Switches.<br />
● PATCHING: Send, Return, Tuner Out, Chain In, Chain Out,<br />
& Footswitch Jack.<br />
● SPEAKER CONNECTORS LEFT: Two 1/4”, Two<br />
Speakon TM Style Connectors, & Bridge/Mono Switch.<br />
● SPEAKER CONNECTORS RIGHT: Two 1/4” & Two<br />
Speakon TM Style Connectors.<br />
● CONTROL: Trigger In, Trigger Out, & IEC Power<br />
Connector.<br />
● WEIGHT: 40 lb.<br />
● DIMENSIONS: 19”W x 5.25”H x 12”D<br />
2001RB Microprocessor<br />
System Manager<br />
An 8-bit microprocessor constantly monitors<br />
the 2001RB system, making sure everything is<br />
running correctly. It waits patiently for you to<br />
push the power switch, and then sends a signal<br />
to your other GK power amps to turn them<br />
on in proper order. Artists such as Flea and<br />
Tom Hamilton use up to five heads, and with<br />
the 2001RB, they only push one switch to fire<br />
up their entire system.<br />
4