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July, 2013 - Krakow Post

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KINO MANIA<br />

29<br />

■ Giuseppe Sedia<br />

★★★★★ Go now! ★★★★ See it ★★★ Solid ★★ If you must ★ Avoid<br />

Inny świat (Another World) <strong>2013</strong> ★★★★★<br />

Starring: Danuta Szaflarska | Directed by: Dorota Kędzierzawska<br />

Although veteran actress Danuta Szaflarska<br />

has admitted that she doesn’t<br />

like to be filmed in close-up, she gave her<br />

filmmaker friend Dorota Kędzierzawska the<br />

chance to do just that for Inny świat (Another<br />

World). The idea for the film emerged<br />

as the pair were on the road promoting<br />

the acclaimed feature Pora umierać (Time to<br />

Die, 2007), in which Szaflarska plays a lonely<br />

but lively woman who is left in her later<br />

life with nobody to talk to but her dog. To<br />

a certain degree, Inny świat is a non-fiction<br />

extension to Pora umierać. Szaflarska, now<br />

98 years old, speaks about art and life directly<br />

to the camera without the burden of<br />

playing a character. Her extraordinary clear<br />

recollections allow her personality to shine<br />

on the screen, even more so than the many<br />

memorable characters she has portrayed.<br />

Inny świat is also an attempt to isolate the<br />

components of Szaflarska’s personal elixir<br />

of life. The actress has developed a knack<br />

of imaginatively interpreting and softening<br />

her sometimes harsh life. In her world,<br />

the hissing bullets of the war were ‘singing’<br />

and the bombs plummeting from the sky<br />

sounded just like cows mooing. Cinematographer<br />

Artur Reinhart keeps the camera<br />

on Szaflarska for every second of the<br />

film. The flow of her recollections is never<br />

interrupted, almost as if the 20th century<br />

itself is speaking through her.<br />

Dziewczyna z szafy (Girl From the Closet) 2012 ★★★★<br />

Starring: Magdalena Różańska, Wojciech Mecwaldowski, Piotr Głowacki, Eryk Lubos | Directed by: Bodo Kox<br />

Has Wrocław’s independent film scene<br />

shift permanently to the mainstream?<br />

Dominik Matwiejczyk recently directed<br />

Mechanizm obronny (Defence Mechanism,<br />

2012), a refined short feature about a Polish<br />

soldier returning from Iraq, as his fellow<br />

filmmaker, Bodo Kox, was also working on<br />

his first non-underground effort. The result,<br />

Dziewczyna z szafy (Girl From the Closet),<br />

proves that Kox has not yet fully crossed<br />

the Rubicon. Although the actor and filmmaker<br />

has put aside parody for his latest<br />

movie, he has not yet aligned himself with<br />

the Polish mainstream. The striking confrontation<br />

between Magda (Magdalena<br />

Różańska), an introverted anthropologist<br />

who sleeps in her wardrobe, and young<br />

savant Tomek (Wojciech Mecwaldowski) is<br />

one of the most touching in Polish cinema.<br />

Kox has also made the best of the rest of<br />

his cast, including Piotr Głowacki playing<br />

Tomek’s brother and Eryk Lubos in the role<br />

of a bashful, pencil-moustached policeman<br />

who also featured in Wojciech Smarzowski’s<br />

Drogówka (Traffic Police, <strong>2013</strong>). The<br />

sudden irruption of zeppelins and Jungle<br />

Book-like scenarios as Magda and Tomek<br />

daydream give the movie an irresistible<br />

Kusturica-esque humour. The film has<br />

earned Kox the wide recognition he has<br />

always deserved, at least in his homeland,<br />

and its is clear that he is more promising<br />

than many of the celebrated Indie directors<br />

working in Europe today.<br />

Krew z nosa (Nose Bleed) 2004<br />

Starring: Bodo Kox, Robert Gonera, Piotr Matwiejczyk, Dawid Antkowiak | Directed by: Dominik Matwiejczyk<br />

Dominik Matwiejczyk has earned a<br />

reputation as a prolific author of<br />

spoof movies. Krew z nosa is one such, and<br />

should be regarded as a milestone in Polish<br />

underground film. Set in the suburbs of<br />

Wrocław, Matwiejczyk’s film is a witty parody<br />

of gritty films about life in the housing<br />

projects. Shot in black and white, just like<br />

cult French movie La Haine (1995), which<br />

Matwiejczyk’s movie lampoons, Krew z<br />

nosa remains the best introduction to the<br />

Polish Indie filmmaking scene. Audiences<br />

are provided with the chance to become<br />

acquainted with the main faces from the<br />

Polish circle of low budget filmmakers all<br />

in one film, including Matwiejczyk’s brother<br />

Piotr and Bodo Kox, both in the cast. The<br />

narrative recounts the story of Pablo, who<br />

believes he can drastically change his life<br />

by recording a Hip Hop debut. Matwiejczyk’s<br />

movie is mercifully devoid of social<br />

messages. There are no rioting heroes, just<br />

a bunch of low-life characters involved in<br />

trivial brawls set to cartoon sound effects.

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