Press kit JJL relu - La maison rouge
Press kit JJL relu - La maison rouge
Press kit JJL relu - La maison rouge
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Jean-Jacques Lebel<br />
Insurrections<br />
curator: Jean de Loisy<br />
with Sandra Adam-Couralet<br />
As a foundation set up by the contemporary art collector Antoine de Galbert, la <strong>maison</strong> <strong>rouge</strong> looks with<br />
interest at private collections and the questions they raise by once a year showing works from one<br />
individual's collection. This autumn, la <strong>maison</strong> <strong>rouge</strong> turns to Jean-Jacques Lebel, a multifarious,<br />
accumulating, assembling artist and, in his own way, collector.<br />
Since 1955, Jean-Jacques Lebel has been exhibiting, writing, filming, publishing, coordinating and taking<br />
part in collective actions. First and foremost an artist, he is also an organiser of international events,<br />
exhibitions and festivals, a poet, theorist and political activist. None of the forms his life as an "inspired<br />
agitator" has taken can be dissociated from his work as an artist.<br />
This exhibition presents works born from the imaginings of this artist, conveyor and preeminent figure of<br />
avant-gardism over the past fifty years.<br />
Beyond its obvious meaning, Insurrections has other implications that span the political and the poetic,<br />
reality and its representations, reflection and the most diverse languages. In an attempt to sketch the<br />
existential portrait of this insurgent, this polysemic title encompasses Jean-Jacques Lebel's own work, that<br />
of his friends and companions, and the objects of art and combat he has gathered and which fuel his<br />
subjectivity.<br />
The exhibition is divided into themes. Each corresponds to Jean-Jacques Lebel's obsession with the<br />
enigma which a work and the wider context of its emergence raise. Happenings, Insubordination, Poetry,<br />
Hallucination, Eros, Dada, War and Rhizome are some examples. Through these interconnecting<br />
ensembles, visitors can engage with some of Jean-Jacques Lebel's major installations, works of primitive<br />
art, works by anonymous artists and others by such important allies as Johan Heinrich Füssli, Giuseppe<br />
Arcimboldo, Louise Michel, Fourier, Ravachol, Guillaume Apollinaire, Marcel Duchamp, Pablo Picasso, Otto<br />
Dix, André Breton, Francis Picabia, Antonin Artaud, Bernard Heidsieck, Erró, Antonio Saura, Konrad<br />
Klapheck, Öyvind Fahlström, Peter Saul, Camilla Adami and Orlan: some three hundred works in all which<br />
continue to engross the artist in an earnest and endless dialogue.<br />
Insurrections celebrates the radical subjectivity of an uncommon individual. It focuses on the intense and<br />
continuous exchanges that take place between art and life, research and mediation, self and tribe. Notions<br />
of discipline and classification cannot contain the work of Jean-Jacques Lebel. His is a mind in action,<br />
fuelled by the thoughts and creations of every era and civilisation, undeterred by boundaries and<br />
conventions.<br />
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