Realism: An Anthology of 'Language' Writing

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There they are moving slowly Stalks gathering Stalkers sunlight He was talking about the essential Language only reminding us <strong>of</strong> pain Tale told tale heard tale told heard 87
Michael Gottlieb from SOCIAL REAliSM 12 Avoid hazardous situations. There are no solid middles, only a daunting rise and a receding dissuasion. Don't panic-escape may depend upon clear thinking. I think I'll forget you just let that pass through your lips. What crimes he actually could be charged with. Regroup at your pre-established meeting place after leaving your homes. He finally threw in the towel. Keep close to the floor, below knee level. 88
Page 2 and 3: HILDA MORLEY I have never met Hilda
Page 4 and 5: REALISM An Anthology of 'Language'
Page 6 and 7: The situation is not improved by na
Page 8 and 9: seeking me as figures in the terrai
Page 10 and 11: So the critical question becomes: w
Page 12 and 13: tradition (and, insofar as each wri
Page 14 and 15: Bruce Andrews from CONFIDENCE TRICK
Page 16 and 17: * Dull frond: giant lizard tongue s
Page 18 and 19: Alan Bernheimer AFTERMATH Life aflo
Page 20 and 21: Ch:arles Bernstein BRAIN SIDE VIEW
Page 22 and 23: are, may be the same cry as that on
Page 24 and 25: Ttna Darragh AMBIGUOUS FIGURES (ill
Page 26 and 27: Alan Davies from THE FERVENT LIVES
Page 28 and 29: Jean Day LIMIT I say mud for catego
Page 32 and 33: RObert Grenier Further Beach Poem D
Page 34 and 35: MICKEY MOUSE is Mrs. Meikles NOT TO
Page 36 and 37: A squishy shining milk toast hospit
Page 38 and 39: - Lyn Hejinian THE PIT The cold in
Page 40 and 41: " . lllllJr" woman enormous of chlo
Page 42 and 43: Bob Perelman HOUSING STARTS I was b
Page 44 and 45: The sky pales. The melodramatic mac
Page 46 and 47: Here and there satisfactions rumple
Page 48 and 49: Stephen Rodefer EATS LAKE We hate p
Page 50 and 51: gives me a headache, and paper and
Page 52 and 53: -James Sherry FLEECING ·"Alas! poo
Page 54 and 55: * The end of the phone call gets wo
Page 56 and 57: Her friendships with women are diff
Page 58 and 59: Barrett Watten INTRODUCTION TO THE
Page 60 and 61: There should be no spare parts from
Page 62 and 63: Talk should be perceptible behind c
Page 64 and 65: Hannah Weiner I SEE WORDS ALL from
Page 66 and 67: strategies meant to dash any belief
Page 68 and 69: • Echo is a transcript I made (sl
Page 70 and 71: useful in understanding much of wha
Page 72 and 73: "None are purely academic or frivol
Page 74 and 75: Without the poem being a workable m
Page 76 and 77: Other journals and small presses im
Page 78 and 79: The poor vacuum! as best he can * -
Page 80 and 81:
unique tp the novel? (This same ter
Page 82 and 83:
M. wanted her own. Kept saying red
Page 84 and 85:
MICHAEL GOTTLIEB is the author of L
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Realism: An Anthology of 'Language' Writing

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