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would have killed a guy. DL reminds her that Frenesi was working for Vond.<br />
Prairie takes a break for some comedy in the kitchen with fluorescent Variety Loaf. Suddenly the SKA<br />
retreat is under attack, presumably by Vond. Takeshi, DL and Prairie make their get-away in DL's trick Trans-<br />
Am.<br />
p. 130 "Fresson process studio pho<strong>to</strong>graph" Pho<strong>to</strong>graphic printing process that uses coal <strong>to</strong> produce<br />
paper prints with a unique luminosity and grain. Fresson printing produces an image that is characteristically<br />
diffused and subtle, reminiscent of the "pointillism" of Impressionist painting. The image is extremely stable;<br />
Fresson printing is considered the most archival of any color procedure in use <strong>to</strong>day.<br />
p. 131 "If you want real ninja product..." The whole sequence about hiring an assassin is pure<br />
cyberpunk schtick.<br />
p. 131 "The Vibrating Palm" This may be a subtle reference <strong>to</strong> the old joke-s<strong>to</strong>re "buzzer" or "shocker"<br />
-- and resonates nicely with the rubber scampi on the previous page.<br />
p. 131 "YakMaf" = Yakuza/Mafia.<br />
p. 133 "legendary in the dopers' community" Why is the gas station <strong>to</strong>ilet legendary? And why would<br />
DL care anyway? All she needs <strong>to</strong> do is change in<strong>to</strong> her disguise.<br />
p. 133 "baby-blue shadows..." Nice description -- and a precursor <strong>to</strong> the color of Frenesi's eyes.<br />
P. 134 "beige hose, white underwear..." Pynchon's description of DL's Clark Kent outfits is surprisingly<br />
accurate, especially for a male. It's like giving the O-O (see note, p. 79) <strong>to</strong> a nice Midwestern girl, circa 1960.<br />
p. 135 "She wasn't sure right away that being sold in<strong>to</strong> white slavery would turn out <strong>to</strong> be at all<br />
beneficial as a career step..." The kidnap-and-auction sequence is good, fast-moving s<strong>to</strong>rytelling: breathless,<br />
tense, gripping, light on flashy effects. This is also familiar cyberpunk terri<strong>to</strong>ry, especially the interview with<br />
Wayvone.<br />
p. 136 "older gentlemen with fingertip deficiencies..." Yakuza who have screwed up, and demonstrated<br />
their remorse by cutting off a fingertip.<br />
p. 139 "Ufa, mi tratt' a pesci in faccia..." Literally, "Oof, you've thrown a fish in my face!" It's an<br />
ominous Sicilian warning meaning, "You've insulted me most unpleasantly, treated me in the worst possible<br />
way!"<br />
p. 141 "I knew it!" Prairie breaking in<strong>to</strong> the seamless narrative is almost a Brechtian alienation effect. By<br />
now the s<strong>to</strong>ry is moving so strongly that we've <strong>to</strong>tally forgotten the "as-<strong>to</strong>ld-<strong>to</strong>" frame.<br />
p. 141 "How could [Frenesi] have ever gone near somebody like this Brock guy?" Good question.<br />
Pynchon never really answers it -- unless we accept the idea of Frenesi embodying America's fatal fascination<br />
with authority.<br />
p. 141 "what-is-reality exercises" Reminiscent of science fiction writer Philip K. Dick.<br />
p. 141 "Ninja Death Touch calcula<strong>to</strong>r" This joke strikes another false note. The entire sub-plot<br />
revolving around the Vibrating Palm is broad comedy, of course, but this smart-ass gag is severely out-of-scale.<br />
p. 142 "might as well stay home -- watch a Run Run Shaw movie!" Hong-Kong-based Run-Run Shaw<br />
produced the popular (and violent) Bruce Lee karate flicks, also lots of action-packed swords and sorcery<br />
adventures (like the ones that clearly inspired a lot of the DL and Takeshi sub-plot).<br />
p. 142 "yellow headlamps of the tech squads..." The scene in the Footprint is reminiscent of the<br />
monolith excavation on the moon in 2001. Also, most of the Japanese dialogue is phrased in Pynchon's unique,<br />
sounds-just-like-a-movie style.<br />
p. 142 "...the shadowy world conglomerate Chipco..." This imaginary entity (an echo, perhaps of the<br />
sinister YoYoDyne Corporation in The Crying of Lot 49) is presumably some Intel-like company whose<br />
microprocessor chips are sold world wide. No doubt the chips are designed <strong>to</strong> keep a covert watch on<br />
everything, and report back <strong>to</strong> Chipco -- similar <strong>to</strong> Byron the Bulb and his fellow gridmates in Gravity's<br />
Rainbow.<br />
p. 142 "gigantic animal footprint" Godzilla's size is pretty well known, and this (as we shall see)<br />
sauroid footprint is <strong>to</strong>o large <strong>to</strong> be that of the big G. However, Godzilla is a product of Japanese movie model<br />
technology of the fifties, so who knows what the eighties might bring?<br />
p. 142 "Wawazume Life & Non-Life" Is this a joke? And what kind? Maybe they insure things other<br />
than lives. Maybe Thana<strong>to</strong>ids get "non-life" insurance. Or it could just be a satirically "tactful" Japanese way of