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Audio<br />

Audio selectors, switches & controls<br />

Three way input selector<br />

Simple rotary switch routes any of the three pairs of<br />

phono inputs to the phono output. Metal case with<br />

gold plated sockets.<br />

[BT31] £12.99<br />

Volume Remote Control<br />

Ever wished your amplifier had<br />

remote control for the volume?<br />

Now you can easily add IR remote<br />

control to most amplifiers with<br />

this simple device. It has two<br />

phono sockets for line in and two<br />

for line out. Simply connect it in<br />

line, position the IR receiver<br />

wherever you find convenient and<br />

Selectors, Switchers, Controls & Convertors<br />

4 Way audio control<br />

A multi-purpose phono interconnect switcher which<br />

can be used as an Input expander or comparator.<br />

Connect up to four stereo devices (RCA phono) and<br />

use a simple push button process for signal routing.<br />

Eg pressing 1 & 4 connects input 1 to input 4.<br />

pressing 1,2 & 4 connects all three. An internal<br />

impedance matching circuit minimises audio losses.<br />

Very handy.<br />

[BT931] £19.99<br />

4 channel stereo audio source selector<br />

Allows 4 audio inputs to be fed into one.<br />

Ideal if you wish to feed your VCR, DVD,<br />

camcorder, satellite system, TV etc into<br />

your hi-fi system which only has one<br />

Aux/Line input. Features phono inputs<br />

for simple connection and non slip<br />

suction feet.<br />

[SOURCESEL] £14.99<br />

Digital audio – what’s what?<br />

In the earlier days of digital audio the conversion from digital back into<br />

analogue was always performed within the CD player itself. Now,<br />

particularly with the advent of DVD, the thinking is to preserve the<br />

signal in its digital form as long as possible to keep signal loss and<br />

distortion to a minimum. This is achieved by routing the signal directly<br />

from the player in its digital form into a suitably equipped amplifier or<br />

TV for decoding and amplification. This process has led to a<br />

bewildering array of terminology, a few of which we’ve attempted to<br />

explain here:<br />

S/PDIF, an abbreviation of ‘Sony/Philips Digital InterFace’, is a defined<br />

standard for PCM stereo digital audio. It uses a single phono (RCA)<br />

connector for electrical signals or a TOSLINK connector for optical<br />

signals (the information contained in the signal is the same in either<br />

case, and convertors are available to change one type into the other).<br />

S/PDIF signals use different sampling frequencies for different<br />

applications and can carry stereo audio (CD, minidisc or DAT) as well as<br />

multi-channel surround sound.<br />

AC3 (Adaptive Coding 3) is an audio compression standard based on<br />

the S/PDIF PCM audio delivery system. Dolby Digital Surround AC3 is<br />

a 6-channel surround sound system that uses the AC3 compression. The<br />

sound is encoded to 5.1 channels (five full bandwidth signals plus a low<br />

frequency channel for the subwoofer), and then encoded using the AC3<br />

compression standard. AC3 systems are backwards compatible with<br />

S/PDIF in that they will also decode stereo, but S/PDIF systems will not<br />

necessarily decode AC3.<br />

DTS, an abbreviation for ‘Digital Theatre Systems’, is another multichannel<br />

digital audio standard which uses less compression than Dolby<br />

Digital to give an arguably better sound. Some players and amplifiers<br />

support both AC3 and DTS decoding although at time of writing there<br />

is not much DTS encoded material available.<br />

THX is not an audio standard in its own right, rather it is a very tight set<br />

of specifications to which THX-certified equipment must be<br />

manufactured. The brainchild of George ‘Star Wars’ Lucas, it was<br />

intended to prevent the soundtrack of his films sounding different from<br />

cinema to cinema because of equipment variations. In theory at least, the<br />

film soundtrack should be faithfully reproduced in any THX-certified<br />

cinema. THX in the home is generally an exercise in open-wallet surgery<br />

as certified hardware is phenomenally expensive.<br />

have easy volume adjustment.<br />

Leds for power and confirmation<br />

of ‘up’ and ‘down’ commands.<br />

It can be used in a number of<br />

ways:<br />

• Inline in between pre/power<br />

amp combinations<br />

• Within tape line out/line in<br />

loop (if vacant) with the amp<br />

set to ‘tape monitor’<br />

• In between say CD player line<br />

out and amp line in (to control<br />

that device volume only).<br />

[VRC] £59.99<br />

Sound mixing<br />

Video sound mixing is the process of adding to or replacing the<br />

soundtrack on your footage at the time that it is edited. Connections are<br />

made as shown in the diagram. The norm is to have three channels on<br />

the audio mixer; one channel being the incoming camcorder soundtrack,<br />

another being a microphone input for commentary, and the other for<br />

music from a tape deck, CD etc. The important thing about a mixer is<br />

that all three channels can be present simultaneously, and so the final<br />

result is not necessarily just<br />

one channel or another. If<br />

you want to add ‘live’<br />

commentary whilst editing,<br />

it can be frustrating if you<br />

make a mistake as the<br />

whole thing needs to be rerecorded.<br />

It is easier to<br />

record the commentary onto<br />

an audio cassette and then<br />

mix it in on the final copy.<br />

AUDIO<br />

Video<br />

recorder<br />

VIDEO<br />

Camera<br />

in<br />

MUSIC<br />

Cassette<br />

player<br />

Amplifier<br />

CD player<br />

Music<br />

in<br />

Master<br />

out<br />

Sound mixer<br />

Digital audio / convertors<br />

Video<br />

recorder<br />

AUDIO<br />

TV<br />

Microphone<br />

Headphones<br />

Digital audio delay<br />

Plasma/LCD & Projector owners - do<br />

you get frustrated by the lip-synch<br />

errors when viewing? It occurs because<br />

of a delay introduced by the processing<br />

of the picture. The audio doesn’t go<br />

through the same processing hence the<br />

audio appears ahead of the image. If<br />

you use an AV amplifier for your sound<br />

then we have a solution - the Felston DD740 digital audio delay<br />

module. It allows easy adjustable audio delay allowing you to get<br />

everything back in perfect sync. There are two inputs and you can<br />

switch and adjust from your armchair with the supplied remote.<br />

• Dual digital audio inputs and outputs (optical and coax)<br />

• Remote control<br />

• 680ms maximum delay (340ms for 96kHz signals)<br />

• Automatic input switching, with input's last delay restored<br />

• Can convert optical-to-coax/coax-to-optical, for connecting 2 sources<br />

to an amplifier with a single input<br />

• 12 user-programmable presets (6 per input)<br />

• Adjustable display brightness<br />

• Discrete IR commands for integration with learning remotes<br />

• No effect on audio quality thanks to bit-perfect reproduction<br />

[DD740] £129.00<br />

Digital audio convertor<br />

A universal digital audio convertor that<br />

will change digital optical signals<br />

(Toslink) to coaxial and vice-versa.<br />

Supplied in a screened case with UK<br />

power supply.<br />

[BT992] £19.99<br />

38<br />

all prices include VAT<br />

Order by Tel: 01332 830550 or Fax: 01332 830551

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