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MUSEUM EXAMPLES<br />

The PITTSBURGH ZOO & PPG<br />

AQUARIUM has a resident telepresence<br />

robot named VGo. This mobile video- and<br />

audio-enabled communications robot enables<br />

school groups to visit the zoo remotely, using<br />

VGo to navigate the exhibits, watch demonstrations<br />

and lectures, and interact with museum<br />

instructors. The museum’s staff notes VGo “not<br />

only saves time and money, but also supports<br />

the Pittsburgh Zoo & PPG Aquarium’s conservation<br />

message by reducing the emission<br />

of carbon dioxide into the atmosphere with<br />

less travel.”<br />

The Commonwealth Scientific and Industrial<br />

Research Organization’s (CSIRO) Museum<br />

Robot helped the NATIONAL MUSEUM<br />

OF AUSTRALIA “reassemble” the body of<br />

Australia’s most famous racehorse, Phar Lap,<br />

who won three successive Melbourne Cups.<br />

Tragically Phar Lap was poisoned at the height<br />

of his career, and pieces of his body reside in<br />

three museums. In honor of Melbourne Cup<br />

Day 2013, students from three schools were<br />

handed the digital reins of the CSIRO museum<br />

robot, controlling its 360-degree camera to<br />

explore exhibits and speak with experts at the<br />

three museums.<br />

The REINA SOFIA MUSEUM in Madrid<br />

enlisted the help of a robot in its conservation<br />

department. Pablito, as this robot is known,<br />

uses infrared and ultraviolet photography<br />

to meticulously examine paintings, taking<br />

hundreds of microscopic pictures to document<br />

condition in fine detail. Pablito has worked<br />

on about a dozen paintings, including works<br />

by Picasso and Joan Miro. The robot can work<br />

unsupervised 24/7, and can be controlled by<br />

computer from a remote location. It can travel<br />

to work onsite for art that cannot be moved (it<br />

worked on Picasso’s Guernica this way), though<br />

paintings are usually brought to its lab.<br />

The MIRAIKAN SCIENCE MUSEUM<br />

auditioned Honda Motor Company’s bubbleheaded<br />

Asimo robot as a docent in July 2013.<br />

The trial was a bit rocky, with Asimo struggling<br />

to distinguish between hands raised to ask a<br />

question, and those merely snapping a photo<br />

with a smartphone. Asimo’s fairly low-tech<br />

interface enabled it to respond to about a<br />

hundred questions selected from a<br />

touch panel.<br />

52

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