July, 2013 - Krakow Post
July, 2013 - Krakow Post
July, 2013 - Krakow Post
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KINO MANIA<br />
29<br />
■ Giuseppe Sedia<br />
★★★★★ Go now! ★★★★ See it ★★★ Solid ★★ If you must ★ Avoid<br />
Inny świat (Another World) <strong>2013</strong> ★★★★★<br />
Starring: Danuta Szaflarska | Directed by: Dorota Kędzierzawska<br />
Although veteran actress Danuta Szaflarska<br />
has admitted that she doesn’t<br />
like to be filmed in close-up, she gave her<br />
filmmaker friend Dorota Kędzierzawska the<br />
chance to do just that for Inny świat (Another<br />
World). The idea for the film emerged<br />
as the pair were on the road promoting<br />
the acclaimed feature Pora umierać (Time to<br />
Die, 2007), in which Szaflarska plays a lonely<br />
but lively woman who is left in her later<br />
life with nobody to talk to but her dog. To<br />
a certain degree, Inny świat is a non-fiction<br />
extension to Pora umierać. Szaflarska, now<br />
98 years old, speaks about art and life directly<br />
to the camera without the burden of<br />
playing a character. Her extraordinary clear<br />
recollections allow her personality to shine<br />
on the screen, even more so than the many<br />
memorable characters she has portrayed.<br />
Inny świat is also an attempt to isolate the<br />
components of Szaflarska’s personal elixir<br />
of life. The actress has developed a knack<br />
of imaginatively interpreting and softening<br />
her sometimes harsh life. In her world,<br />
the hissing bullets of the war were ‘singing’<br />
and the bombs plummeting from the sky<br />
sounded just like cows mooing. Cinematographer<br />
Artur Reinhart keeps the camera<br />
on Szaflarska for every second of the<br />
film. The flow of her recollections is never<br />
interrupted, almost as if the 20th century<br />
itself is speaking through her.<br />
Dziewczyna z szafy (Girl From the Closet) 2012 ★★★★<br />
Starring: Magdalena Różańska, Wojciech Mecwaldowski, Piotr Głowacki, Eryk Lubos | Directed by: Bodo Kox<br />
Has Wrocław’s independent film scene<br />
shift permanently to the mainstream?<br />
Dominik Matwiejczyk recently directed<br />
Mechanizm obronny (Defence Mechanism,<br />
2012), a refined short feature about a Polish<br />
soldier returning from Iraq, as his fellow<br />
filmmaker, Bodo Kox, was also working on<br />
his first non-underground effort. The result,<br />
Dziewczyna z szafy (Girl From the Closet),<br />
proves that Kox has not yet fully crossed<br />
the Rubicon. Although the actor and filmmaker<br />
has put aside parody for his latest<br />
movie, he has not yet aligned himself with<br />
the Polish mainstream. The striking confrontation<br />
between Magda (Magdalena<br />
Różańska), an introverted anthropologist<br />
who sleeps in her wardrobe, and young<br />
savant Tomek (Wojciech Mecwaldowski) is<br />
one of the most touching in Polish cinema.<br />
Kox has also made the best of the rest of<br />
his cast, including Piotr Głowacki playing<br />
Tomek’s brother and Eryk Lubos in the role<br />
of a bashful, pencil-moustached policeman<br />
who also featured in Wojciech Smarzowski’s<br />
Drogówka (Traffic Police, <strong>2013</strong>). The<br />
sudden irruption of zeppelins and Jungle<br />
Book-like scenarios as Magda and Tomek<br />
daydream give the movie an irresistible<br />
Kusturica-esque humour. The film has<br />
earned Kox the wide recognition he has<br />
always deserved, at least in his homeland,<br />
and its is clear that he is more promising<br />
than many of the celebrated Indie directors<br />
working in Europe today.<br />
Krew z nosa (Nose Bleed) 2004<br />
Starring: Bodo Kox, Robert Gonera, Piotr Matwiejczyk, Dawid Antkowiak | Directed by: Dominik Matwiejczyk<br />
Dominik Matwiejczyk has earned a<br />
reputation as a prolific author of<br />
spoof movies. Krew z nosa is one such, and<br />
should be regarded as a milestone in Polish<br />
underground film. Set in the suburbs of<br />
Wrocław, Matwiejczyk’s film is a witty parody<br />
of gritty films about life in the housing<br />
projects. Shot in black and white, just like<br />
cult French movie La Haine (1995), which<br />
Matwiejczyk’s movie lampoons, Krew z<br />
nosa remains the best introduction to the<br />
Polish Indie filmmaking scene. Audiences<br />
are provided with the chance to become<br />
acquainted with the main faces from the<br />
Polish circle of low budget filmmakers all<br />
in one film, including Matwiejczyk’s brother<br />
Piotr and Bodo Kox, both in the cast. The<br />
narrative recounts the story of Pablo, who<br />
believes he can drastically change his life<br />
by recording a Hip Hop debut. Matwiejczyk’s<br />
movie is mercifully devoid of social<br />
messages. There are no rioting heroes, just<br />
a bunch of low-life characters involved in<br />
trivial brawls set to cartoon sound effects.