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FOX SEARCHLIGHT PICTURES Presents In ... - Central-Kino

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small number of characters and it takes place over a short period of time. The constant tension<br />

almost suffocates. Something is about to explode, like a kettle of boiling water with the lid on<br />

tight. A story that takes place in a confined space becomes a small universe unto itself.<br />

“I also liked the fact that it was not a story that revolves around dialogue,” the director<br />

continues. “That was an advantage for my first English-language film. My Korean language films<br />

have not been dialogue-oriented either, so I was already comfortable with telling the story in a<br />

more visual way.”<br />

The script fits well into the director’s existing oeuvre, according to co-producer Wonjo<br />

Jeong. “Director Park’s films are very reflective,” he says. “They deal with right and wrong, and<br />

where the line lies between them. His characters are torn between their choices. And every choice<br />

has consequences. He subverts the conventions of narrative, and in doing so, draws us into the<br />

questions about social class, ethics, morality and religion.”<br />

Park also cites the influences of filmmakers such as David Lynch, David Cronenberg and<br />

the sleek, sexy stylized world of Brian De Palma as well as writers Edgar Allen Poe, M. R.<br />

James, and Wilkie Collins.<br />

“<strong>In</strong> STOKER, which is a microscopic observation of these people and their universe, he<br />

tells a bigger story about the world at large,” continues Jeong. “The characters are flawed, much<br />

as we are all flawed. By putting them in such extreme circumstances, he’s reflecting experiences<br />

that everyone goes through in life, but in such a vivid and dark mirror that we want to look more<br />

closely.”<br />

AN UNUSUAL FAMILY<br />

Casting Stoker<br />

Over the past two decades, Park Chan-Wook has established a rotating troupe of actors<br />

with whom he works regularly in Korea. He has developed an intensely collaborative method of<br />

working hand-in-hand with his favorite performers to flesh out and fully define the unusual and<br />

original characters that people his films. For his first American movie, he had to put together a<br />

new creative family of actors with the same kind of sensitivity, intelligence and talent.<br />

“I am especially excited for audiences to see this film for the performances by these<br />

wonderful actors,” says the director. “They are each at different stages of their lives and careers,<br />

and are rather different kinds of actors from each other. Seeing how they come together so<br />

successfully is worth experiencing.”<br />

For Park, STOKER is primarily a coming-of-age story for <strong>In</strong>dia. “She is an introverted<br />

girl confined in a suffocating house, unable to mix with anyone outside,” he says. “She is very<br />

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