GOOD and EVIL in CORPORATE LIFE ... - JO LEE Magazine
GOOD and EVIL in CORPORATE LIFE ... - JO LEE Magazine
GOOD and EVIL in CORPORATE LIFE ... - JO LEE Magazine
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jo lee<br />
By <strong>JO</strong> <strong>LEE</strong> Magaz<strong>in</strong>e<br />
New York / San Francisco / Hong Kong / London<br />
Tokyo / Rome / Toronto<br />
FEATURE<br />
ACLASSIC OF<br />
THE NORTH<br />
Italy is a country<br />
of rich, vibrant,<br />
embrac<strong>in</strong>g colors,<br />
enveloped by people<br />
with flair <strong>and</strong><br />
dignity. And so<br />
when one envisions<br />
<strong>and</strong> hugs the<br />
wonders of this<br />
l<strong>and</strong> - it can easily<br />
transcend <strong>in</strong>to an<br />
architecturally<br />
strong passion<br />
that becomes - A<br />
Classic of the<br />
North.<br />
Norman <strong>and</strong> Elena Mascioli<br />
We built on a rock <strong>and</strong> this particular view is of the back of our<br />
home which terraces down to the street. Both perennials <strong>and</strong> annuals<br />
are placed on each level <strong>and</strong> are Elena's pride.<br />
She takes care of the plant<strong>in</strong>g to the prun<strong>in</strong>g, with very little help.<br />
With a preem<strong>in</strong>ent eye for beauty <strong>and</strong> an <strong>in</strong>tuitive<br />
sense of color <strong>and</strong> scale - this Timm<strong>in</strong>s,<br />
Ontario, Canada 'Classic of the North'<br />
designed by Elena <strong>and</strong> Norman Mascioli - became a master<br />
presence with the comb<strong>in</strong><strong>in</strong>g of styles <strong>and</strong> periods.<br />
Each room takes its character from the fullness of life<br />
lived, keep<strong>in</strong>g <strong>in</strong>teriors light with old elegance. The sense<br />
of design is based on the virtues found <strong>in</strong> sophistication<br />
<strong>and</strong> modesty of purpose without any sacrifice. There are<br />
bare walls <strong>and</strong> bare floors which mesmerize the art <strong>and</strong><br />
furniture amongst them. Light itself was important to the<br />
<strong>in</strong>teriors as were the rocks <strong>and</strong> stone elements hugg<strong>in</strong>g<br />
The liv<strong>in</strong>g room was designed to encompass an expanse<br />
of open <strong>and</strong> comfortable space while embrac<strong>in</strong>g our<br />
formal d<strong>in</strong><strong>in</strong>g room, to the immediate right.<br />
CONTENTS PAGE <strong>JO</strong> <strong>LEE</strong> MAGAZINE - 36