Art Catalogue 2011:Layout 1 - Yale University Press
Art Catalogue 2011:Layout 1 - Yale University Press
Art Catalogue 2011:Layout 1 - Yale University Press
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••• modern & contemporary art<br />
In Giacometti’s Studio<br />
Michael Peppiatt<br />
This deeply engaging book introduces the reader to the<br />
creative chaos of the tiny Parisian studio of the great<br />
sculptor Alberto Giacometti, from the moment he and<br />
his brother, Diego, arrived in 1927, with all their<br />
possessions in a wheelbarrow, until Alberto’s death in<br />
1966. Michael Peppiatt prefaces his story with a<br />
poignant, personal narrative of how as a young man he<br />
arrived in Paris with an introduction from Francis<br />
Bacon to Giacometti; the encounter was forestalled by<br />
the artist’s death, but Peppiatt instead got to know the<br />
key people in Giacometti’s world. The book also examines how the studio, now<br />
dismantled, seems to be both Giacometti’s most important artwork, encompassing<br />
countless complete or unfinished works, and the archive of years of struggle.<br />
“A breezy, readable overview of Giacometti’s career … Peppiatt is a lively author who<br />
knows how to tell a good, pacy story, full of incident and fruitful speculation.”<br />
—Alastair Sooke, The Daily Telegraph<br />
“Peppiatt offers new insight into Giacometti, the man and his art.”<br />
—Dalya Alberge, The Observer<br />
“Giacometti, his works and his studio, are documented in numerous beautiful<br />
photographs in this elegantly written book.”<br />
—Martin Gayford, The Sunday Telegraph<br />
“The book has a pleasingly personal feel to it.”—Michael Glover, The Independent<br />
2010 224 pp. 120 colour illus. HB ISBN 978-0-300-09393-3 £35.00*<br />
Exhibition: San Francisco Museum of Modern <strong>Art</strong><br />
21 May – 6 September <strong>2011</strong>; Grand Palais, Paris<br />
3 October <strong>2011</strong> – 20 January 2012; Metropolitan<br />
Museum of <strong>Art</strong>, 21 February – 3 June 2012<br />
The Steins Collect<br />
Matisse, Picasso, and the Parisian<br />
Avant-Garde<br />
Edited by Janet Bishop, Cécile Debray<br />
and Rebecca Rabinow<br />
This is the first in-depth exploration of<br />
the groundbreaking art collections of<br />
expatriate writer Gertrude Stein and her<br />
family members; their relationships with<br />
Matisse, Picasso and other artists; and<br />
their impact on the art world.<br />
Published in association with the San Francisco<br />
Museum of Modern <strong>Art</strong><br />
June <strong>2011</strong> 464 pp. 220 b/w + 400 colour illus.<br />
HB ISBN 978-0-300-16941-6 £50.00*<br />
Above the Battlefield<br />
Modernism and the Peace Movement in<br />
Britain, 1900–1918<br />
Grace Brockington<br />
This book explores the role of artists and<br />
writers in the formation of a modern,<br />
secular peace movement in Britain, and<br />
the impact of ideas about ‘positive peace’<br />
on their artistic practice.<br />
Published for the Paul Mellon Centre for Studies<br />
in British <strong>Art</strong><br />
2010 272 pp. 90 b/w + 40 colour illus.<br />
HB ISBN 978-0-300-15195-4 £35.00*<br />
new & recent<br />
Exhibition: Kimbell <strong>Art</strong> Museum, Fort Worth<br />
29 May – 21 August <strong>2011</strong><br />
Santa Barbara Museum of <strong>Art</strong><br />
17 September <strong>2011</strong> – 1 January 2012<br />
Picasso and Braque<br />
The Cubist Experiment, 1910–1912<br />
Eik Kahng, Harry Cooper, Charles Palermo,<br />
Christine Poggi, Annie Bourneuf,<br />
Claire Barry and Bart Devolder<br />
The first publication to focus on the last<br />
two years of Analytic Cubism, a radical<br />
and highly significant art movement<br />
pioneered by artists Pablo Picasso and<br />
Georges Braque.<br />
Distributed for the Kimbell <strong>Art</strong> Museum<br />
and the Santa Barbara Museum of <strong>Art</strong><br />
July <strong>2011</strong> 128 pp. 90 colour illus.<br />
Paper over Board ISBN 978-0-300-16971-3 £18.00*<br />
Exhibition: The Jewish Museum, New York<br />
6 May – 25 September <strong>2011</strong><br />
Vancouver <strong>Art</strong> Gallery<br />
2 June – 23 September 2012<br />
Collecting Matisse<br />
and Modern Masters<br />
The Cone Sisters of Baltimore<br />
Karen Levitov<br />
The story of the Cone sisters, two of the<br />
most important patrons of the Parisian<br />
avant-garde, presented with 47 of the<br />
most dazzling works from The Cone<br />
Collection at The Baltimore Museum<br />
of <strong>Art</strong>.<br />
Distributed for The Jewish Museum, New York<br />
June <strong>2011</strong> 72 pp. 18 b/w + 62 colour illus.<br />
Paper over Board ISBN 978-0-300-17021-4 £16.00*<br />
Matisse<br />
Radical Invention, 1913–1917<br />
Stephanie D’Alessandro and John Elderfield<br />
This book represents the first sustained<br />
examination of Matisse’s output from<br />
this important period.<br />
“Beautiful and of exemplary<br />
scholarship ... [an] essential,<br />
scintillating addition to any library of<br />
modern art.”—Jackie Wullschlager,<br />
Financial Times<br />
Distributed for the <strong>Art</strong> Institute of Chicago<br />
2010 368 pp. 138 b/w + 515 colour illus.<br />
HB ISBN 978-0-300-15527-3 £45.00*<br />
La Prose du Transsibérien et de<br />
la petite Jehanne de France<br />
International Edition<br />
Blaise Cendrars • Illustrations by Sonia Delaunay<br />
Edited by Timothy Young<br />
A full-colour, full-size (79 by 15 inches)<br />
facsimile of the original 1913<br />
collaboration between the poet Blaise<br />
Cendrars and the artist Sonia Delaunay<br />
that came to define the modern artist’s<br />
book and stands as one of the most<br />
beautiful books ever created.<br />
2010<br />
Boxed poster ISBN 978-0-300-16414-5 £25.00*<br />
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