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2234 Industrial Drive, Stockton, CA 95206 - Jedistar

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Artist Series<br />

The Bi-Amp Advantage<br />

Many players want a little growl in their sound, but due to horn distortion,<br />

it is hard to get good sounding overdrive from passive full-range<br />

systems. The 700RB-II, 1001RB-II, and 2001RB are bi-amped with a<br />

separate 50W amp for driving the horn, so it doesn’t distort when you<br />

drive the amp hard. As a result, you can get all the growl you want from<br />

your lower speakers, while the horn stays clean and articulate. GK<br />

amplifiers have the horn control on the amp front panel, which makes<br />

managing your overall sound that much easier.<br />

●<br />

heads ●<br />

Two Speakon TM Style<br />

cables included.<br />

2001RB Dual Bi-amp (2 x 500W & 2 x 50W)<br />

It’s the big gun, GK’s candidate for the ultimate stage rig! This unit is<br />

based on the bi-amp system from the 1001RB but with dual 540W woofer<br />

amps bridgeable to 1080W, two 50W horn amps, and two continuously variable<br />

speed fans for cooling. It gets the deep, floor-shaking, warm sound<br />

that powers reggae bands. For rock players, it features a special design<br />

distortion circuit that lets you quickly dial in the perfect growl and drive.<br />

For funk players, its voicing filters and bi-amp controls let you scoop the<br />

mids and add the perfect high-end edge needed for popping. For any style<br />

of music performed on arena stages, the 2001RB is destined to be the premier<br />

amp of choice.<br />

2001RB Distortion Circuit<br />

The secret to the 2001RB’s smooth natural distortion is that the horn amp<br />

is automatically muted when the high gain channel is activated, thus preventing<br />

any raspy distortion from the horns. The horn amps can also be<br />

muted on the low gain channel as needed for certain blues sounds. Such<br />

horn muting is only possible with a bi-amp system, and only the 2001RB<br />

has this circuitry design. Easy on-stage control is provided by a three button<br />

footswitch, which mutes the horns, selects channel A or B, and also<br />

activates the tuning mute.<br />

● POWER90db, Clip LED,<br />

10dB Pad, Mute Switch, Mute LED, & A/B Switch.<br />

● HIGH GAIN (B): “B” LED, Gain, Edge, Bottom, & Level<br />

Controls.<br />

● LOW GAIN (A): “A” LED & Level Control.<br />

● VOICING FILTERS: 5/4 String Bass, Adjustable Contour, &<br />

Presence.<br />

● EQUALIZER: Bass Specific Series Four Band Active.<br />

● OUTPUT: Boost, Tweeter Level with High Cut Switch, &<br />

Woofer Level with Crossover Switch.<br />

● DIRECT OUT: XLR, Level Control, Ground Lift, & Pre/Post<br />

Switches.<br />

● PATCHING: Send, Return, Tuner Out, Chain In, Chain Out,<br />

& Footswitch Jack.<br />

● SPEAKER CONNECTORS LEFT: Two 1/4”, Two<br />

Speakon TM Style Connectors, & Bridge/Mono Switch.<br />

● SPEAKER CONNECTORS RIGHT: Two 1/4” & Two<br />

Speakon TM Style Connectors.<br />

● CONTROL: Trigger In, Trigger Out, & IEC Power<br />

Connector.<br />

● WEIGHT: 40 lb.<br />

● DIMENSIONS: 19”W x 5.25”H x 12”D<br />

2001RB Microprocessor<br />

System Manager<br />

An 8-bit microprocessor constantly monitors<br />

the 2001RB system, making sure everything is<br />

running correctly. It waits patiently for you to<br />

push the power switch, and then sends a signal<br />

to your other GK power amps to turn them<br />

on in proper order. Artists such as Flea and<br />

Tom Hamilton use up to five heads, and with<br />

the 2001RB, they only push one switch to fire<br />

up their entire system.<br />

4

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