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book - Simply Charlotte Mason

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palettes were six or seven inches long, but this one was much<br />

larger—more than two feet long—and completely covered<br />

with elaborate carvings. The archaeologists surmised that<br />

such a large and elaborate palette could not have been used in<br />

someone’s home; it must have been a ceremonial object, used<br />

in a temple for some sort of service to the gods. As they studied<br />

it more closely, and as other scholars have studied it over the<br />

years, they realized that in carvings and picture-writing it told<br />

Narmer Palette<br />

a great story: the tale of the unification of Egypt.<br />

On one side, the palette shows a large figure of a man,<br />

holding an enemy by his hair with his other arm raised high<br />

to strike. Picture-writing nearby tells the man’s name: Narmer<br />

(NAR-muhr). The other side of the palette shows Narmer<br />

again, leading a procession of tiny figures carrying banners<br />

of celebration, with each banner symbolizing a city in Upper<br />

Egypt. Most importantly, Narmer wears, on one side of the<br />

palette, the tall conical White Crown of Upper Egypt, but<br />

on the other he wears the Red Crown of Lower Egypt. The<br />

pictures show that Narmer, in leadership over a group of<br />

10 <strong>Simply</strong><strong>Charlotte</strong><strong>Mason</strong>.com

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