Black Swan FINAL V2-intl - Central-Kino

New York City Ballet to original music by Daniel Ott (2005), 28 Variations on a Theme By Paganini for the
School of American Ballet (2005), an original full-length Casse-Noisette for the Grand Théâtre de Genève with
set designs and costumes by artist Paul Cox (2005), Closer as part of Benjamin Millepied and Company season
at the Joyce Theater New York with live accompaniment by Philip Glass (2006), Capriccio for American
Ballet Theatre’s Studio Company (2006), Years Later, a solo work for Mikhail Baryshnikov in collaboration
with Mr. Simola (2006), Amoveo for the Paris Opera Ballet with set design by Paul Cox and costumes by Marc
Jacobs (2006), From Here On Out for American Ballet Theatre with an original score by Nico Muhly (2007),
Petrouchka for the Ballet de Genève with set design and costumes by Paul Cox (2007), Triade for the Paris
Opera Ballet with an original score by Nico Muhly (2008), 3 Movements for Pacific Northwest Ballet ( 2008),
Without for Danses Concertantes (2008), Quasi una fantasia for the New York City Ballet (2009), Everything
Doesn’t Happen at Once for American Ballet theatre (2009) and Sarabande for Danses Concertantes, which
premiered in Lyon (2009).
DAN SCHRECKER (Visual Effects Supervisor) heads LOOK Effects’ East Coast operations
in New York. Schrecker was introduced to LOOK’s vfx capabilities when, as an independent visual
effects supervisor, he contracted the company to create effects for FRIDA. That successful
collaboration led to a string of shared credits including THE BOUNTY HUNTER, PRECIOUS:
BASED ON THE NOVEL PUSH BY SAPPHIRE, THE FOUNTAIN, THE PRODUCERS, THE
WRESTLER, REQUIEM FOR A DREAM and the ABC series “Life on Mars,” which he supervised
on location in New York City.
After earning degrees from Harvard and New York University’s Interactive
Telecommunications program, Schrecker began supervising and creating visual effects, titles and
motion graphics, adding to his expertise in multimedia and interactive formats, traditional cel animation
and claymation. He has earned Visual Effects Society Nominations for FRIDA (Best Supporting
Visual Effects in a Motion Picture, 2002) and THE FOUNTAIN (Outstanding Visual Effects in a
Visual Effects Driven Motion Picture, 2006).
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